UPC · Release
Journy Through The Past
Neil Young
5055748528120
101 tracksReleased 2021-01-01Evolution (24)
Last verified:
5055748528120 is the Universal Product Code (UPC barcode) for the release “Journy Through The Past” by Neil Young, released 2021-01-01 on Evolution (24). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 101 tracks, each with its own ISRC.
Format
505GS1 prefix
5748Company prefix
52812Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCJourny Through The Past
ISWC42 works
IPI6 songwriters
Track List (101)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Wooden Ships | — | ||
| 2 | I Used to Be a King | — | ||
| 3 | The Lee Shore | — | ||
| 4 | Harvest | — | ||
| 5 | Only Love Can Break Your Heart | — | ||
| 6 | Talk About Prison Benefit | — | ||
| 7 | Southbound Train | — | ||
| 8 | Talk: Intro to Crosby Solo Segment | — | ||
| 9 | Almost Cut My Hair | — | ||
| 10 | Page 43 | — | ||
| 11 | Talk: Intro to Nash Solo Segment | — | ||
| 12 | And So It Goes | — | ||
| 13 | Immigration Man | — | ||
| 14 | Heart of Gold | — | ||
| 15 | The Needle and the Damage Done | — | ||
| 16 | KSAN Announcer + Talk About Prison Benefit | — | ||
| 17 | Teach Your Children | — | ||
| 18 | Military Madness | — | ||
| 19 | Chicago | — | ||
| 2-1 | Citizen Kane Junior Blues (a.k.a. Pushed It Over the End) | — | ||
| 2-2 | Long May You Run | — | ||
| 2-3 | Greensleeves | — | ||
| 2-4 | Ambulance Blues | — | ||
| 2-5 | Helpless | — | ||
| 2-6 | Revolution Blues | — | ||
| 2-7 | On the Beach | — | ||
| 2-8 | Roll Another Number (For the Road) | — | ||
| 2-9 | Motion Pictures | — | ||
| 2-10 | Pardon My Heart | — | ||
| 2-11 | Dance, Dance, Dance | — | ||
| 3-1 | Are You Ready for the Country | — | ||
| 3-2 | Ain’t That a Lot of Love | — | ||
| 3-3 | Looking for a Love | — | ||
| 3-4 | Loving You (Is Sweeter Than Ever) | — | ||
| 3-5 | I Want You | — | ||
| 3-6 | The Weight | — | ||
| 3-8 | Knockin’ on the Dragon’s Door | — | ||
| 3-9 | Tell Me Why | — | ||
| 3-11 | Journey Through the Past | — | ||
| 3-14 | Campaigner | — | ||
| 3-15 | Pocahontas | — | ||
| 3-16 | A Man Needs a Maid | — | ||
| 3-17 | Sugar Mountain | — | ||
| 4-1 | Are You Ready for the Country? | — | ||
| 4-2 | Hawks and Doves | — | ||
| 4-3 | Comes a Time | — | ||
| 4-4 | Bound for Glory | — | ||
| 4-5 | Let Your Fingers Do the Walking | — | ||
| 4-6 | Are There Any More Real Cowboys? | — | ||
| 4-8 | Amber Jean | — | ||
| 4-9 | Band Intro | — | ||
| 4-11 | Southern Pacific | — | ||
| 5-1 | California Sunset | — | ||
| 5-2 | It Might Have Been | — | ||
| 5-3 | Soul of a Woman | — | ||
| 5-4 | Field of Opportunity | — | ||
| 5-5 | Old Man | — | ||
| 5-6 | Powderfinger | — | ||
| 5-7 | Get Back to the Country | — | ||
| 5-8 | Down by the River | — | ||
| 6-1 | Mr. Soul | — | ||
| 6-2 | Cinnamon Girl | — | ||
| 6-3 | When You Dance I Can Really Love | — | ||
| 6-5 | Drive Back | — | ||
| 6-6 | Born to Rock | — | ||
| 6-10 | After the Gold Rush | — | ||
| 6-11 | Sample and Hold | — | ||
| 6-12 | Computer Age | — | ||
| 6-13 | Violent Side | — | ||
| 6-14 | Like a Hurricane | — | ||
| 6-15 | My My, Hey Hey (Out of the Blue) | — | ||
| 7-1 | Introduction | — | ||
| 7-3 | When You Dance, I Can Really Love | — | ||
| 7-5 | Too Lonely | — | ||
| 7-6 | Neil’s Mom Calls | — | ||
| 7-8 | After the Goldrush | — | ||
| 7-9 | Inca Queen | — | ||
| 7-11 | Opera Star | — | ||
| 7-12 | Sam Kinison Calls | — | ||
| 7-13 | Cortez the Killer | — | ||
| 8-4 | Mideast Vacation | — | ||
| 8-5 | Long Walk Home | — | ||
| 8-7 | When Your Lonely Heart Breaks | — | ||
| 8-8 | Around the World | — | ||
| 8-11 | Hey Hey, My My | — | ||
| 8-12 | Prisoners of Rock ’n’ Roll | — | ||
| 9-2 | Crow on the Cradle | — | ||
| 9-3 | Children of the Canyon | — | ||
| 9-4 | Rock Me on the Water | — | ||
| 9-5 | This Old House | — | ||
| 9-6 | Love the One You’re With | — | ||
| 9-7 | Name of Love | — | ||
| 9-8 | Tracks in the Dust | — | ||
| 9-9 | Don’t Say Goodbye | — | ||
| 9-10 | Southern Cross | — | ||
| 9-11 | Long Time Gone | — | ||
| 9-12 | My Country Tis of Thee | — | ||
| 10-3 | Mother Earth | — | ||
| 10-4 | Four Strong Winds | — | ||
| 10-8 | Harvest Moon | — | ||
| 10-11 | Rockin’ in the Free World | — |
Wooden Ships
—
I Used to Be a King
—
The Lee Shore
—
Harvest
—
Only Love Can Break Your Heart
—
Talk About Prison Benefit
—
Southbound Train
—
Talk: Intro to Crosby Solo Segment
—
Almost Cut My Hair
—
Page 43
—
Talk: Intro to Nash Solo Segment
—
And So It Goes
—
Immigration Man
—
Heart of Gold
—
The Needle and the Damage Done
—
KSAN Announcer + Talk About Prison Benefit
—
Teach Your Children
—
Military Madness
—
Chicago
—
Citizen Kane Junior Blues (a.k.a. Pushed It Over the End)
—
Long May You Run
—
Greensleeves
—
Ambulance Blues
—
Helpless
—
Revolution Blues
—
On the Beach
—
Roll Another Number (For the Road)
—
Motion Pictures
—
Pardon My Heart
—
Dance, Dance, Dance
—
Are You Ready for the Country
—
Ain’t That a Lot of Love
—
Looking for a Love
—
Loving You (Is Sweeter Than Ever)
—
I Want You
—
The Weight
—
Knockin’ on the Dragon’s Door
—
Tell Me Why
—
Journey Through the Past
—
Campaigner
—
Pocahontas
—
A Man Needs a Maid
—
Sugar Mountain
—
Are You Ready for the Country?
—
Hawks and Doves
—
Comes a Time
—
Bound for Glory
—
Let Your Fingers Do the Walking
—
Are There Any More Real Cowboys?
—
Amber Jean
—
Band Intro
—
Southern Pacific
—
California Sunset
—
It Might Have Been
—
Soul of a Woman
—
Field of Opportunity
—
Old Man
—
Powderfinger
—
Get Back to the Country
—
Down by the River
—
Mr. Soul
—
Cinnamon Girl
—
When You Dance I Can Really Love
—
Drive Back
—
Born to Rock
—
After the Gold Rush
—
Sample and Hold
—
Computer Age
—
Violent Side
—
Like a Hurricane
—
My My, Hey Hey (Out of the Blue)
—
Introduction
—
When You Dance, I Can Really Love
—
Too Lonely
—
Neil’s Mom Calls
—
After the Goldrush
—
Inca Queen
—
Opera Star
—
Sam Kinison Calls
—
Cortez the Killer
—
Mideast Vacation
—
Long Walk Home
—
When Your Lonely Heart Breaks
—
Around the World
—
Hey Hey, My My
—
Prisoners of Rock ’n’ Roll
—
Crow on the Cradle
—
Children of the Canyon
—
Rock Me on the Water
—
This Old House
—
Love the One You’re With
—
Name of Love
—
Tracks in the Dust
—
Don’t Say Goodbye
—
Southern Cross
—
Long Time Gone
—
My Country Tis of Thee
—
Mother Earth
—
Four Strong Winds
—
Harvest Moon
—
Rockin’ in the Free World
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010110839-7T-070004452-5T-070027788-8T-070028578-4T-070029141-3T-070029217-6T-070042029-6T-070042704-8T-070056028-6T-070058661-3
+32 more
T-070077191-0T-070077567-2T-070077716-7T-070099208-0T-070113018-8T-070114276-8T-070114724-1T-070116383-8T-070119391-0T-070119393-2T-070129023-4T-070130159-8T-070141144-0T-070154427-5T-070155397-0T-070160835-6T-070183506-4T-070201915-5T-070202581-7T-070240224-1T-070250192-5T-070250277-9T-070349283-4T-070880569-9T-070881073-4T-070881091-6T-070881219-4T-070897446-2T-312523781-8T-700043878-0T-903915613-3T-925685291-2
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 5055748528120?
5055748528120 is a Universal Product Code (UPC) assigned to Journy Through The Past by Neil Young. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 101 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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