UPC · Release
The Library of the Human Soul
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5057805482796 is the Universal Product Code (UPC barcode) for the release “History” by The Library of the Human Soul, released 2019-08-05. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 90 tracks, each with its own ISRC. Tracks include BGA471917114, BGA471917115, BGA471917116.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Renaissance (cinematic) | Christof Unterberger | — | |
| 2 | 1940’s (cinematic) | Gabriel Brosteanu | T-927.355.320-1 | |
| 3 | Aristocracy (cinematic) | Vincent Varco | — | |
| 4 | Egyptian (cinematic) | Christof Unterberger | T-300.838.267-6 | |
| 5 | Vikings (cinematic) | Gabriel Brosteanu | — | |
| 6 | 1920’s (cinematic) | Jonathan Paul Vincent | T-927.355.327-8 | |
| 7 | Castle (cinematic) | Matthew David Hawken | T-927.355.330-3 | |
| 8 | Empires (cinematic) | Vinko Borčić | — | |
| 9 | Knights (cinematic) | James William Timothy Warburton, Daniel Robert Ryan | T-315.046.499-2 | |
| 10 | Medieval (cinematic) | Jonathan Paul Vincent | T-927.355.336-9 | |
| 11 | Revolution (cinematic) | Owain Llwyd Brown | T-927.355.339-2 | |
| 12 | 1950’s (cinematic) | Graham Michael Foote | T-927.355.342-7 | |
| 13 | Pyramids (cinematic) | Martin Gratton | T-927.355.345-0 | |
| 14 | Relics (cinematic) | Graham Michael Foote | T-927.355.348-3 | |
| 15 | Victorian (cinematic) | Andrea Vick | T-927.355.351-8 | |
| 16 | Antiquity (cinematic) | Vincent Varco | — | |
| 17 | Athens (cinematic) | Marie-Anne Fischer | T-927.355.203-7 | |
| 18 | Biblical (cinematic) | Marie-Anne Fischer | T-927.355.206-0 | |
| 19 | Historical (cinematic) | Vinko Borčić | T-927.355.209-3 | |
| 20 | History (cinematic) | Graham Michael Foote | T-927.355.213-9 | |
| 21 | Scrolls (cinematic) | Jonathan Paul Vincent | T-927.355.225-3 | |
| 22 | Soviet (cinematic) | Graham Michael Foote | T-927.355.228-6 | |
| 23 | Tomb (cinematic) | Jonathan Paul Vincent | T-927.355.231-1 | |
| 24 | 1960’s (cinematic) | Martin Gratton | — | |
| 25 | Museum (cinematic) | Wes Devore | — | |
| 26 | Primitive (cinematic) | Owain Llwyd Brown | T-927.355.242-4 | |
| 27 | Roman (cinematic) | Wayne Dineley | T-927.355.245-7 | |
| 28 | Remains (cinematic) | Wayne Dineley | T-927.355.249-1 | |
| 29 | 1930’s (cinematic) | Owain Llwyd Brown | T-927.355.253-7 | |
| 30 | Cathedral (cinematic) | Andrea Vick | T-927.355.256-0 | |
| 2-1 | Renaissance (intimate) | Christof Unterberger | T-300.836.780-0 | |
| 2-2 | 1940’s (intimate) | Gabriel Brosteanu | T-927.355.321-2 | |
| 2-3 | Aristocracy (intimate) | Vincent Varco | T-928.675.992-0 | |
| 2-4 | Egyptian (intimate) | Christof Unterberger | — | |
| 2-5 | Vikings (intimate) | Gabriel Brosteanu | T-927.355.325-6 | |
| 2-6 | 1920’s (intimate) | Jonathan Paul Vincent | T-927.355.328-9 | |
| 2-7 | Castle (intimate) | Matthew David Hawken | T-927.355.331-4 | |
| 2-8 | Empires (intimate) | Vinko Borčić | T-927.355.334-7 | |
| 2-9 | Knights (intimate) | James William Timothy Warburton, Daniel Robert Ryan | T-303.094.668-6 | |
| 2-10 | Medieval (intimate) | Jonathan Paul Vincent | T-927.355.337-0 | |
| 2-11 | Revolution (intimate) | Owain Llwyd Brown | T-927.355.340-5 | |
| 2-12 | 1950’s (intimate) | Graham Michael Foote | T-927.355.343-8 | |
| 2-13 | Pyramids (intimate) | Martin Gratton | T-927.355.346-1 | |
| 2-14 | Relics (intimate) | Graham Michael Foote | T-927.355.349-4 | |
| 2-15 | Victorian (intimate) | Andrea Vick | — | |
| 2-16 | Antiquity (intimate) | Vincent Varco | — | |
| 2-17 | Athens (intimate) | Marie-Anne Fischer | T-927.355.204-8 | |
| 2-18 | Biblical (intimate) | Marie-Anne Fischer | — | |
| 2-19 | Historical (intimate) | Vinko Borčić | T-927.355.210-6 | |
| 2-20 | History (intimate) | Graham Michael Foote | T-927.355.215-1 | |
| 2-21 | Scrolls (intimate) | Jonathan Paul Vincent | T-927.355.226-4 | |
| 2-22 | Soviet (intimate) | Graham Michael Foote | — | |
| 2-23 | Tomb (intimate) | Jonathan Paul Vincent | T-927.355.232-2 | |
| 2-24 | 1960’s (intimate) | Martin Gratton | — | |
| 2-25 | Museum (intimate) | Wes Devore | — | |
| 2-26 | Primitive (intimate) | Owain Llwyd Brown | T-927.355.243-5 | |
| 2-27 | Roman (intimate) | Wayne Dineley | T-927.355.246-8 | |
| 2-28 | Remains (intimate) | Wayne Dineley | T-927.355.250-4 | |
| 2-29 | 1930’s (intimate) | Owain Llwyd Brown | — | |
| 2-30 | Cathedral (intimate) | Andrea Vick | T-927.355.257-1 | |
| 3-1 | Renaissance (ambient) | Christof Unterberger | T-300.838.268-7 | |
| 3-2 | 1940’s (ambient) | Gabriel Brosteanu | — | |
| 3-3 | Aristocracy (ambient) | Vincent Varco | T-928.675.973-7 | |
| 3-4 | Egyptian (ambient) | Christof Unterberger | — | |
| 3-5 | Vikings (ambient) | Gabriel Brosteanu | — | |
| 3-6 | 1920’s (ambient) | Jonathan Paul Vincent | T-927.355.329-0 | |
| 3-7 | Castle (ambient) | Matthew David Hawken | T-927.355.332-5 | |
| 3-8 | Empires (ambient) | Vinko Borčić | T-927.355.335-8 | |
| 3-9 | Knights (ambient) | James William Timothy Warburton, Daniel Robert Ryan | T-303.095.282-6 | |
| 3-10 | Medieval (ambient) | Jonathan Paul Vincent | T-927.355.338-1 | |
| 3-11 | Revolution (ambient) | Owain Llwyd Brown | T-927.355.340-5 | |
| 3-12 | 1950’s (ambient) | Graham Michael Foote | T-927.355.344-9 | |
| 3-13 | Pyramids (ambient) | Martin Gratton | T-927.355.347-2 | |
| 3-14 | Relics (ambient) | Graham Michael Foote | T-927.355.348-3 | |
| 3-15 | Victorian (ambient) | Andrea Vick | — | |
| 3-16 | Antiquity (ambient) | Vincent Varco | — | |
| 3-17 | Athens (ambient) | Marie-Anne Fischer | T-927.355.205-9 | |
| 3-18 | Biblical (ambient) | Marie-Anne Fischer | T-927.355.208-2 | |
| 3-19 | Historical (ambient) | Vinko Borčić | — | |
| 3-20 | History (ambient) | Graham Michael Foote | T-927.355.215-1 | |
| 3-21 | Scrolls (ambient) | Jonathan Paul Vincent | T-927.355.227-5 | |
| 3-22 | Soviet (ambient) | Graham Michael Foote | T-927.355.230-0 | |
| 3-23 | Tomb (ambient) | Jonathan Paul Vincent | T-927.355.233-3 | |
| 3-24 | 1960’s (ambient) | Martin Gratton | — | |
| 3-25 | Museum (ambient) | Wes Devore | — | |
| 3-26 | Primitive (ambient) | Owain Llwyd Brown | T-927.355.244-6 | |
| 3-27 | Roman (ambient) | Wayne Dineley | T-927.355.248-0 | |
| 3-28 | Remains (ambient) | Wayne Dineley | T-927.355.252-6 | |
| 3-29 | 1930’s (ambient) | Owain Llwyd Brown | T-927.355.255-9 | |
| 3-30 | Cathedral (ambient) | Andrea Vick | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5057805482796 is a Universal Product Code (UPC) assigned to History by The Library of the Human Soul. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 90 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5057805482796 is the Universal Product Code (UPC barcode) for the release “History” by The Library of the Human Soul, released 2019-08-05. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 90 tracks, each with its own ISRC. Tracks include BGA471917114, BGA471917115, BGA471917116.
