UPC · Release
Christopher Columbus & Hamlet and Ophelia
William Walton, Roderick Williams, Tom Randle and 6 more
Last verified:
5059864503436 is the Universal Product Code (UPC barcode) for the release “Christopher Columbus & Hamlet and Ophelia” by William Walton, Roderick Williams, Tom Randle, Jean Rigby, Julian Glover, Jamie Glover, Caroline Carragher, BBC National Orchestra of Wales, Richard Hickox, released 2005-03-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (33)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Christopher Columbus (A Musical Journey), Part I: Introduction. No, it cannot be done (Ironic Spirit, Columbus, Chorus) | — | ||
| 2 | Christopher Columbus (A Musical Journey), Part I: I. My name is Christopher (Columbus, Ironic Spirit) | — | ||
| 3 | Christopher Columbus (A Musical Journey), Part I: I. You cannot do that alone (Ironic Spirit, Columbus) | — | ||
| 4 | Christopher Columbus (A Musical Journey), Part I: Ia. Finding his way by starts and gleams (Ironic Spirit, Chorus) | — | ||
| 5 | Christopher Columbus (A Musical Journey), Part I: Ia. Now the game is beginning (Columbus) | — | ||
| 6 | Christopher Columbus (A Musical Journey), Part I: II. Sarabande - Señor Columbus (Isabella, Columbus) | — | ||
| 7 | Christopher Columbus (A Musical Journey), Part I: II. Down in the Kingdom of Granada (Isabella, Marquesa, Colombus), “Marquesa’s Song” | — | ||
| 8 | Christopher Columbus (A Musical Journey), Part I: II. But how can they know? (Columbus, Ironic Spirit, Men’s chorus) | — | ||
| 9 | Christopher Columbus (A Musical Journey), Part I: III. No! No! No! (Ironic Spirit, Men’s Chorus) | — | ||
| 10 | Christopher Columbus (A Musical Journey), Part I: III. Go and look at the sunset (Columbus) | — | ||
| 11 | Christopher Columbus (A Musical Journey), Part I: III. I haven’t seen her for years - IV. When will he return? (Columbus, Beatriz), “Beatriz’s Song” | — | ||
| 12 | Christopher Columbus (A Musical Journey), Part I: IV. May I come up? - Va. Kyrie. You have no right to take a rose from my courtyard (Columbus, Beatriz, Men’s Chorus) | — | ||
| 13 | Christopher Columbus (A Musical Journey), Part I: Va. So, my son, you are leaving Spain? (Ironic Spirit, Columbus) | — | ||
| 14 | Christopher Columbus (A Musical Journey), Part I: Vb. Granada has fallen! (Chorus, Columbus) | — | ||
| 15 | Christopher Columbus (A Musical Journey), Part I: Vb. Give me a ship, Your Majesty - Vc. On this day, the thirteenth of April - Vd. In the name of the Holy Trinity and Eternal Unity - Ve. They have given me all that I asked (Columbus, Herald) | — | ||
| 16 | Christopher Columbus (A Musical Journey), Part II: VIa. Introduction - Port Music. Oyez! Oyez! Oyez! (Herald) | — | ||
| 17 | Christopher Columbus (A Musical Journey), Part II: VIb. There be three ships (Woman Singer), “Woman’s Song” | — | ||
| 18 | Christopher Columbus (A Musical Journey), Part II: VIc. I heard you were due to sail (Beatriz, Columbus) | — | ||
| 19 | Christopher Columbus (A Musical Journey), Part II: VIc. Drum (Beatriz, Columbus) | — | ||
| 20 | Christopher Columbus (A Musical Journey), Part II: VII. Litany of the Saints. Per Domimum - Capstan Shanty. We’re bound upon a wild goose quest (Tenor, Chorus) | — | ||
| 21 | Christopher Columbus (A Musical Journey), Part II: VII. On these ships they are singing - VIIIa. We’ve gone away for ever (Tenor, Ironic Spirit) | — | ||
| 22 | Christopher Columbus (A Musical Journey), Part II: VIIIb. Sea Music. Friday, August the third (Columbus) | — | ||
| 23 | Christopher Columbus (A Musical Journey), Part II: VIIIb. The sailors steered badly (Ironic Spirit, Sailor) | — | ||
| 24 | Christopher Columbus (A Musical Journey), Part II: IX. Night Music. Where shall wisdom be found…? (Columbus) | — | ||
| 25 | Christopher Columbus (A Musical Journey), Part II: IX. Listen to me, Señores (Columbus) | — | ||
| 26 | Christopher Columbus (A Musical Journey), Part II: X. Gold, Señores, gold… (Columbus, Speaking Chorus) | — | ||
| 27 | Christopher Columbus (A Musical Journey), Part II: X. October the eleventh (Columbus) | — | ||
| 28 | Christopher Columbus (A Musical Journey), Part II: XI. Stand by for the Dawn! - Te Deum laudamus (Columbus, Speaking Chorus, Men’s Chorus) | — | ||
| 29 | Christopher Columbus (A Musical Journey), Part II: XIIa. Look ’ee yonder - In the name of the Holy Trinity (Columbus, Ironic Spirit, Baritone, Indian Chorus) | — | ||
| 30 | Christopher Columbus (A Musical Journey), Part II: XIIb. Have you heard the news, Your Grace? - Back from the West (Isabella, Ironic Spirit, Herald, Speaking Chorus) | — | ||
| 31 | Christopher Columbus (A Musical Journey), Part II: XIIb. I took three ships (Columbus) | — | ||
| 32 | Christopher Columbus (A Musical Journey), Part II: XIIb. Finale. Glory, glory to God (Tenor, Columbus, Chorus) | — | ||
| 33 | Hamlet and Ophelia | — |
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People also ask
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What is UPC 5059864503436?
5059864503436 is a Universal Product Code (UPC) assigned to Christopher Columbus & Hamlet and Ophelia by William Walton, Roderick Williams, Tom Randle, Jean Rigby, Julian Glover, Jamie Glover, Caroline Carragher, BBC National Orchestra of Wales, Richard Hickox. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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