Notes.fmCredits.fm
ISRCISWCIPIISNIUPCMusiciansAPIMCP
Credits.fmCredits.fm
SearchISRCCreditsWorksMore

Search

  • Credits.fm
  • isrc.fm
  • iswc.fm
  • ipi.fm
  • isni.fm
  • UPC Search
  • Musician Search
  • Credits Graph
  • Top IPIs
  • Top ISRCs
  • Top ISWCs
  • Top ISNIs
  • Top UPCs

Learn

  • What Are Music Credits?
  • What Is an ISRC?
  • What Is an ISWC?
  • What Is an IPI?
  • What Is an ISNI?
  • What Is a UPC?
  • ISRC vs ISWC
  • ISRC vs UPC
  • IPI vs ISNI
  • Glossary

Developers

  • REST API
  • Credits Graph
  • MCP Server
  • llms.txt

About

  • About Credits.fm
  • Notes.fm
  • Privacy Policy
  • Terms of Service
Notes.fm
  1. Home
  2. UPCs
  3. Jazz Noire: Darktown Sleaze From the Mean Streets of 1940s L.A.
Jazz Noire: Darktown Sleaze From the Mean Streets of 1940s L.A.

UPC · Release

Jazz Noire: Darktown Sleaze From the Mean Streets of 1940s L.A.

Various Artists

5055311001210
50 tracksReleased 2011-01-01Fantastic Voyage

Last verified: September 12, 2026

5055311001210 is the Universal Product Code (UPC barcode) for the release “Jazz Noire: Darktown Sleaze From the Mean Streets of 1940s L.A.” by Various Artists, released 2011-01-01 on Fantastic Voyage. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC.

Format

505GS1 prefix
5311Company prefix
00121Product
0Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCJazz Noire: Darktown Sleaze From the Mean Streets of 1940s L.A.
ISWC8 works
IPI13 songwriters

Track List (50)

#Track TitleArtist(s)ISWC
Theme From ‘The Killers’ (1946)1Theme From ‘The Killers’ (1946)—
Harlem Nocturne2Harlem Nocturne—
I’m Just a Lucky So‐And‐So3I’m Just a Lucky So‐And‐So—
If I Ever Find You, Baby4If I Ever Find You, Baby—
Don’t Explain5Don’t Explain—
Blues in My Shower6Blues in My Shower—
Skid Row Blues7Skid Row Blues—
You Satisfy8You Satisfy—
Call It Stormy Monday9Call It Stormy Monday—
This Subdues My Passion10This Subdues My Passion—
No Good Man11No Good Man—
Leary Blues12Leary Blues—
You Can’t Tell Who’s Lovin’ Who13You Can’t Tell Who’s Lovin’ Who—
Solitude14Solitude—
Good Dues Blues15Good Dues Blues—
Serves Me Right16Serves Me Right—
What Ev’ry Woman Knows17What Ev’ry Woman Knows—
Money Hustlin’ Woman18Money Hustlin’ Woman—
Blue and Sentimental19Blue and Sentimental—
All the Things You Are20All the Things You Are—
Weird Nightmare21Weird Nightmare—
Gone Again22Gone Again—
Jelly Jelly23Jelly Jelly—
Round About Midnight24Round About Midnight—
Theme From “Double Indemnity” (1944)25Theme From “Double Indemnity” (1944)—
Theme From “High Sierra” (1941)2-1Theme From “High Sierra” (1941)—
Gee, Baby, Ain’t I Good to You?2-2Gee, Baby, Ain’t I Good to You?—
Pacific Coast Blues2-3Pacific Coast Blues—
How High the Moon2-4How High the Moon—
Far Cry2-5Far Cry—
Marijuana2-6Marijuana—
Why’d You Do It, Baby?2-7Why’d You Do It, Baby?—
Interlude2-8Interlude—
No Eyes Blues2-9No Eyes Blues—
Dark Shadows2-10Dark Shadows—
Billie’s Blues2-11Billie’s Blues—
I Wonder Where Our Love Has Gone2-12I Wonder Where Our Love Has Gone—
Lover Man2-13Lover Man—
Prisoner of Love2-14Prisoner of Love—
Since I Fell for You2-15Since I Fell for You—
San Francisco Fan2-16San Francisco Fan—
Midnight Sun2-17Midnight Sun—
I Sold My Heart to the Junkman2-18I Sold My Heart to the Junkman—
I Got It Bad (and That Ain’t Good)2-19I Got It Bad (and That Ain’t Good)—
Good Morning Heartache2-20Good Morning Heartache—
Goofin’ Off2-21Goofin’ Off—
Whiskey and Jelly‐Roll Blues2-22Whiskey and Jelly‐Roll Blues—
Fine and Mellow2-23Fine and Mellow—
LA Blues2-24LA Blues—
Theme From “Cry of the City” (1948)2-25Theme From “Cry of the City” (1948)—
Theme From ‘The Killers’ (1946)
Theme From ‘The Killers’ (1946)
—
Harlem Nocturne
Harlem Nocturne
—
I’m Just a Lucky So‐And‐So
I’m Just a Lucky So‐And‐So
—
If I Ever Find You, Baby
If I Ever Find You, Baby
—
Don’t Explain
Don’t Explain
—
Blues in My Shower
Blues in My Shower
—
Skid Row Blues
Skid Row Blues
—
You Satisfy
You Satisfy
—
Call It Stormy Monday
Call It Stormy Monday
—
This Subdues My Passion
This Subdues My Passion
—
No Good Man
No Good Man
—
Leary Blues
Leary Blues
—
You Can’t Tell Who’s Lovin’ Who
You Can’t Tell Who’s Lovin’ Who
—
Solitude
Solitude
—
Good Dues Blues
Good Dues Blues
—
Serves Me Right
Serves Me Right
—
What Ev’ry Woman Knows
What Ev’ry Woman Knows
—
Money Hustlin’ Woman
Money Hustlin’ Woman
—
Blue and Sentimental
Blue and Sentimental
—
All the Things You Are
All the Things You Are
—
Weird Nightmare
Weird Nightmare
—
Gone Again
Gone Again
—
Jelly Jelly
Jelly Jelly
—
Round About Midnight
Round About Midnight
—
Theme From “Double Indemnity” (1944)
Theme From “Double Indemnity” (1944)
—
Theme From “High Sierra” (1941)
Theme From “High Sierra” (1941)
—
Gee, Baby, Ain’t I Good to You?
Gee, Baby, Ain’t I Good to You?
—
Pacific Coast Blues
Pacific Coast Blues
—
How High the Moon
How High the Moon
—
Far Cry
Far Cry
—
Marijuana
Marijuana
—
Why’d You Do It, Baby?
Why’d You Do It, Baby?
—
Interlude
Interlude
—
No Eyes Blues
No Eyes Blues
—
Dark Shadows
Dark Shadows
—
Billie’s Blues
Billie’s Blues
—
I Wonder Where Our Love Has Gone
I Wonder Where Our Love Has Gone
—
Lover Man
Lover Man
—
Prisoner of Love
Prisoner of Love
—
Since I Fell for You
Since I Fell for You
—
San Francisco Fan
San Francisco Fan
—
Midnight Sun
Midnight Sun
—
I Sold My Heart to the Junkman
I Sold My Heart to the Junkman
—
I Got It Bad (and That Ain’t Good)
I Got It Bad (and That Ain’t Good)
—
Good Morning Heartache
Good Morning Heartache
—
Goofin’ Off
Goofin’ Off
—
Whiskey and Jelly‐Roll Blues
Whiskey and Jelly‐Roll Blues
—
Fine and Mellow
Fine and Mellow
—
LA Blues
LA Blues
—
Theme From “Cry of the City” (1948)
Theme From “Cry of the City” (1948)
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-070.064.882-3T-070.233.721-0T-070.240.715-5T-070.242.189-3T-070.268.668-7T-070.271.770-1T-070.905.815-0T-071.063.841-7

Songwriters/Publishers (IPI)

00010318443000142818090001540522500015432418000202471380002091850400020918602000222785030002350532300026923090
+3 more
000325392000003993445000054603594

Creative Contributors (ISNI)

0000000055139238000000005514209000000000551851110000000059498887000000007246373400000000814907260000000081802574000000008186772200000001085485460000000109178145
+13 more
00000001102155990000000110832626000000011240297X000000011443258200000001180384270000000120955806000000012139670000000001214832300000000122424806000000036849971X000000036850106600000003685712830000000368633974
SourcesMusicBrainzDiscogsMusicBrainz✓3 sources

Verified on

  • MusicBrainz release search

Credits Graph

People also ask

What is UPC 5055311001210?+
UPC 5055311001210 is the Universal Product Code (barcode) for "Jazz Noire: Darktown Sleaze From the Mean Streets of 1940s L.A." by Various Artists, released on Fantastic Voyage.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5055311001210?+
UPC 5055311001210 contains 50 tracks.

What is UPC 5055311001210?

5055311001210 is a Universal Product Code (UPC) assigned to Jazz Noire: Darktown Sleaze From the Mean Streets of 1940s L.A. by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Various Artists

5055311001210 is the Universal Product Code (UPC barcode) for the release “Jazz Noire: Darktown Sleaze From the Mean Streets of 1940s L.A.” by Various Artists, released 2011-01-01 on Fantastic Voyage. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC.

Track List (50)

#Track TitleArtist(s)ISWC
Theme From ‘The Killers’ (1946)1Theme From ‘The Killers’ (1946)—
Harlem Nocturne2Harlem Nocturne—
I’m Just a Lucky So‐And‐So3I’m Just a Lucky So‐And‐So—
If I Ever Find You, Baby4If I Ever Find You, Baby—
Don’t Explain5Don’t Explain—
Blues in My Shower6Blues in My Shower—
Skid Row Blues7Skid Row Blues—
You Satisfy8You Satisfy—
Call It Stormy Monday9Call It Stormy Monday—
This Subdues My Passion10This Subdues My Passion—
No Good Man11No Good Man—
Leary Blues12Leary Blues—
You Can’t Tell Who’s Lovin’ Who13You Can’t Tell Who’s Lovin’ Who—
Solitude14Solitude—
Good Dues Blues15Good Dues Blues—
Serves Me Right16Serves Me Right—
What Ev’ry Woman Knows17What Ev’ry Woman Knows—
Money Hustlin’ Woman18Money Hustlin’ Woman—
Blue and Sentimental19Blue and Sentimental—
All the Things You Are20All the Things You Are—
Weird Nightmare21Weird Nightmare—
Gone Again22Gone Again—
Jelly Jelly23Jelly Jelly—
Round About Midnight24Round About Midnight—
Theme From “Double Indemnity” (1944)25Theme From “Double Indemnity” (1944)—
Theme From “High Sierra” (1941)2-1Theme From “High Sierra” (1941)—
Gee, Baby, Ain’t I Good to You?2-2Gee, Baby, Ain’t I Good to You?—
Pacific Coast Blues2-3Pacific Coast Blues—
How High the Moon2-4How High the Moon—
Far Cry2-5Far Cry—
Marijuana2-6Marijuana—
Why’d You Do It, Baby?2-7Why’d You Do It, Baby?—
Interlude2-8Interlude—
No Eyes Blues2-9No Eyes Blues—
Dark Shadows2-10Dark Shadows—
Billie’s Blues2-11Billie’s Blues—
I Wonder Where Our Love Has Gone2-12I Wonder Where Our Love Has Gone—
Lover Man2-13Lover Man—
Prisoner of Love2-14Prisoner of Love—
Since I Fell for You2-15Since I Fell for You—
San Francisco Fan2-16San Francisco Fan—
Midnight Sun2-17Midnight Sun—
I Sold My Heart to the Junkman2-18I Sold My Heart to the Junkman—
I Got It Bad (and That Ain’t Good)2-19I Got It Bad (and That Ain’t Good)—
Good Morning Heartache2-20Good Morning Heartache—
Goofin’ Off2-21Goofin’ Off—
Whiskey and Jelly‐Roll Blues2-22Whiskey and Jelly‐Roll Blues—
Fine and Mellow2-23Fine and Mellow—
LA Blues2-24LA Blues—
Theme From “Cry of the City” (1948)2-25Theme From “Cry of the City” (1948)—
Theme From ‘The Killers’ (1946)
Theme From ‘The Killers’ (1946)
—
Harlem Nocturne
Harlem Nocturne
—
I’m Just a Lucky So‐And‐So
I’m Just a Lucky So‐And‐So
—
If I Ever Find You, Baby
If I Ever Find You, Baby
—
Don’t Explain
Don’t Explain
—
Blues in My Shower
Blues in My Shower
—
Skid Row Blues
Skid Row Blues
—
You Satisfy
You Satisfy
—
Call It Stormy Monday
Call It Stormy Monday
—
This Subdues My Passion
This Subdues My Passion
—
No Good Man
No Good Man
—
Leary Blues
Leary Blues
—
You Can’t Tell Who’s Lovin’ Who
You Can’t Tell Who’s Lovin’ Who
—
Solitude
Solitude
—
Good Dues Blues
Good Dues Blues
—
Serves Me Right
Serves Me Right
—
What Ev’ry Woman Knows
What Ev’ry Woman Knows
—
Money Hustlin’ Woman
Money Hustlin’ Woman
—
Blue and Sentimental
Blue and Sentimental
—
All the Things You Are
All the Things You Are
—
Weird Nightmare
Weird Nightmare
—
Gone Again
Gone Again
—
Jelly Jelly
Jelly Jelly
—
Round About Midnight
Round About Midnight
—
Theme From “Double Indemnity” (1944)
Theme From “Double Indemnity” (1944)
—
Theme From “High Sierra” (1941)
Theme From “High Sierra” (1941)
—
Gee, Baby, Ain’t I Good to You?
Gee, Baby, Ain’t I Good to You?
—
Pacific Coast Blues
Pacific Coast Blues
—
How High the Moon
How High the Moon
—
Far Cry
Far Cry
—
Marijuana
Marijuana
—
Why’d You Do It, Baby?
Why’d You Do It, Baby?
—
Interlude
Interlude
—
No Eyes Blues
No Eyes Blues
—
Dark Shadows
Dark Shadows
—
Billie’s Blues
Billie’s Blues
—
I Wonder Where Our Love Has Gone
I Wonder Where Our Love Has Gone
—
Lover Man
Lover Man
—
Prisoner of Love
Prisoner of Love
—
Since I Fell for You
Since I Fell for You
—
San Francisco Fan
San Francisco Fan
—
Midnight Sun
Midnight Sun
—
I Sold My Heart to the Junkman
I Sold My Heart to the Junkman
—
I Got It Bad (and That Ain’t Good)
I Got It Bad (and That Ain’t Good)
—
Good Morning Heartache
Good Morning Heartache
—
Goofin’ Off
Goofin’ Off
—
Whiskey and Jelly‐Roll Blues
Whiskey and Jelly‐Roll Blues
—
Fine and Mellow
Fine and Mellow
—
LA Blues
LA Blues
—
Theme From “Cry of the City” (1948)
Theme From “Cry of the City” (1948)
—