UPC · Release
Let Me Tell You About the Blues: Chicago - The Evolution of Chicago Blues 1925-1958
Various Artists
5055311000121
75 tracksReleased 2009-01-01Fantastic Voyage
Last verified:
5055311000121 is the Universal Product Code (UPC barcode) for the release “Let Me Tell You About the Blues: Chicago - The Evolution of Chicago Blues 1925-1958” by Various Artists, released 2009-01-01 on Fantastic Voyage. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC. Tracks include GBAJD0781013, GBAJD0701080, USSM10007189.
Format
505GS1 prefix
5311Company prefix
00012Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCLet Me Tell You About the Blues: Chicago - The Evolution of Chicago Blues 1925-1958
ISRC10 recordings
ISWC13 works
IPI46 songwriters
Track List (75)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Maxwell Street Blues | — | ||
| 2 | You Can't Keep No Brown | — | ||
| 3 | Prison Bound Blues | — | ||
| 4 | Honky Tonk Train Blues | — | ||
| 5 | Blame It on the Blues | — | ||
| 6 | Diddie Wa Diddie | — | ||
| 7 | "44" Blues | — | ||
| 8 | I Can't Be Satisfied | — | ||
| 9 | Devil's Son in Law | — | ||
| 10 | Turpentine Blues | — | ||
| 11 | East Chicago Blues | — | ||
| 12 | Milk Cow Blues | — | ||
| 13 | Chickasaw Train Blues | — | ||
| 14 | Sail On, Little Girl, Sail On | — | ||
| 15 | Bed Springs Blues | — | ||
| 16 | Evil Devil Woman Blues | Kansas Joe McCoy | — | |
| 17 | Baby, Please Don’t Go | Big Joe Williams | T-070.278.618-2 | |
| 18 | Drop Down Mama | — | ||
| 19 | Sweet Sixteen | — | ||
| 20 | Who Pumped the Wind in My Doughnut | — | ||
| 21 | Sam - The Hot Dog Man | — | ||
| 22 | Sarah Jane | — | ||
| 23 | I'll Keep Sittin' On It | — | ||
| 24 | W. P. A. Blues | Casey Bill Weldon | — | |
| 25 | Louise Louise Blues | — | ||
| 2-1 | Good Morning Little School Girl | Sonny Boy Williamson, Big Joe Williams | T-901.130.029-1 | |
| 2-2 | Lake Michigan Blues | — | ||
| 2-3 | Bottle It Up and Go | — | ||
| 2-4 | Good Gin Blues | Bukka White | — | |
| 2-5 | Friar's Point Blues | — | ||
| 2-6 | Rock and Rye | — | ||
| 2-7 | If You Take Me Back | — | ||
| 2-8 | Junker Blues | — | ||
| 2-9 | Love Is Gone | — | ||
| 2-10 | Take a Little Walk With Me | — | ||
| 2-11 | Going Down Slow | — | ||
| 2-12 | Macy Special | — | ||
| 2-13 | Chicago Blues | — | ||
| 2-14 | Jumping at the Club Blue Flame | — | ||
| 2-15 | Round the World Boogie | — | ||
| 2-16 | Round About Boogie | — | ||
| 2-17 | Better Cut That Out | Sonny Boy Williamson | — | |
| 2-18 | Rockin' the House | — | ||
| 2-19 | Brown Skin Woman | — | ||
| 2-20 | Boogie | — | ||
| 2-21 | Keep What You Got | — | ||
| 2-22 | Chicago Is Just That Way | — | ||
| 2-23 | I Can't Be Satisfied | — | ||
| 2-24 | Big Town Playboy | — | ||
| 2-25 | Kidman Blues (take 2) | Memphis Minnie | — | |
| 3-1 | Goin' Away Baby | — | ||
| 3-2 | I Just Keep Loving Her | — | ||
| 3-3 | Love Her With a Feelin' | Tampa Red | — | |
| 3-4 | Crawlin' King Snake | Tony Hollins | — | |
| 3-5 | South Bound Train | Big Bill Broonzy | — | |
| 3-6 | Dust My Broom | — | ||
| 3-7 | Juke | — | ||
| 3-8 | Seventy Four | — | ||
| 3-9 | Worried About My Baby | — | ||
| 3-10 | The Mojo | — | ||
| 3-11 | Tough Times | — | ||
| 3-12 | High and Lonesome | — | ||
| 3-13 | Hoodoo Man | — | ||
| 3-14 | Been Through the Mill | — | ||
| 3-15 | Hard Hearted Woman | — | ||
| 3-16 | Ride 'em on Down | — | ||
| 3-17 | I Wish You Would | — | ||
| 3-18 | That Ain't Right | — | ||
| 3-19 | Mannish Boy | — | ||
| 3-20 | Smokestack Lightnin' | — | ||
| 3-21 | I Can't Quit You Baby | — | ||
| 3-22 | All Your Love | — | ||
| 3-23 | Coming Home | — | ||
| 3-24 | Sit and Cry (The Blues) | — | ||
| 3-25 | Your Funeral and My Trial | — |
Maxwell Street Blues
—
You Can't Keep No Brown
—
Prison Bound Blues
—
Honky Tonk Train Blues
—
Blame It on the Blues
—
Diddie Wa Diddie
—
"44" Blues
—
I Can't Be Satisfied
—
Devil's Son in Law
—
Turpentine Blues
—
East Chicago Blues
—
Milk Cow Blues
—
Chickasaw Train Blues
—
Sail On, Little Girl, Sail On
—
Bed Springs Blues
—
Evil Devil Woman Blues
Kansas Joe McCoy
—
Drop Down Mama
—
Sweet Sixteen
—
Who Pumped the Wind in My Doughnut
—
Sam - The Hot Dog Man
—
Sarah Jane
—
I'll Keep Sittin' On It
—
W. P. A. Blues
Casey Bill Weldon
—
Louise Louise Blues
—
Lake Michigan Blues
—
Bottle It Up and Go
—
Good Gin Blues
Bukka White
—
Friar's Point Blues
—
Rock and Rye
—
If You Take Me Back
—
Junker Blues
—
Love Is Gone
—
Take a Little Walk With Me
—
Going Down Slow
—
Macy Special
—
Chicago Blues
—
Jumping at the Club Blue Flame
—
Round the World Boogie
—
Round About Boogie
—
Better Cut That Out
Sonny Boy Williamson
—
Rockin' the House
—
Brown Skin Woman
—
Boogie
—
Keep What You Got
—
Chicago Is Just That Way
—
I Can't Be Satisfied
—
Big Town Playboy
—
Kidman Blues (take 2)
Memphis Minnie
—
Goin' Away Baby
—
I Just Keep Loving Her
—
Love Her With a Feelin'
Tampa Red
—
Crawlin' King Snake
Tony Hollins
—
South Bound Train
Big Bill Broonzy
—
Dust My Broom
—
Juke
—
Seventy Four
—
Worried About My Baby
—
The Mojo
—
Tough Times
—
High and Lonesome
—
Hoodoo Man
—
Been Through the Mill
—
Hard Hearted Woman
—
Ride 'em on Down
—
I Wish You Would
—
That Ain't Right
—
Mannish Boy
—
Smokestack Lightnin'
—
I Can't Quit You Baby
—
All Your Love
—
Coming Home
—
Sit and Cry (The Blues)
—
Your Funeral and My Trial
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Better Cut That Out | Sonny Boy Williamson | — |
| Love Her With a Feelin' | Tampa Red | — |
Better Cut That Out
Sonny Boy Williamson
—
Love Her With a Feelin'
Tampa Red
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
00004624713000059562850000885496400008855177000149908740001506920900018004524000204409330002150742700021706224
+36 more
000227463000002559318600027054111000325387940003975574300048667149000550034190005501799400055023607000557078650006169437000062687359000635185790006351867700063992643000650519890006523419400065713474000660247900013604479500185834338001890543460021797274400233039105002451274860034645494400346455059003509631630044085565500440855753004408558510047164435100473970520006408165540064968758000795323805
Creative Contributors (ISNI)
00000000398183020000000045567538000000005511628X000000005513121X000000005513403100000000551456700000000055163414000000005518222800000000551834900000000055509411
+40 more
000000005555111800000000584750340000000059340406000000005937029300000000595019860000000063024932000000006308499400000000630925640000000071036319000000007142598X0000000073576554000000007838544X000000007839635X0000000079701491000000007975039X00000000797530640000000079756054000000007977852800000000798088700000000079819836000000007985873900000000798665440000000080149024000000008015773700000000813227490000000108229748000000010823444000000001084493020000000110379542000000011443574000000001145113790000000115112900000000011828057100000003683711930000000368373156000000036840959300000003684121510000000368480998000000036848688X0000000368586872
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People also ask
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Verified on
What is UPC 5055311000121?
5055311000121 is a Universal Product Code (UPC) assigned to Let Me Tell You About the Blues: Chicago - The Evolution of Chicago Blues 1925-1958 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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