UPC · Release
Live at the Astoria 1995
The Fall
Last verified:
5056083203369 is the Universal Product Code (UPC barcode) for the release “Live at the Astoria 1995” by The Fall, released 2018-01-01 on Cog Sinister. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Tunnel | — | ||
| 2 | Pearl City | — | ||
| 3 | The Joke | — | ||
| 4 | Birthday | — | ||
| 5 | The Chiselers | — | ||
| 6 | M5 | — | ||
| 7 | Feeling Numb | — | ||
| 8 | Glam Racket | — | ||
| 9 | Idiot Joy Showland | — | ||
| 10 | The Coliseum | — | ||
| 11 | Don’t Call Me Darling | — | ||
| 12 | DIY Meat | — | ||
| 13 | Edinburgh Man | — | ||
| 14 | Behind the Counter | — | ||
| 15 | Middle Class Revolt | — | ||
| 16 | L.A. | — | ||
| 17 | Applause | — | ||
| 18 | Big New Prinz | — | ||
| 20 | Free Range | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5056083203369?
5056083203369 is a Universal Product Code (UPC) assigned to Live at the Astoria 1995 by The Fall. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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