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Radio Sessions 1967–1969

UPC · Release

Radio Sessions 1967–1969

Bee Gees

5056321612007
27 tracksReleased 2020-07-03

Last verified:

5056321612007 is the Universal Product Code (UPC barcode) for the release “Radio Sessions 1967–1969” by Bee Gees, released 2020-07-03. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include GBHLW2002362, GBHLW2002364, GBHLW2002366.

Format

505GS1 prefix
6321Company prefix
61200Product
7Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCRadio Sessions 1967–1969
ISRC27 recordings
ISWC45 works

Track List (27)

New York Mining Disaster 1941 (BBC Radio April 1967)
New York Mining Disaster 1941 (BBC Radio April 1967)
Bee Gees
T-010.775.492-6
One Minute Woman (BBC Radio April 1967)
One Minute Woman (BBC Radio April 1967)
Bee Gees
T-011.363.517-8
High Hopes (BBC Radio April 1967)
High Hopes (BBC Radio April 1967)
Bee Gees
—
Interview (BBC Radio April 1967)
Interview (BBC Radio April 1967)
Bee Gees
—
I Can’t See Nobody (BBC Radio June 1967)
I Can’t See Nobody (BBC Radio June 1967)
Bee Gees
T-011.363.537-2
To Love Somebody (BBC Radio June 1967)
To Love Somebody (BBC Radio June 1967)
Bee Gees
T-011.363.505-4
Holiday (BBC Radio June 1967)
Holiday (BBC Radio June 1967)
Bee Gees
T-011.363.545-2
Interview (BBC Radio June 1967)
Interview (BBC Radio June 1967)
Bee Gees
—
Massachusetts (BBC Radio August 1967)
Massachusetts (BBC Radio August 1967)
Bee Gees
T-011.235.750-2
Mrs. Gillespie’s Refrigerator (BBC Radio August 1967)
Mrs. Gillespie’s Refrigerator (BBC Radio August 1967)
Bee Gees
T-011.363.825-7
I Close My Eyes (BBC Radio August 1967)
I Close My Eyes (BBC Radio August 1967)
Bee Gees
T-011.363.770-9
Interview (BBC Radio August 1967)
Interview (BBC Radio August 1967)
Bee Gees
—
Cucumber Castle (BBC Radio November 1967)
Cucumber Castle (BBC Radio November 1967)
Bee Gees
T-071.557.883-8
World (BBC Radio November 1967)
World (BBC Radio November 1967)
Bee Gees
T-011.363.890-6
Interview (BBC Radio November 1967)
Interview (BBC Radio November 1967)
Bee Gees
—
With the Sun in My Eyes (BBC Radio January 1968)
With the Sun in My Eyes (BBC Radio January 1968)
Bee Gees
T-011.363.888-2
The Earnest of Being George (BBC Radio January 1968)
The Earnest of Being George (BBC Radio January 1968)
Bee Gees
T-011.363.743-6
Interview (BBC Radio January 1968)
Interview (BBC Radio January 1968)
Bee Gees
—
Birdie Told Me (BBC Radio March 1968)
Birdie Told Me (BBC Radio March 1968)
Bee Gees
T-011.363.713-0
And the Sun Will Shine (BBC Radio March 1968)
And the Sun Will Shine (BBC Radio March 1968)
Bee Gees
T-011.363.708-3
The Singer Sang His Song (BBC Radio March 1968)
The Singer Sang His Song (BBC Radio March 1968)
Bee Gees
T-011.363.850-8
Jumbo (BBC Radio March 1968)
Jumbo (BBC Radio March 1968)
Bee Gees
T-010.064.927-1
Interview (BBC Radio March 1968)
Interview (BBC Radio March 1968)
Bee Gees
—
Tomorrow Tomorrow (BBC Radio 1969)
Tomorrow Tomorrow (BBC Radio 1969)
Bee Gees
T-010.919.822-2
Interview, Pt. 1 (BBC Radio 1969)
Interview, Pt. 1 (BBC Radio 1969)
Bee Gees
—
Don’t Forget to Remember (BBC Radio 1969)
Don’t Forget to Remember (BBC Radio 1969)
Bee Gees
T-011.363.588-3
Interview, Pt. 2 (BBC Radio 1969)
Interview, Pt. 2 (BBC Radio 1969)
Bee Gees
—

Additional database matches (5)

In My Own Time (Version 1, BBC Radio April 1967)
Bee Gees
T-011.363.533-8
Cucumber Castle (Version 1, BBC Radio April 1967)
Bee Gees
T-071.557.883-8
In My Own Time (Version 2, BBC Radio August 1967)
Bee Gees
T-011.363.533-8
Words (Version 1, BBC Radio January 1968)
Bee Gees
T-011.004.725-0
Words (Version 2, BBC Radio March 1968)
Bee Gees
T-011.004.725-0

What other identifiers does this connect to?

Musical Works (ISWC)

T-010.064.927-1T-010.775.492-6T-010.919.822-2T-010064927-1T-010775492-6T-010919822-2T-011.004.725-0T-011.235.750-2T-011.363.505-4T-011.363.517-8
+35 more
T-011.363.533-8T-011.363.537-2T-011.363.545-2T-011.363.588-3T-011.363.708-3T-011.363.713-0T-011.363.743-6T-011.363.770-9T-011.363.825-7T-011.363.850-8T-011.363.888-2T-011.363.890-6T-011004725-0T-011235750-2T-011363505-4T-011363517-8T-011363521-4T-011363533-8T-011363537-2T-011363545-2T-011363588-3T-011363708-3T-011363713-0T-011363743-6T-011363770-9T-011363815-5T-011363825-7T-011363850-8T-011363888-2T-011363890-6T-011582294-0T-071.557.883-8T-071557883-8T-900035323-1T-903932083-7

Creative Contributors (ISNI)

0000000119404062

Identifier Graph

UPCRadio Sessions …ISRCNew York Mining…ISRCOne Minute Woma…ISRCHigh Hopes (BBC…ISRCInterview (BBC …ISRCI Can’t See Nob…

People also ask

What is UPC 5056321612007?
UPC 5056321612007 is the Universal Product Code (barcode) for "Radio Sessions 1967–1969" by Bee Gees.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5056321612007?
UPC 5056321612007 contains 27 tracks, each with its own ISRC.
SourcesMusicBrainz

Verified on

What is UPC 5056321612007?

5056321612007 is a Universal Product Code (UPC) assigned to Radio Sessions 1967–1969 by Bee Gees. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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