UPC · Release
Various Artists
Last verified:
The UPC for “Chill Tracks” by Various Artists is 5059460150317. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include USAT22204901, GBAHS1701238, USAT22201518.
Credit Chain
Identifier Graph
5059460150317 is a Universal Product Code (UPC) assigned to Chill Tracks by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Perfect (Mike Perry remix) | Ed Sheeran | T-921.070.544-5 |
| Thinking ’Bout You (DECCO remix) | Dua Lipa | T-921.327.673-4 |
| 1+1 (Banx & Ranx remix) | Sia, Yandel, Sofía Reyes | T-309.048.974-6 |
| Lay It on Me (Said the Sky remix) | Vance Joy | T-921.956.359-4 |
| THESE DAYS [FEAT. JESS GLYNNE, MACKLEMORE, DAN CAPLEN] | RUDIMENTAL | T-923.564.910-2 |
| Let You Love Me | Rita Ora | T-926.911.649-6 |
| Make Me Feel | Janelle Monáe | — |
| 1+1 (Banx & Ranx remix) | Sia, Yandel, Sofía Reyes | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Chill Tracks” by Various Artists is 5059460150317. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include USAT22204901, GBAHS1701238, USAT22201518.
