UPC · Release
Moscow‐Cheryomushki
Shostakovich, Gennady Rozhdestvensky, Hague Residentie Orchestra and 6 more
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5059864959134 is the Universal Product Code (UPC barcode) for the release “Moscow‐Cheryomushki” by Shostakovich, Gennady Rozhdestvensky, Hague Residentie Orchestra, Irina Gelahova, Anatoly Lochak, Andrei Baturkin, Elena Prokina, Mikhail Goujov, Herman Apaikin, released 1997-11-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 69 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (69)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mosow‐Cheryomushki, Op. 105, Overture: Prologue. Meeting you here we do not want superfluous words (Lyusya, Sergey, Boris, Drebednyov, Barabashkin) | — | ||
| 2 | Mosow‐Cheryomushki, Op. 105, Overture: That’s right! Music… (Drebednyov, Babourov, Conductor, Chorus) | — | ||
| 3 | Mosow‐Cheryomushki, Op. 105, Overture: Well I’ve lived for fifty years on Tyoplui Lane (Babourov, Chorus) | — | ||
| 4 | Mosow‐Cheryomushki, Op. 105, Act I Scene 1: That’s the way that our grandfathers and great grandfathers (Bubentsov, Chorus) | — | ||
| 5 | Mosow‐Cheryomushki, Op. 105, Act I Scene 1: Now please step into the next hall, comrades! (Bubentsov, Lidochka, Masha) | — | ||
| 6 | Mosow‐Cheryomushki, Op. 105, Act I Scene 1: When I am wondering along the streets (Masha, Bubentsov) | — | ||
| 7 | Mosow‐Cheryomushki, Op. 105, Act I Scene 1: Pantomime. Goodbye, Masha! (Bubentsov, Masha) | — | ||
| 8 | Mosow‐Cheryomushki, Op. 105, Act I Scene 1: What time is it? (Sergey, Boris) | — | ||
| 9 | Mosow‐Cheryomushki, Op. 105, Act I Scene 1: Boris’s Aria. That’s nice! (Sergey, Boris) | — | ||
| 10 | Mosow‐Cheryomushki, Op. 105, Act I Scene 1: I’ve come back to Moscow… (Boris, Sergey, Conductor) | — | ||
| 11 | Mosow‐Cheryomushki, Op. 105, Act I Scene 1: Taram‐param, nina nina Spring. “Boris’s Song‐serenade” (Boris) | — | ||
| 12 | Mosow‐Cheryomushki, Op. 105, Act I Scene 1: Have you only just got here? (Lidochka, Boris) | — | ||
| 13 | Mosow‐Cheryomushki, Op. 105, Act I Scene 1: I used to go to school and when I get home, I remember, “Lidochka’s Song” (Lidochka) | — | ||
| 14 | Mosow‐Cheryomushki, Op. 105, Act I Scene 1: Lidochka, Lidochka… (Baburov, Lidochka, Masha, Sergey, Bubentsov, Boris) | — | ||
| 15 | Mosow‐Cheryomushki, Op. 105, Act I Scene 1: Excursion around Moscow. I beg your forgiveness (Boris, Baburov, Bubentsov, Masha Lidochka, Sergey) | — | ||
| 16 | Mosow‐Cheryomushki, Op. 105, Act I: Intermezzo. Where’s the car? (Drebednyov, Vava) | — | ||
| 17 | Mosow‐Cheryomushki, Op. 105, Act I: Intermezzo. Look into my eyes, my darling! (Vava, Drebednyov) | — | ||
| 18 | Mosow‐Cheryomushki, Op. 105, Act I: Intermezzo. End of Excursion around Moscow. Put your foot down (Boris) | — | ||
| 19 | Mosow‐Cheryomushki, Op. 105, Act I Scene 2: Semyon Semyonovich… (Bubentsov, Baburov, Masha, Sergey, Lyusya, Boris, Chorus) | — | ||
| 20 | Mosow‐Cheryomushki, Op. 105, Act I Scene 2: Ensemble of Residents. A furniture shop (Nervous Lady, Neighbour, Kurochkin, Man in a cap, Wife, Husband, Sergey, Chorus) | — | ||
| 21 | Mosow‐Cheryomushki, Op. 105, Act I Scene 2: Sergey’s Song about Mar’ina Roscha. It’s simple to fall in love (Sergey, Baburov) | — | ||
| 22 | Mosow‐Cheryomushki, Op. 105, Act I Scene 2: Baburov’s Song about Tyoplyi Lane. If you want to get to know Moscow (Baburov, Taxi driver) | — | ||
| 23 | Mosow‐Cheryomushki, Op. 105, Act I Scene 2: So it’s Tyoplyi Lane then? (Lyusya, Chorus) | — | ||
| 24 | Mosow‐Cheryomushki, Op. 105, Act I Scene 2: Song about Cheremushki. Cheremushki… (Lyusya, Boris, Sergey, Chorus) | — | ||
| 25 | Mosow‐Cheryomushki, Op. 105, Act I Scene 2: The manager! The manager! (Barabashkin, Chorus) | — | ||
| 26 | Mosow‐Cheryomushki, Op. 105, Act I Scene 2: What are you thinking of, citizens? (Barabashkin, Lidochka, Boris, Chorus) | — | ||
| 27 | Mosow‐Cheryomushki, Op. 105, Act I Scene 2: Anyway… (Boris, Lidochka) | — | ||
| 28 | Mosow‐Cheryomushki, Op. 105, Act I Scene 2: Valka! (Boris, Vava, Derbednyov, Sergey, Barabashkin, Chorus) | — | ||
| 29 | Mosow‐Cheryomushki, Op. 105, Act I Scene 2: We haven’t received the authorisation yet (Drebednyov, Barabashkin, Chorus) | — | ||
| 30 | Mosow‐Cheryomushki, Op. 105, Act I Scene 2: Finale. Cheremushki… (Vava, Boris, Lidochka, Chorus) | — | ||
| 31 | Mosow‐Cheryomushki, Op. 105, Act II: Intermezzo. Barabashkin’s Couplets. Have you no patience (Barabashkin) | — | ||
| 32 | Mosow‐Cheryomushki, Op. 105, Act II Scene 3: That’s it Lidochka, that’s it! (Boris, Lidochka) | — | ||
| 33 | Mosow‐Cheryomushki, Op. 105, Act II Scene 3: I prostrate myself before thee, fair maiden! (Boris, Lidochka) | — | ||
| 2-1 | Mosow‐Cheryomushki, Op. 105, Act II Scene 3: You are not angry, my valiant sir? (Lidochka, Boris, Baburov, Lyusya) | — | ||
| 2-2 | Mosow‐Cheryomushki, Op. 105, Act II Scene 3: We went for a stroll beyond the river (Lyusya, Sergey) | — | ||
| 2-3 | Mosow‐Cheryomushki, Op. 105, Act II Scene 3: Oh, what was that? (Lyusya, Sergey, Barabashkin, Drebednyov, Vava) | — | ||
| 2-4 | Mosow‐Cheryomushki, Op. 105, Act II Scene 3: Barabashkin’s and Drebednyov’s Couplets. You can’t make your way in life (Barabashkin, Drebednyov) | — | ||
| 2-5 | Mosow‐Cheryomushki, Op. 105, Act II Scene 3: Fedya! (Vava, Drebednyov, Barabashkin, Boris, Lidochka) | — | ||
| 2-6 | Mosow‐Cheryomushki, Op. 105, Act II Scene 3: It’s somehow all so stupid (Boris, Lidochka) | — | ||
| 2-7 | Mosow‐Cheryomushki, Op. 105, Act II Scene 3: So where is the young man? (Baburov, Lidochka, Drebednyov, Barabshkin, Vava) | — | ||
| 2-8 | Mosow‐Cheryomushki, Op. 105, Act II Scene 3: We have a deed to prove this… (Drebednyov, Barabashkin, Baburov, Lidochka, Lyusya, Boris) | — | ||
| 2-9 | Mosow‐Cheryomushki, Op. 105, Act II: Intermezzo. And where are you off to?… (Sergey, Lyusya, Chorus) | — | ||
| 2-10 | Mosow‐Cheryomushki, Op. 105, Act II: Intermezzo. Song. Moscow nestles on the skyline (Lyusya, Chorus) | — | ||
| 2-11 | Mosow‐Cheryomushki, Op. 105, Act II Scene 4: Let’s have some tea (Masha, Bubentsov) | — | ||
| 2-12 | Mosow‐Cheryomushki, Op. 105, Act II Scene 4: Duet. The bell, the bell… (Bubentsov, Masha) | — | ||
| 2-13 | Mosow‐Cheryomushki, Op. 105, Act II Scene 4: Masha, it’s someone ringing for us! (Bubentsov, Masha, Husband, Wife, Neighbour, Mylkin, Kurochkin, Kurochkina) | — | ||
| 2-14 | Mosow‐Cheryomushki, Op. 105, Act II Scene 4: Polka. Call in! (Masha, Bubentsov, Wife, Kurochkin, Husband, Neighbour [f.], Mylkin, Kurochkina, Chorus) | — | ||
| 2-15 | Mosow‐Cheryomushki, Op. 105, Act II Scene 4: Guests! (Masha, Husband, Wife, Neighbour, Bubentsov, Mylkin, Kurochkin, Sergey, Lyusya, Chorus) | — | ||
| 2-16 | Mosow‐Cheryomushki, Op. 105, Act II Scene 4: Song about Cheremushki. Cheremushki (Chorus) | — | ||
| 2-17 | Mosow‐Cheryomushki, Op. 105, Act II: Intermezzo. Where can we go now? (Lidochka, Boris) | — | ||
| 2-18 | Mosow‐Cheryomushki, Op. 105, Act II: Intermezzo. Ballet. Who is that? (Lidochka, Boris) | — | ||
| 2-19 | Mosow‐Cheryomushki, Op. 105, Act II: Intermezzo. Apotheosis | — | ||
| 2-20 | Mosow‐Cheryomushki, Op. 105, Act II: Intermezzo. That was the move to the new Flat…(Boris, Lidochka, Vava) | — | ||
| 2-21 | Mosow‐Cheryomushki, Op. 105, Act II: Finale. What is it to me? (Lidochka) | — | ||
| 2-22 | Mosow‐Cheryomushki, Op. 105, Act III: Entr’acte | — | ||
| 2-23 | Mosow‐Cheryomushki, Op. 105, Act III: Cheremushki! (Baburov, Chorus) | — | ||
| 2-24 | Mosow‐Cheryomushki, Op. 105, Act III: Play something, comrade conductor… (Baburov, Conductor, Barabashkin) | — | ||
| 2-25 | Mosow‐Cheryomushki, Op. 105, Act III Scene 5: Lidochka’s Song. The clock on the square is lit up (Lidochka) | — | ||
| 2-26 | Mosow‐Cheryomushki, Op. 105, Act III Scene 5: Taking things easy?! (Bubentsov, Lidochka, Lyusya, Masha, Chorus) | — | ||
| 2-27 | Mosow‐Cheryomushki, Op. 105, Act III Scene 5: Waltz of the flowers | — | ||
| 2-28 | Mosow‐Cheryomushki, Op. 105, Act III Scene 5: Am I dreaming? (Lidochka, Lyusya, Masha, Bubentsov, Barabashkin, Chorus) | — | ||
| 2-29 | Mosow‐Cheryomushki, Op. 105, Act III Scene 5: Barabashkin’s Song. All lovers’ meetings are ably served by the moon (Barabashkin) | — | ||
| 2-30 | Mosow‐Cheryomushki, Op. 105, Act III Scene 5: Are you afraid?… (Lyusya, Barabashkin, Bubentsov, Lidochka, Masha, Boris, Mylkin, Sergey, Kurochkin, Conductor, Chorus) | — | ||
| 2-31 | Mosow‐Cheryomushki, Op. 105, Act III Scene 5: Ni‐na, ni‐na, ni‐na, ni‐na (Lidochka, Boris) | — | ||
| 2-32 | Mosow‐Cheryomushki, Op. 105, Act III Scene 5: Nevertheless, the parade ground has been cleared! (Boris, Lidochka, Vava, Drebednyov, Baburov, Lyusya, Sergey, Masha) | — | ||
| 2-33 | Mosow‐Cheryomushki, Op. 105, Act III Scene 5: Sergey’s Song. I love you (Sergey, Chorus) | — | ||
| 2-34 | Mosow‐Cheryomushki, Op. 105, Act III Scene 5: Not bad that bench. (Barabashkin, Drebednyov, Vava) | — | ||
| 2-35 | Mosow‐Cheryomushki, Op. 105, Act III Scene 5: Are you laughing? (Barabashkin) | — | ||
| 2-36 | Mosow‐Cheryomushki, Op. 105, Act III Scene 5: Finale. Look, Lidochka! (Boris, Lidochka, Sergey, Chorus) | — |
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What is UPC 5059864959134?
5059864959134 is a Universal Product Code (UPC) assigned to Moscow‐Cheryomushki by Shostakovich, Gennady Rozhdestvensky, Hague Residentie Orchestra, Irina Gelahova, Anatoly Lochak, Andrei Baturkin, Elena Prokina, Mikhail Goujov, Herman Apaikin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 69 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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