UPC · Release
2manydjs
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5056381870706 is the Universal Product Code (UPC barcode) for the release “2manydjs present A Tribute to Keith Forsey” by 2manydjs. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 45 tracks, each with its own ISRC. Tracks include US23A1973910, US23A1973912, US23A1973913.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nightflight to Venus / Rasputin | Boney M. | — | |
| 3 | Space Warrior | Munich Machine | — | |
| 4 | Standing in the Shadow of Love | Valverde Brothers | — | |
| 5 | Too Hot to Handle / Lucky | Giorgio Moroder, Donna Summer | — | |
| 6 | La Nuit Blanche | Munich Machine | — | |
| 7 | Chase | Giorgio Moroder | T-801.121.906-1 | |
| 8 | Over and Over | Disco Circus | — | |
| 9 | Spotlight | Elton John | — | |
| 11 | We Gotta Get Out of This Place | Steve Bender | — | |
| 12 | Daddy Cool | Boney M. | T-801.278.766-6 | |
| 13 | Our Love / Suite Concerto | Donna Summer, Dino Solera | — | |
| 14 | Ooh La La | Suzi Lane | — | |
| 15 | Uniform / Utopia | Icehouse, Giorgio Moroder | — | |
| 16 | Tryouts for the Human Race | Sparks | — | |
| 17 | It’s for You | Munich Machine | — | |
| 18 | Get on the Funk Train | Munich Machine | — | |
| 19 | Ma Baker | Boney M. | T-801.994.506-4 | |
| 20 | Fly Too High | Janis Ian | — | |
| 21 | Breakdance (instrumental) | Irene Cara | — | |
| 22 | I’m a Man / Macho Music | Mick Rowley | — | |
| 23 | Andy Warhol | Generation X | — | |
| 24 | Love Now, Hurt Later | Giorgio, Chris | — | |
| 25 | 20th Century Foxes | Angel | — | |
| 26 | Red Flight | Dee D. Jackson | — | |
| 28 | Valley of the Dolls | Giorgio Moroder | T-800.522.686-9 | |
| 29 | [unknown] / The Runner | The Three Degrees | — | |
| 30 | Hey Little Girl | Icehouse | — | |
| 31 | Heaven | The Psychedelic Furs | — | |
| 32 | Call Me (Soulwax edit) / Llamame (Call Me) | Blondie | — | |
| 34 | White Wedding, Pt. 2 | Billy Idol | — | |
| 35 | Rebel Yell | Billy Idol | — | |
| 36 | Dancing With Myself / Eyes Without a Face (Soulwax edit) | Billy Idol | — | |
| 37 | Gene Galaxo 1990 | Udo Lindenberg, Das Panikorchester | — | |
| 39 | Love for the Sake of Love | Claudja Barry | — | |
| 40 | Magic Dance | Su Kramer | — | |
| 41 | Sangandongo | Niagara | — | |
| 43 | Was Es Ist | Nina Hagen | — | |
| 44 | Tears | Giorgio Moroder | T-801.118.416-1 | |
| 45 | Pussyfooter / One Blue Morning | Jackie Robinson, Amon Düül II | — | |
| 46 | Don’t You Forget About Me / Put a Little Love in Your Heart | Simple Minds, Linda G. Thompson | — | |
| 48 | Love Thang / I Want More | First Choice, Galaxis | — | |
| 49 | When I’m With You (instrumental) | Sparks | — | |
| 50 | E=MC2 / Harmony | Giorgio Moroder, Suzi Lane | — | |
| 51 | Hot Stuff | Donna Summer | — | |
| 52 | Let This Night Go on for Days / Bad Girls | Giorgio, Chris | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Beat the Clock / Beat the Clock (extended version) | Sparks | — |
| I Feel Love (The Patrick Cowley mix) / Painter Man | Donna Summer, Boney M. | — |
| Do It (long version) / Intellectualy | Rena Mason, Amanda Lear | — |
| The Heat Is On (dub version) | Glenn Frey | — |
| What a Feeling (Flashdance) (extended Re-mix) | Irene Cara | — |
| The Final Thing (instrumental version) / I Only Wanna Get Up and Down / Get Up and Boogie | Steve Bender, Joy Fleming, Silver Convention | — |
| Galaxy Police / It All Came Down to Love / Sing Sing (Midnight mix) | Dee D. Jackson, Stainless Steal, Gaz | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5056381870706 is a Universal Product Code (UPC) assigned to 2manydjs present A Tribute to Keith Forsey by 2manydjs. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 45 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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