UPC · Release
The Georgia Satellites
Last verified:
5055300381750 is the Universal Product Code (UPC barcode) for the release “Georgia Satellites” by The Georgia Satellites, released 2014-01-01 on Rock Candy. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include USEE10000559, USEE10184210, USEE18600005.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Keep Your Hands to Yourself | Georgia Satellites | T-918.238.343-3 | |
| 2 | Railroad Steel | Georgia Satellites | T-918.285.441-7 | |
| 3 | Battleship Chains | Georgia Satellites | T-070.016.885-9 | |
| 4 | Red Light | Georgia Satellites | T-918.285.904-7 | |
| 5 | The Myth of Love | Georgia Satellites | T-918.279.997-9 | |
| 6 | Can’t Stand the Pain | Georgia Satellites | T-911.055.716-9 | |
| 7 | Golden Light | Georgia Satellites | T-911.060.003-8 | |
| 8 | Over and Over | Georgia Satellites | T-918.283.176-1 | |
| 9 | Nights of Mystery | Georgia Satellites | T-918.280.708-5 | |
| 10 | Every Picture Tells a Story | Georgia Satellites | T-070.881.327-7 | |
| 11 | I'm Waiting for the Man | — | ||
| 12 | The Myth of Love (live) | — | ||
| 14 | Hard Luck Boy | — | ||
| 15 | Red Light (live) | — | ||
| 16 | No Money Down (live) | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
5055300381750 is a Universal Product Code (UPC) assigned to Georgia Satellites by The Georgia Satellites. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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