UPC · Release
The Best of English Classical Music
Various Artists
5059460019997
40 tracksReleased 2020-04-04
Last verified:
5059460019997 is the Universal Product Code (UPC barcode) for the release “The Best of English Classical Music” by Various Artists, released 2020-04-04. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC.
Format
505GS1 prefix
9460Company prefix
01999Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pomp and Circumstance, Op. 39: No. 1, March in D Major | — | ||
| 2 | Messiah, HWV. 56, Part II: 44. Hallelujah (chorus) | — | ||
| 3 | The Lark Ascending | — | ||
| 4 | The Young Person’s Guide to the Orchestra, Op. 34: Theme & Fugue | — | ||
| 5 | The Young Person’s Guide to the Orchestra, Op. 34: Var. B: Oboes (Lento) | — | ||
| 6 | The Young Person’s Guide to the Orchestra, Op. 34: Var. C: Clarinets (Moderato) | — | ||
| 7 | Salut d’amour, Op. 12 | — | ||
| 8 | Passacaglia, Op. 33b | — | ||
| 9 | Rinaldo, HWV 7a, Act II: Lascia ch’io pianga | — | ||
| 10 | Fantasia On a Theme By Thomas Tallis | — | ||
| 11 | Variations on an Original Theme, Op. 36 ’’Enigma’’: Var. IX. Nimrod (Adagio) | — | ||
| 12 | The Planets, Op. 32: I. Mars, the Bringer of War | — | ||
| 13 | The Planets, Op. 32: II. Venus, the Bringer of Peace | — | ||
| 14 | The Planets, Op. 32: III. Mercury, the Winged Messenger | — | ||
| 15 | The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | — | ||
| 16 | Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | — | ||
| 17 | Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | — | ||
| 18 | Cello Concerto in E Minor, Op. 85: III. Adagio | — | ||
| 19 | Cello Concerto in E Minor, Op. 85: IV. Allegro - Moderato - Allegro, ma non troppo | — | ||
| 20 | A Ceremony of Carols, Op. 28: IX. Spring Carol | — | ||
| 21 | Water Music Suite No. 1 in F Major, HWV 348: VI. Air | — | ||
| 22 | Dido and Aeneas, Z. 626: Overture | — | ||
| 23 | Dido and Aeneas, Z. 626, Act III: Thy Hand, Belinda Darkness Shades Me - When I Am Laid in Earth - With Drooping Wings | — | ||
| 24 | Imperial March, Op. 32 | — | ||
| 25 | Symphony No. 1 in A‐Flat Major, Op. 55: I. Andante nobilmente e semplice - Allegro | — | ||
| 26 | Serenade to Music | — | ||
| 27 | A Midsummer Night’s Dream Op. 64, Act II: I Have Reas’nable Good Ear in Music (Bottom, Tytania) | — | ||
| 28 | Music for the Royal Fireworks, HWV 351: I. Ouverture | — | ||
| 29 | Tuba Concerto in F Minor: I. Prelude (Allegro moderato) | — | ||
| 30 | Zadok the Priest, HWV 258 | — | ||
| 31 | Xerxes Suite, HWV 40: II. Aria, Ombra mai fù | — | ||
| 32 | In the Bleak Mid‐Winter, H. 73 No. 1 | — | ||
| 33 | A Sea Symphony: I. A Song for All Seas, All Ships, Behold the sea itself (chorus) | — | ||
| 34 | I Vow to Thee My Country, H. 148 | — | ||
| 35 | If Ye Love Me | — | ||
| 36 | First Suite for Military Band in E‐Flat Major, Op. 28 No. 1: I. Chaconne | — | ||
| 37 | Magnificat and Nunc dimittis: Magnificat (Luke 1:46 & Doxology) | — | ||
| 38 | The Indian Queen, Z. 630: II. Why should men quarrel? | — | ||
| 39 | War Requiem, Op. 66, I. Requiem aeternam: Requiem aeternam dona eis Domine | — | ||
| 40 | War Requiem, Op. 66: IIa. Dies irae, dies irae (chorus) | — |
Pomp and Circumstance, Op. 39: No. 1, March in D Major
—
Messiah, HWV. 56, Part II: 44. Hallelujah (chorus)
—
The Lark Ascending
—
The Young Person’s Guide to the Orchestra, Op. 34: Theme & Fugue
—
The Young Person’s Guide to the Orchestra, Op. 34: Var. B: Oboes (Lento)
—
The Young Person’s Guide to the Orchestra, Op. 34: Var. C: Clarinets (Moderato)
—
Salut d’amour, Op. 12
—
Passacaglia, Op. 33b
—
Rinaldo, HWV 7a, Act II: Lascia ch’io pianga
—
Fantasia On a Theme By Thomas Tallis
—
Variations on an Original Theme, Op. 36 ’’Enigma’’: Var. IX. Nimrod (Adagio)
—
The Planets, Op. 32: I. Mars, the Bringer of War
—
The Planets, Op. 32: II. Venus, the Bringer of Peace
—
The Planets, Op. 32: III. Mercury, the Winged Messenger
—
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity
—
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato
—
Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto
—
Cello Concerto in E Minor, Op. 85: III. Adagio
—
Cello Concerto in E Minor, Op. 85: IV. Allegro - Moderato - Allegro, ma non troppo
—
A Ceremony of Carols, Op. 28: IX. Spring Carol
—
Water Music Suite No. 1 in F Major, HWV 348: VI. Air
—
Dido and Aeneas, Z. 626: Overture
—
Dido and Aeneas, Z. 626, Act III: Thy Hand, Belinda Darkness Shades Me - When I Am Laid in Earth - With Drooping Wings
—
Imperial March, Op. 32
—
Symphony No. 1 in A‐Flat Major, Op. 55: I. Andante nobilmente e semplice - Allegro
—
Serenade to Music
—
A Midsummer Night’s Dream Op. 64, Act II: I Have Reas’nable Good Ear in Music (Bottom, Tytania)
—
Music for the Royal Fireworks, HWV 351: I. Ouverture
—
Tuba Concerto in F Minor: I. Prelude (Allegro moderato)
—
Zadok the Priest, HWV 258
—
Xerxes Suite, HWV 40: II. Aria, Ombra mai fù
—
In the Bleak Mid‐Winter, H. 73 No. 1
—
A Sea Symphony: I. A Song for All Seas, All Ships, Behold the sea itself (chorus)
—
I Vow to Thee My Country, H. 148
—
If Ye Love Me
—
First Suite for Military Band in E‐Flat Major, Op. 28 No. 1: I. Chaconne
—
Magnificat and Nunc dimittis: Magnificat (Luke 1:46 & Doxology)
—
The Indian Queen, Z. 630: II. Why should men quarrel?
—
War Requiem, Op. 66, I. Requiem aeternam: Requiem aeternam dona eis Domine
—
War Requiem, Op. 66: IIa. Dies irae, dies irae (chorus)
—
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What is UPC 5059460019997?
5059460019997 is a Universal Product Code (UPC) assigned to The Best of English Classical Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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