UPC · Release
Strauss, Stephen Fry, Christine Brewer, Robert Dean Smith, Alice Coote, Alan Opie, John Graham Hall, Scottish Chamber Orchestra, Richard Armstrong
Last verified:
The UPC for “Ariadne on Naxos & Le Bourgeois Gentilhomme” by Strauss, Stephen Fry, Christine Brewer, Robert Dean Smith, Alice Coote, Alan Opie, John Graham Hall, Scottish Chamber Orchestra, Richard Armstrong is 5059864316838. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-09-01. This release contains 35 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: I. Overture | — | ||
| 2 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: II. Minuet | — | ||
| 3 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: III. The Fencing Master | — | ||
| 4 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: IV. Entry and Dance of the Tailors | — | ||
| 5 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: V. Lully’s Minuet | — | ||
| 6 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: VI. Courante | — | ||
| 7 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: VII. Entry of Cleonte | — | ||
| 8 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: VIII. Intermezzo | — | ||
| 9 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: IX. The Dinner | — | ||
| 10 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: Orchestral Introduction | — | ||
| 11 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: My good Major‐Domo (Music Master, Major‐Domo) | — | ||
| 12 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: This dressing room is given to mam’zelle Zerbinetta (Zerbinetta, Prima Donna, Mu | — | ||
| 13 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: I can show them the secrets of the universe (Composer, Music Master) | — | ||
| 14 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: Fellow actors, dearest of friends’ (Zerbinetta, Composer, Music Master, Prima Do | — | ||
| 15 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: The company’s rising from table (Music Master, Major‐Domo, Prima Donna, Zerbinet | — | ||
| 16 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: I’m staggered - how unexpected! (Music Master, Composer, Dancing Master, Tenor, | — | ||
| 17 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: She takes him for the God of Death (Composer, Zerbinetta) | — | ||
| 18 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: A moment means nothing (Zerbinetta, Composer) | — | ||
| 19 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: The stage awaits you (Music Master, Prima Donna, Composer) | — | ||
| 2-1 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Overture | — | ||
| 2-2 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Sleeping? (Naiad, Dryad, Echo) | — | ||
| 2-3 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Ah! (Ariadne, Echo, Harlequin, Zerbinetta, Truffaldino) | — | ||
| 2-4 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: A golden time was Theseus‐Ariadne (Ariadne, Naiad, Dryad, Echo, Harlequin, Zerbinet | — | ||
| 2-5 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Loving, hating, hoping, fearing (Harlequin, Echo, Zerbinetta) | — | ||
| 2-6 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: There is a land, a world untainted (Ariadne) | — | ||
| 2-7 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: The lady, we are sad to see (Brighella, Scaramuccio, Harlequin, Truffaldino, Zerbin | — | ||
| 2-8 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Your gracious Royal Highness (Zerbinetta) | — | ||
| 2-9 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: The moment I think I’m true to one lover (Zerbinetta) | — | ||
| 2-10 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Quite a sermon, but a waste of effort (Harlequin, Zerbinetta, Brighella, Scaramucci | — | ||
| 2-11 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: To console a stubborn woman (Brighella, Scaramuccio, Harlequin, Truffaldino, Zerbin | — | ||
| 2-12 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: A shining marvel, a youthful God! (Dryad, Naiad, Echo) | — | ||
| 2-13 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Circe, Circe can you still hear me? (Bacchus, Ariadne, Naiad, Dryad, Echo) | — | ||
| 2-14 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Theseus! (Ariadne, Bacchus) | — | ||
| 2-15 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Me? Can you be sure? (Bacchus, Ariadne) | — | ||
| 2-16 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Shall we not pass over? (Ariadne, Bacchus, Naiad, Dryad, Echo, Zerbinetta) | — |
Credits Graph
5059864316838 is a Universal Product Code (UPC) assigned to Ariadne on Naxos & Le Bourgeois Gentilhomme by Strauss, Stephen Fry, Christine Brewer, Robert Dean Smith, Alice Coote, Alan Opie, John Graham Hall, Scottish Chamber Orchestra, Richard Armstrong. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 35 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Ariadne on Naxos & Le Bourgeois Gentilhomme” by Strauss, Stephen Fry, Christine Brewer, Robert Dean Smith, Alice Coote, Alan Opie, John Graham Hall, Scottish Chamber Orchestra, Richard Armstrong is 5059864316838. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-09-01. This release contains 35 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: I. Overture | — | ||
| 2 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: II. Minuet | — | ||
| 3 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: III. The Fencing Master | — | ||
| 4 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: IV. Entry and Dance of the Tailors | — | ||
| 5 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: V. Lully’s Minuet | — | ||
| 6 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: VI. Courante | — | ||
| 7 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: VII. Entry of Cleonte | — | ||
| 8 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: VIII. Intermezzo | — | ||
| 9 | Le Bourgeois Gentilhomme Suite, op. 60b, TrV 228c: IX. The Dinner | — | ||
| 10 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: Orchestral Introduction | — | ||
| 11 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: My good Major‐Domo (Music Master, Major‐Domo) | — | ||
| 12 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: This dressing room is given to mam’zelle Zerbinetta (Zerbinetta, Prima Donna, Mu | — | ||
| 13 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: I can show them the secrets of the universe (Composer, Music Master) | — | ||
| 14 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: Fellow actors, dearest of friends’ (Zerbinetta, Composer, Music Master, Prima Do | — | ||
| 15 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: The company’s rising from table (Music Master, Major‐Domo, Prima Donna, Zerbinet | — | ||
| 16 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: I’m staggered - how unexpected! (Music Master, Composer, Dancing Master, Tenor, | — | ||
| 17 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: She takes him for the God of Death (Composer, Zerbinetta) | — | ||
| 18 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: A moment means nothing (Zerbinetta, Composer) | — | ||
| 19 | Ariadne on Naxos, op. 60, TrV 228a, The Prologue: The stage awaits you (Music Master, Prima Donna, Composer) | — | ||
| 2-1 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Overture | — | ||
| 2-2 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Sleeping? (Naiad, Dryad, Echo) | — | ||
| 2-3 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Ah! (Ariadne, Echo, Harlequin, Zerbinetta, Truffaldino) | — | ||
| 2-4 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: A golden time was Theseus‐Ariadne (Ariadne, Naiad, Dryad, Echo, Harlequin, Zerbinet | — | ||
| 2-5 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Loving, hating, hoping, fearing (Harlequin, Echo, Zerbinetta) | — | ||
| 2-6 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: There is a land, a world untainted (Ariadne) | — | ||
| 2-7 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: The lady, we are sad to see (Brighella, Scaramuccio, Harlequin, Truffaldino, Zerbin | — | ||
| 2-8 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Your gracious Royal Highness (Zerbinetta) | — | ||
| 2-9 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: The moment I think I’m true to one lover (Zerbinetta) | — | ||
| 2-10 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Quite a sermon, but a waste of effort (Harlequin, Zerbinetta, Brighella, Scaramucci | — | ||
| 2-11 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: To console a stubborn woman (Brighella, Scaramuccio, Harlequin, Truffaldino, Zerbin | — | ||
| 2-12 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: A shining marvel, a youthful God! (Dryad, Naiad, Echo) | — | ||
| 2-13 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Circe, Circe can you still hear me? (Bacchus, Ariadne, Naiad, Dryad, Echo) | — | ||
| 2-14 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Theseus! (Ariadne, Bacchus) | — | ||
| 2-15 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Me? Can you be sure? (Bacchus, Ariadne) | — | ||
| 2-16 | Ariadne on Naxos, op. 60, TrV 228a, The Opera: Shall we not pass over? (Ariadne, Bacchus, Naiad, Dryad, Echo, Zerbinetta) | — |
