UPC · Album
Can't Buy a Thrill (live, Pacific High Studios, February 6, 1972)
Jerry Garcia, Merl Saunders
Last verified:
5056192823632 is the Universal Product Code (UPC barcode) for the release “Can't Buy a Thrill (live, Pacific High Studios, February 6, 1972)” by Jerry Garcia, Merl Saunders. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (11)
| # | Track Title | Artist(s) | ISWC |
|---|---|---|---|
| 1 | It Takes a Lot to Laugh, It Takes a Train to Cry (live) | — | |
| 2 | Expressway to Your Heart (live) | — | |
| 3 | That’s the Touch I Like (live) | — | |
| 4 | Save Mother Earth (live) | — | |
| 5 | Imagine Instrumental (live) | — | |
| 6 | That’s All Right Mama (live) | — | |
| 7 | Who’s Loving You Tonight (live) | — | |
| 8 | When I Paint My Masterpiece (live) | — | |
| 9 | I Was Made to Love Her (live) | — | |
| 10 | Lonely Avenue (live) | — | |
| 11 | How Sweet It Is (live) | — |
Credits Graph
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What is UPC 5056192823632?
5056192823632 is a Universal Product Code (UPC) assigned to Can't Buy a Thrill (live, Pacific High Studios, February 6, 1972) by Jerry Garcia, Merl Saunders. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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