UPC · Release
Mahler, London Philharmonic Orchestra, Klaus Tennstedt
Last verified:
The UPC for “Mahler Symphonies: Live in Concert” by Mahler, London Philharmonic Orchestra, Klaus Tennstedt is 5060096760078. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC. Tracks include GBHZU1105201, GBHZU1105202, GBHZU1105203.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | — | ||
| 2 | Lieder eines fahrenden Gesellen: Ging heut' morgen ubers Feld | — | ||
| 3 | Lieder eines fahrenden Gesellen: Ich hab'ein gluhend Messer | — | ||
| 4 | Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz | — | ||
| 5 | Symphony No. 1 in D: I. Langsam. Schleppend | — | ||
| 6 | Symphony No. 1 in D: II. Kraftig bewegt, doch nicht zu schnell | — | ||
| 7 | Symphony No. 1 in D: III. Feierlich und gemessen | — | ||
| 8 | Symphony No. 1 in D: IV. Sturmisch bewegt | — | ||
| 2-1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 3-1 | Symphony no. 2 in C minor “Resurrection”: II. Andante Moderato. Sehr gemächlich. Nie eilen | — | ||
| 3-2 | Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung | — | ||
| 3-3 | Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht". Sehr feierlich, aber schlicht | — | ||
| 3-4 | Symphony no. 2 in C minor “Resurrection”: V. Finale. Im Tempo des Scherzo. Wild herausfahrend | — | ||
| 3-5 | Symphony no. 2 in C minor “Resurrection”: V. "Aufersteh'n". Langsam Misterioso | — | ||
| 3-6 | Symphony no. 2 in C minor “Resurrection”: V. "O Glaube, mein Herz". Etwas bewegter | — | ||
| 4-1 | Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 5-1 | Symphony no. 2 in C minor “Resurrection”: II. Andante Moderato. Sehr gemächlich. Nie eilen | — | ||
| 5-2 | Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung | — | ||
| 5-3 | Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht". Sehr feierlich, aber schlicht | — | ||
| 5-4 | Symphony no. 2 in C minor “Resurrection”: V. Finale. Im Tempo des Scherzo. Wild herausfahrend | — | ||
| 5-5 | Symphony no. 2 in C minor “Resurrection”: V. "Aufersteh'n". Langsam Misterioso | — | ||
| 5-6 | Symphony no. 2 in C minor “Resurrection”: V. "O Glaube, mein Herz". Etwas bewegter | — | ||
| 6-1 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo | — | ||
| 6-2 | Symphony no. 6 in A minor: II. Scherzo | — | ||
| 6-3 | Symphony no. 6 in A minor: III. Andante moderato | — | ||
| 7-1 | Symphony no. 6 in A minor: IV. Finale | — | ||
| 8-1 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Veni, Creator Spiritus | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-2 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Imple superna gratia | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-3 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-4 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Tempo I: Allegro, etwas hastig | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-5 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-6 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Accende lumen sensibus | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-7 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Veni, Creator Spiritus | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-8 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Gloria Patri Domino | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, Eton College Boys Choir, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-1 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Poco adagio | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-2 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Piu mosso: Allegro moderato | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-3 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Waldung, sie schwankt heran | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-4 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ewiger Wonnebrand | Eike Wilm Schulte, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-5 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Wie Felsenabgrund mir zu Füssen | Hans Sotin, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-6 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Gerettet ist das edle Glied - Hände verschlinget euch | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-7 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Jene Rosen aus den Händen | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-8 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Uns bleibt ein Erdenrest | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-9 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ich spür’ soeben – Hier ist die Aussicht frei – Freudig empfangen wir | Richard Cooke, Stephen Westrop, Eton College Boys Choir, London Philharmonic Choir, London Symphony Chorus, Kenneth Riegel, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-10 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Höchste Herrscherin der Welt! | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, Kenneth Riegel, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-11 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Dir, der Unberührbaren – Du schwebst zu Höhen der ewigen Reiche | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-12 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei der Liebe, die den Füssen | Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-13 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem Bronn, zu dem schon weiland | Trudeliese Schmidt, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-14 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem hochgeweihten Orte | Jane Eaglen, Jadwiga Rappé, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-15 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Neige, neige, du Ohnegleiche | Jane Eaglen, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-16 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Er überwächst uns schon – Vom edlen Geisterchor umgeben | Richard Cooke, Stephen Westrop, Jane Eaglen, Eton College Boys Choir, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-17 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Komm! Hebe dich zu höhern Sphären! – Blicket auf zum Retterblick, alle reuig Zarten | Richard Cooke, Stephen Westrop, Susan Bullock, Eton College Boys Choir, London Philharmonic Choir, London Symphony Chorus, Kenneth Riegel, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-18 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, Eton College Boys Choir, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — |
Musical Works (ISWC)
Identifier Graph
5060096760078 is a Universal Product Code (UPC) assigned to Mahler Symphonies: Live in Concert by Mahler, London Philharmonic Orchestra, Klaus Tennstedt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Mahler Symphonies: Live in Concert” by Mahler, London Philharmonic Orchestra, Klaus Tennstedt is 5060096760078. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC. Tracks include GBHZU1105201, GBHZU1105202, GBHZU1105203.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | — | ||
| 2 | Lieder eines fahrenden Gesellen: Ging heut' morgen ubers Feld | — | ||
| 3 | Lieder eines fahrenden Gesellen: Ich hab'ein gluhend Messer | — | ||
| 4 | Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz | — | ||
| 5 | Symphony No. 1 in D: I. Langsam. Schleppend | — | ||
| 6 | Symphony No. 1 in D: II. Kraftig bewegt, doch nicht zu schnell | — | ||
| 7 | Symphony No. 1 in D: III. Feierlich und gemessen | — | ||
| 8 | Symphony No. 1 in D: IV. Sturmisch bewegt | — | ||
| 2-1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 3-1 | Symphony no. 2 in C minor “Resurrection”: II. Andante Moderato. Sehr gemächlich. Nie eilen | — | ||
| 3-2 | Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung | — | ||
| 3-3 | Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht". Sehr feierlich, aber schlicht | — | ||
| 3-4 | Symphony no. 2 in C minor “Resurrection”: V. Finale. Im Tempo des Scherzo. Wild herausfahrend | — | ||
| 3-5 | Symphony no. 2 in C minor “Resurrection”: V. "Aufersteh'n". Langsam Misterioso | — | ||
| 3-6 | Symphony no. 2 in C minor “Resurrection”: V. "O Glaube, mein Herz". Etwas bewegter | — | ||
| 4-1 | Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 5-1 | Symphony no. 2 in C minor “Resurrection”: II. Andante Moderato. Sehr gemächlich. Nie eilen | — | ||
| 5-2 | Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung | — | ||
| 5-3 | Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht". Sehr feierlich, aber schlicht | — | ||
| 5-4 | Symphony no. 2 in C minor “Resurrection”: V. Finale. Im Tempo des Scherzo. Wild herausfahrend | — | ||
| 5-5 | Symphony no. 2 in C minor “Resurrection”: V. "Aufersteh'n". Langsam Misterioso | — | ||
| 5-6 | Symphony no. 2 in C minor “Resurrection”: V. "O Glaube, mein Herz". Etwas bewegter | — | ||
| 6-1 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo | — | ||
| 6-2 | Symphony no. 6 in A minor: II. Scherzo | — | ||
| 6-3 | Symphony no. 6 in A minor: III. Andante moderato | — | ||
| 7-1 | Symphony no. 6 in A minor: IV. Finale | — | ||
| 8-1 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Veni, Creator Spiritus | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-2 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Imple superna gratia | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-3 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-4 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Tempo I: Allegro, etwas hastig | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-5 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-6 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Accende lumen sensibus | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-7 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Veni, Creator Spiritus | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-8 | Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Gloria Patri Domino | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, Eton College Boys Choir, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-1 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Poco adagio | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-2 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Piu mosso: Allegro moderato | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-3 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Waldung, sie schwankt heran | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-4 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ewiger Wonnebrand | Eike Wilm Schulte, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-5 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Wie Felsenabgrund mir zu Füssen | Hans Sotin, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-6 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Gerettet ist das edle Glied - Hände verschlinget euch | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-7 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Jene Rosen aus den Händen | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-8 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Uns bleibt ein Erdenrest | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-9 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ich spür’ soeben – Hier ist die Aussicht frei – Freudig empfangen wir | Richard Cooke, Stephen Westrop, Eton College Boys Choir, London Philharmonic Choir, London Symphony Chorus, Kenneth Riegel, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-10 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Höchste Herrscherin der Welt! | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, Kenneth Riegel, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-11 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Dir, der Unberührbaren – Du schwebst zu Höhen der ewigen Reiche | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-12 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei der Liebe, die den Füssen | Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-13 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem Bronn, zu dem schon weiland | Trudeliese Schmidt, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-14 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem hochgeweihten Orte | Jane Eaglen, Jadwiga Rappé, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-15 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Neige, neige, du Ohnegleiche | Jane Eaglen, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-16 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Er überwächst uns schon – Vom edlen Geisterchor umgeben | Richard Cooke, Stephen Westrop, Jane Eaglen, Eton College Boys Choir, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-17 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Komm! Hebe dich zu höhern Sphären! – Blicket auf zum Retterblick, alle reuig Zarten | Richard Cooke, Stephen Westrop, Susan Bullock, Eton College Boys Choir, London Philharmonic Choir, London Symphony Chorus, Kenneth Riegel, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-18 | Symphony no. 8: Part II. Final Scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, Eton College Boys Choir, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | — |
