UPC · Release
King Curtis
Last verified:
5055311000886 is the Universal Product Code (UPC barcode) for the release “Wail Man Wail: The Best of King Curtis (1952–1961)” by King Curtis, released 2012-01-01 on Fantastic Voyage. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 96 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | No More Crying on My Pillow | — | ||
| 2 | Tenor in the Sky | — | ||
| 3 | Movin’ On | — | ||
| 4 | Rockabye Baby | — | ||
| 5 | Open Up | — | ||
| 6 | King’s Rock | — | ||
| 7 | Dynamite at Midnight | — | ||
| 8 | The Stranger | — | ||
| 9 | Steel Guitar Rag | — | ||
| 10 | Wicky Wacky, Pt. 1 | — | ||
| 11 | Wicky Wacky, Pt. 2 | — | ||
| 12 | The Count and the King | — | ||
| 13 | The King | — | ||
| 14 | Battle Royal | — | ||
| 15 | Jest Smoochin’ | — | ||
| 16 | Birth of the Blues | — | ||
| 17 | Ilfic | — | ||
| 18 | You Made Me Love You | — | ||
| 19 | Castle Rock | — | ||
| 20 | Chili | — | ||
| 21 | Honeydripper, Pt. 1 | — | ||
| 22 | Honeydripper, Pt. 2 | — | ||
| 23 | Peter Gunn | — | ||
| 24 | Heavenly Blues | — | ||
| 25 | Restless Guitar | — | ||
| 26 | King Neptune’s Guitar | — | ||
| 27 | Beatnik Hoedown | — | ||
| 28 | The Lone Prairie | — | ||
| 29 | Jay Walk | — | ||
| 30 | St Louis Blues | — | ||
| 31 | My Babe | — | ||
| 32 | Hot‐Rod | — | ||
| 2-1 | I’ll Be There | — | ||
| 2-2 | Korea, Korea | — | ||
| 2-3 | Boogie in the Moonlight | — | ||
| 2-4 | Work, Little Carrie, Work | — | ||
| 2-5 | Woman, Woman, Woman | — | ||
| 2-6 | Why Do Me That Way | — | ||
| 2-7 | Mr Bear Comes to Town | — | ||
| 2-8 | If (You Want to Be My Baby) | — | ||
| 2-9 | Dee Dat Dee Dum Dum | — | ||
| 2-10 | Mumbles Blues | — | ||
| 2-11 | I’m Going Crazy | — | ||
| 2-12 | Bamboo Rock ’n’ Roll | — | ||
| 2-13 | Yes Sir! | — | ||
| 2-14 | In the Morning | — | ||
| 2-15 | Our Love Will Never End | — | ||
| 2-16 | Don’t Push, Don’t Pull, Don’t Shove | — | ||
| 2-17 | Gum Shoe | — | ||
| 2-18 | I’m Going Home | — | ||
| 2-19 | Oh! You Sweet Girl | — | ||
| 2-20 | Rib Joint | — | ||
| 2-21 | Juicy Fruit | — | ||
| 2-22 | Wail Man Wail | — | ||
| 2-23 | You’re the One for Me | — | ||
| 2-24 | Pot Likker | — | ||
| 2-25 | Ice Cream Baby | — | ||
| 2-26 | Handy Andy | — | ||
| 2-27 | Before You Go | — | ||
| 2-28 | Blues, Early Early, Pts. 1 & 2 | — | ||
| 2-29 | Rack ’em Back | — | ||
| 2-30 | The Stroll | — | ||
| 3-1 | (We’re Gonna) Jump for Joy | — | ||
| 3-2 | Keep A‐Driving | — | ||
| 3-3 | Crowded Classroom | — | ||
| 3-4 | The Shadow Knows | — | ||
| 3-5 | Lady Love | — | ||
| 3-6 | Keep a Walkin’ | — | ||
| 3-7 | Rock and Ree‐Ah‐Zole | — | ||
| 3-8 | Yakety Yak | — | ||
| 3-9 | Switchen in the Kitchen | — | ||
| 3-10 | In the Mood | — | ||
| 3-11 | Just Multiply | — | ||
| 3-12 | Crawfish | — | ||
| 3-13 | Fine Little Girl | — | ||
| 3-14 | This Little Girl’s Gone Rockin’ | — | ||
| 3-15 | When Sin Stops | — | ||
| 3-16 | That Is Rock & Roll | — | ||
| 3-17 | I Ain’t Sharin’ Sharon | — | ||
| 3-18 | You Gotta Learn Your Rhythm and Blues | — | ||
| 3-19 | The Lover’s Curse | — | ||
| 3-20 | Charlie Brown | — | ||
| 3-21 | Jole Blon | — | ||
| 3-22 | Always | — | ||
| 3-23 | Takin’ Care of Business | — | ||
| 3-24 | Stupid Cupid | — | ||
| 3-25 | Besame Mucho, Pt. 2 | — | ||
| 3-26 | More Juice | — | ||
| 3-27 | Your Love | — | ||
| 3-28 | Madisonville, Pt. 1 | — | ||
| 3-29 | Madisonville, Pt. 2 | — | ||
| 3-30 | Shoppin’ for Clothes | — | ||
| 3-31 | Tossin’ and Turnin’ | — | ||
| 3-32 | Hearts of Stone | — | ||
| 3-33 | Better Forget Him | — | ||
| 3-34 | Off to Work Again | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
5055311000886 is a Universal Product Code (UPC) assigned to Wail Man Wail: The Best of King Curtis (1952–1961) by King Curtis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 96 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5055311000886 is the Universal Product Code (UPC barcode) for the release “Wail Man Wail: The Best of King Curtis (1952–1961)” by King Curtis, released 2012-01-01 on Fantastic Voyage. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 96 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | No More Crying on My Pillow | — | ||
| 2 | Tenor in the Sky | — | ||
| 3 | Movin’ On | — | ||
| 4 | Rockabye Baby | — | ||
| 5 | Open Up | — | ||
| 6 | King’s Rock | — | ||
| 7 | Dynamite at Midnight | — | ||
| 8 | The Stranger | — | ||
| 9 | Steel Guitar Rag | — | ||
| 10 | Wicky Wacky, Pt. 1 | — | ||
| 11 | Wicky Wacky, Pt. 2 | — | ||
| 12 | The Count and the King | — | ||
| 13 | The King | — | ||
| 14 | Battle Royal | — | ||
| 15 | Jest Smoochin’ | — | ||
| 16 | Birth of the Blues | — | ||
| 17 | Ilfic | — | ||
| 18 | You Made Me Love You | — | ||
| 19 | Castle Rock | — | ||
| 20 | Chili | — | ||
| 21 | Honeydripper, Pt. 1 | — | ||
| 22 | Honeydripper, Pt. 2 | — | ||
| 23 | Peter Gunn | — | ||
| 24 | Heavenly Blues | — | ||
| 25 | Restless Guitar | — | ||
| 26 | King Neptune’s Guitar | — | ||
| 27 | Beatnik Hoedown | — | ||
| 28 | The Lone Prairie | — | ||
| 29 | Jay Walk | — | ||
| 30 | St Louis Blues | — | ||
| 31 | My Babe | — | ||
| 32 | Hot‐Rod | — | ||
| 2-1 | I’ll Be There | — | ||
| 2-2 | Korea, Korea | — | ||
| 2-3 | Boogie in the Moonlight | — | ||
| 2-4 | Work, Little Carrie, Work | — | ||
| 2-5 | Woman, Woman, Woman | — | ||
| 2-6 | Why Do Me That Way | — | ||
| 2-7 | Mr Bear Comes to Town | — | ||
| 2-8 | If (You Want to Be My Baby) | — | ||
| 2-9 | Dee Dat Dee Dum Dum | — | ||
| 2-10 | Mumbles Blues | — | ||
| 2-11 | I’m Going Crazy | — | ||
| 2-12 | Bamboo Rock ’n’ Roll | — | ||
| 2-13 | Yes Sir! | — | ||
| 2-14 | In the Morning | — | ||
| 2-15 | Our Love Will Never End | — | ||
| 2-16 | Don’t Push, Don’t Pull, Don’t Shove | — | ||
| 2-17 | Gum Shoe | — | ||
| 2-18 | I’m Going Home | — | ||
| 2-19 | Oh! You Sweet Girl | — | ||
| 2-20 | Rib Joint | — | ||
| 2-21 | Juicy Fruit | — | ||
| 2-22 | Wail Man Wail | — | ||
| 2-23 | You’re the One for Me | — | ||
| 2-24 | Pot Likker | — | ||
| 2-25 | Ice Cream Baby | — | ||
| 2-26 | Handy Andy | — | ||
| 2-27 | Before You Go | — | ||
| 2-28 | Blues, Early Early, Pts. 1 & 2 | — | ||
| 2-29 | Rack ’em Back | — | ||
| 2-30 | The Stroll | — | ||
| 3-1 | (We’re Gonna) Jump for Joy | — | ||
| 3-2 | Keep A‐Driving | — | ||
| 3-3 | Crowded Classroom | — | ||
| 3-4 | The Shadow Knows | — | ||
| 3-5 | Lady Love | — | ||
| 3-6 | Keep a Walkin’ | — | ||
| 3-7 | Rock and Ree‐Ah‐Zole | — | ||
| 3-8 | Yakety Yak | — | ||
| 3-9 | Switchen in the Kitchen | — | ||
| 3-10 | In the Mood | — | ||
| 3-11 | Just Multiply | — | ||
| 3-12 | Crawfish | — | ||
| 3-13 | Fine Little Girl | — | ||
| 3-14 | This Little Girl’s Gone Rockin’ | — | ||
| 3-15 | When Sin Stops | — | ||
| 3-16 | That Is Rock & Roll | — | ||
| 3-17 | I Ain’t Sharin’ Sharon | — | ||
| 3-18 | You Gotta Learn Your Rhythm and Blues | — | ||
| 3-19 | The Lover’s Curse | — | ||
| 3-20 | Charlie Brown | — | ||
| 3-21 | Jole Blon | — | ||
| 3-22 | Always | — | ||
| 3-23 | Takin’ Care of Business | — | ||
| 3-24 | Stupid Cupid | — | ||
| 3-25 | Besame Mucho, Pt. 2 | — | ||
| 3-26 | More Juice | — | ||
| 3-27 | Your Love | — | ||
| 3-28 | Madisonville, Pt. 1 | — | ||
| 3-29 | Madisonville, Pt. 2 | — | ||
| 3-30 | Shoppin’ for Clothes | — | ||
| 3-31 | Tossin’ and Turnin’ | — | ||
| 3-32 | Hearts of Stone | — | ||
| 3-33 | Better Forget Him | — | ||
| 3-34 | Off to Work Again | — |
