UPC · Release
SHERELLE
Last verified:
5056381895112 is the Universal Product Code (UPC barcode) for the release “Beats in Space 027: SHERELLE” by SHERELLE. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include US23A1937483, US23A1937487, US23A1937488.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | [unknown] | [unknown] | — |
| 2 | I Like It | Harmony | — |
| 3 | High Time | 4am Kru | — |
| 4 | SpottieOttieVIP | Taso, DJ Rashad, DJ Spinn | — |
| 5 | Brighter Dayz | DJ Rashad | — |
| 6 | Flight 1235 | RP Boo, DJ Phil, Crossfire | — |
| 7 | Access | DJ Phil, Sat P.M. | — |
| 8 | See You Dance | DJ Phil, Manny | — |
| 9 | Statisfyee | Fracture, DJ Earl | — |
| 10 | Wants My Body | DJ Manny, DJ Chap | — |
| 11 | Wurkinn da Bass | DJ Taye, DJ Earl | — |
| 12 | [unknown] | [unknown] | — |
| 13 | Roganman | DJ Fulltono | — |
| 14 | Havin’ Fun | DJ Manny, DJ Phil | — |
| 15 | Saigon | Lavery | — |
| 16 | Ambush | FFF | — |
| 17 | Destroy the Matrix | SHERELLE, Neuropunk | — |
| 18 | Buss It | Richie Brains | — |
| 19 | Off the Hook | Fixate | — |
| 20 | RAYO | INVT | — |
| 21 | [unknown] | [unknown] | — |
| 22 | Detroit | Sinistarr | — |
| 23 | Turn It Up | Sinistarr, Hyroglifics | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5056381895112 is a Universal Product Code (UPC) assigned to Beats in Space 027: SHERELLE by SHERELLE. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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