UPC · Release
Dixon, Âme
Last verified:
5056381802462 is the Universal Product Code (UPC barcode) for the release “Boiler Room: Dixon b2b Âme in Amsterdam, Oct 25, 2012” by Dixon, Âme, released 2012-10-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include US23A1506104, US23A1506105, US23A1506106.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 4 | The Black Bell | The Cheapers | — | |
| 5 | Point in Time | Lake People | — | |
| 6 | Drgn | Recondite | — | |
| 7 | Why Don't Ya? | Baikal | — | |
| 8 | The Factory | Ultrasone | — | |
| 9 | These Times (Dixon's Retouch) | Jimpster, Simon Jinadu | — | |
| 10 | Maiden Voyage (Ripperton edit) | Global Communication | — | |
| 12 | Punta Ayampe | Falko Brocksieper | — | |
| 13 | Beats in Space | James T. Cotton | — | |
| 14 | It's in Rain | Redshape | — | |
| 15 | Shake | Cowboy Rhythmbox | — | |
| 16 | [unknown] | [unknown] | — | |
| 18 | Stig Boardersman | Culoe de Song | — | |
| 19 | Salam | Marcus Worgull, Peter Pardeike | — | |
| 23 | Point in Time | Lake People | — | |
| 24 | Retrospective | Loopsize | — | |
| 25 | The Black Bell | The Cheapers | — | |
| 26 | Track It to the Edge (Quentin Harris Re-Production) | Automagic, Jamil Rafael La'Beija | — | |
| 28 | Prophecy | Jon Charnis | — | |
| 29 | Muwekma | Marcus Worgull, Frank Wiedemann | — | |
| 30 | Shame | Monoloc | — | |
| 31 | [unknown] | [unknown] | — | |
| 33 | Ameisen Reisen | Die Galoppierende Zuversicht | — | |
| 34 | Madeleine | Konstantin Sibold | — | |
| 35 | Lost | Frank Ocean | T-306.415.675-4 | |
| 36 | Compurhythm (Dixon 4/4 Treatment) | Ian Pooley | — | |
| 37 | Machines (original) | Hans Berg | — | |
| 38 | Space Funk | Monkey B | — | |
| 40 | It Gets Dark | Holy Ghost! | — | |
| 41 | Diamonds on the Soles of Her Shoes (Âme Private edit) | Paul Simon | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Shell Suite (Daniel Avery remix) | Chad Valley | — |
| Mr Rain (Mano Le Tough remix) | Tyson | — |
| Codicil (Roman Flügel remix) | The Draughtsman | — |
| Compurhythm (Baikal remix) | Ian Pooley | — |
| Take Words in Return (Return version) | Henrik Schwarz | — |
| Furio (John Tejada remix) | Muzarco, Nir Shoshani | — |
| Trapped in Amber (King Britt remix) | Chymera | — |
| Codicil (Roman Flügel remix) | The Draughtsman | — |
| The Big Dream (Martin Buttrich remix) | Layo & Bushwacka! | — |
| Simulation (Mano Le Tough remix) | Róisín Murphy | — |
| Regrets We Have No Use For (Matthew Herbert remix) | Maxxi Soundsystem, Name One | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5056381802462 is a Universal Product Code (UPC) assigned to Boiler Room: Dixon b2b Âme in Amsterdam, Oct 25, 2012 by Dixon, Âme. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5056381802462 is the Universal Product Code (UPC barcode) for the release “Boiler Room: Dixon b2b Âme in Amsterdam, Oct 25, 2012” by Dixon, Âme, released 2012-10-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include US23A1506104, US23A1506105, US23A1506106.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 4 | The Black Bell | The Cheapers | — | |
| 5 | Point in Time | Lake People | — | |
| 6 | Drgn | Recondite | — | |
| 7 | Why Don't Ya? | Baikal | — | |
| 8 | The Factory | Ultrasone | — | |
| 9 | These Times (Dixon's Retouch) | Jimpster, Simon Jinadu | — | |
| 10 | Maiden Voyage (Ripperton edit) | Global Communication | — | |
| 12 | Punta Ayampe | Falko Brocksieper | — | |
| 13 | Beats in Space | James T. Cotton | — | |
| 14 | It's in Rain | Redshape | — | |
| 15 | Shake | Cowboy Rhythmbox | — | |
| 16 | [unknown] | [unknown] | — | |
| 18 | Stig Boardersman | Culoe de Song | — | |
| 19 | Salam | Marcus Worgull, Peter Pardeike | — | |
| 23 | Point in Time | Lake People | — | |
| 24 | Retrospective | Loopsize | — | |
| 25 | The Black Bell | The Cheapers | — | |
| 26 | Track It to the Edge (Quentin Harris Re-Production) | Automagic, Jamil Rafael La'Beija | — | |
| 28 | Prophecy | Jon Charnis | — | |
| 29 | Muwekma | Marcus Worgull, Frank Wiedemann | — | |
| 30 | Shame | Monoloc | — | |
| 31 | [unknown] | [unknown] | — | |
| 33 | Ameisen Reisen | Die Galoppierende Zuversicht | — | |
| 34 | Madeleine | Konstantin Sibold | — | |
| 35 | Lost | Frank Ocean | T-306.415.675-4 | |
| 36 | Compurhythm (Dixon 4/4 Treatment) | Ian Pooley | — | |
| 37 | Machines (original) | Hans Berg | — | |
| 38 | Space Funk | Monkey B | — | |
| 40 | It Gets Dark | Holy Ghost! | — | |
| 41 | Diamonds on the Soles of Her Shoes (Âme Private edit) | Paul Simon | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Shell Suite (Daniel Avery remix) | Chad Valley | — |
| Mr Rain (Mano Le Tough remix) | Tyson | — |
| Codicil (Roman Flügel remix) | The Draughtsman | — |
| Compurhythm (Baikal remix) | Ian Pooley | — |
| Take Words in Return (Return version) | Henrik Schwarz | — |
| Furio (John Tejada remix) | Muzarco, Nir Shoshani | — |
| Trapped in Amber (King Britt remix) | Chymera | — |
| Codicil (Roman Flügel remix) | The Draughtsman | — |
| The Big Dream (Martin Buttrich remix) | Layo & Bushwacka! | — |
| Simulation (Mano Le Tough remix) | Róisín Murphy | — |
| Regrets We Have No Use For (Matthew Herbert remix) | Maxxi Soundsystem, Name One | — |
