UPC · Release
8 Hours of Beethoven’s Music
Various Artists
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5057827553153 is the Universal Product Code (UPC barcode) for the release “8 Hours of Beethoven’s Music” by Various Artists, released 2020-12-11. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include RUAAX2001892, RUAAX2001893, RUAAX2001894.
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- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
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Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 5, op. 67: I. Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | T9256453357 | |
| 2 | Piano Sonata no. 8, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio | Emil Gilels | — | |
| 3 | Piano Sonata no. 21, op. 53 “Waldstein”: I. Allegro con brio | Andrey Gugnin | — | |
| 4 | Symphony no. 6, op. 68 “Pastoral” I. Allegro ma non troppo | Berliner Philharmoniker, Herbert von Karajan | — | |
| 5 | Für Elise, WoO 59 | Valery Kamyshov | — | |
| 6 | Symphony no. 3, op. 55 “Eroica”: I. Allegro con brio | Rudolf Barshai Studio Orchestra | — | |
| 7 | Piano Trio in B‐flat major, op. 97 “Archduke”: I. Allegro moderato | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 8 | Piano Sonata no. 8, op. 13 “Pathétique”: II. Adagio cantabile | Tatiana Nikolayeva | — | |
| 9 | Symphony no. 7, op. 92: II. Allegretto | Rudolf Barshai | — | |
| 10 | Piano Sonata no. 14, op. 27 no. 2 “Moonlight”: III. Presto agitato | Emil Gilels | — | |
| 11 | String Quartet no. 7, op. 59 no. 1 “Razumovsky”: I. Allegro | The Beethoven Quartet | — | |
| 12 | Piano Sonata no. 23, op. 57 “Appassionata”: I. Allegro assai | Van Cliburn | — | |
| 13 | Symphony no. 9, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Leningrad Philharmonic Symphony Orchestra, Alexander Dmitriev | — | |
| 14 | Piano Trio in B‐flat major, op. 97 “Archduke”: III. Andante cantabile ma però con moto | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 15 | Egmont, op. 84 | Novosibirsk Academic Symphony Orchestra, Arnold Katz | T9171415115 | |
| 16 | Piano Sonata no. 32, op. 111: I. Maestoso – Allegro con brio ed appassionato | Sviatoslav Richter | — | |
| 17 | Leonora Overture no. 3, op. 72b | Novosibirsk Academic Symphony Orchestra, Arnold Katz | — | |
| 18 | Cello Sonata no. 3, op. 69: I. Allegro, ma non tanto | Daniil Shafran, Anton Ginsburg | T3185670586 | |
| 19 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Maria Grinberg | — | |
| 20 | 8 Lieder, op. 52: no. 7, Marmotte | Ivan Petrov, Irina Shcherbina, Bolshoi Theatre String Ensemble, Yuli Reyentovich | — | |
| 21 | Piano Sonata no. 29, op. 106 “Hammerklavier”: I. Allegro | Emil Gilels | — | |
| 22 | Symphony no. 9, op. 125 “Choral”: II. Scherzo – Molto vivace | Leningrad Philharmonic Symphony Orchestra, Alexander Dmitriev | — | |
| 23 | String Quartet no. 13, op. 130: IV. Alla danza tedesca – Allegro assai | The Beethoven Quartet | — | |
| 24 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Maria Grinberg, USSR State Symphony Orchestra, Neeme Järvi | — | |
| 25 | Violin Sonata no. 9, op. 47 “Kreutzer”: I. Adagio sostenuto – Presto | Victor Pikaizen, Aleksey Nasedkin | — | |
| 26 | 32 Variations in C minor, WoO 80 | Emil Gilels | — | |
| 27 | Piano Concerto no. 3, op. 37: I. Allegro con brio | Sviatoslav Richter, Moscow Chamber Orchestra, Rudolf Barshai | — | |
| 28 | Symphony no. 5, op. 67: IV. Allegro | USSR State Symphony Orchestra, Yevgeny Svetlanov | — | |
| 29 | Cello Sonata no. 2, op. 5 no. 2: III. Rondo – Allegro | Daniil Shafran, Anton Ginsburg | — | |
| 30 | Piano Concerto no. 5, op. 73 “Emperor”: II. Adagio un poco mosso | Yevgeny Malinin, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Vladimir Fedoseyev | — | |
| 31 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | Leonid Kogan, USSR State Symphony Orchestra, Yevgeny Svetlanov | — | |
| 32 | Symphony no. 9, op. 125 “Choral”: IV. Ode an die Freude | Tamara Milashkina, Elena Obraztsova, Aleksei Maslennikov, Yevgeny Nesterenko, Bolshoi Theatre Orchestra, Yury Simonov | — | |
| 33 | Piano Sonata no. 30, op. 109: I. Vivace ma non troppo, sempre legato – Adagio espressivo | Tatiana Nikolayeva | — | |
| 34 | Symphony no. 3, op. 55 “Eroica”: II. Marcia funebre – Adagio assai | Rudolf Barshai Studio Orchestra | — | |
| 35 | Piano Concerto no. 2, op. 19: I. Allegro con brio | Emil Gilels, Moscow Philharmonic Symphony Orchestra, Neeme Järvi | — | |
| 36 | Rondo a capriccio, op. 129 “Rage Over a Lost Penny” | Oxana Yablonskaya | — | |
| 37 | Missa solemnis, op. 123: I. Kyrie | Barbara Martig-Tüller, Rosemarie Lang, William Cochran, Thomas Brandis, Mikhail Svetlov, University of Maryland Choir, European Symphony Orchestra, Antal Doráti | — | |
| 38 | String Trio in G major, op. 9 no. 1: IV. Presto | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich | — | |
| 39 | Piano Concerto no. 5, op. 73 “Emperor”: I. Allegro | Yevgeny Malinin, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Vladimir Fedoseyev | — | |
| 40 | Fidelio, op. 72: Overture | Novosibirsk Academic Symphony Orchestra, Arnold Katz | — | |
| 41 | Piano Sonata no. 32, op. 111: II. Arietta – Adagio molto semplice cantabile | Sviatoslav Richter | — | |
| 42 | Romance in G major, op. 40 | Vadim Repin, Novosibirsk Academic Symphony Orchestra, Arnold Katz | — | |
| 43 | Piano Concerto no. 4 in G major, op. 58: III. Rondo - Vivace | Maria Grinberg, USSR State Symphony Orchestra, Neeme Järvi | — | |
| 44 | Die Ruinen von Athen, op. 113: Marcia alla turca | Leonid Kogan, Andrei Mytnik | — | |
| 45 | Die Geschöpfe des Prometheus, op. 43: Overture | Moscow Philharmonic Symphony Orchestra, Kirill Kondrashin | — | |
| 46 | String Quartet no. 15, op. 132: V. Allegro appassionato | The Beethoven Quartet | — | |
| 47 | Violin Concerto in D major, op. 61: III. Rondo – Allegro | Leonid Kogan, USSR State Symphony Orchestra, Yevgeny Svetlanov | — | |
| 48 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo - Allegro | Sviatoslav Richter, Moscow Chamber Orchestra, Rudolf Barshai | — | |
| 49 | Piano Sonata no. 17, op. 31 no. 2 “The Tempest”: III. Allegretto | Vladimir Ashkenazy | — | |
| 50 | Coriolan, op. 62 | Berliner Philharmoniker, Herbert von Karajan | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Maria Grinberg | — |
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What is UPC 5057827553153?
5057827553153 is a Universal Product Code (UPC) assigned to 8 Hours of Beethoven’s Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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