UPC · Release
Gilbert, Sullivan, The D’Oyly Carte Opera Company, Glyndebourne Festival Opera
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The UPC for “The Best of Gilbert & Sullivan” by Gilbert, Sullivan, The D’Oyly Carte Opera Company, Glyndebourne Festival Opera is 5060137483188. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: H&H Music. This release contains 102 tracks, each with its own ISRC. Tracks include GBTYZ1000401, GBTYZ1000402, GBTYZ1000403.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Yeomen of the Guard: Overture | Pro Arte Orchestra, Sir Malcolm Sargent | T-070.024.519-7 | |
| 2 | Trial by Jury: Hark the hour of ten is sounding | New Promenade Orchestra, Isidore Godfrey | — | |
| 3 | Trial by Jury: When I, good friends | Richard Watson, New Promenade Orchestra, Isidore Godfrey | — | |
| 4 | The Sorceror: My Name Is John Wellington Wells | Peter Pratt, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 5 | H.M.S. Pinafore: Act I. “We sail the ocean blue” (Sailors) | Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | — | |
| 6 | H.M.S. Pinafore: Act I. “I’m called Little Buttercup” (Buttercup) | Monica Sinclair, Pro Arte Orchestra, Sir Malcolm Sargent | T-070.011.858-6 | |
| 7 | H.M.S. Pinafore: Act I. “My gallant crew, good morning” (Captain Corcoran, Sailors) | John Cameron, Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | T-070.049.336-2 | |
| 8 | H.M.S. Pinafore: Act I. “I am the captain of the Pinafore” (Captain Corcoran, Sailors) | John Cameron, Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | — | |
| 9 | H.M.S. Pinafore: Act I. “When I was a lad I served a term” (Sir Joseph, Relatives, Sailors) | George Baker, Glyndebourne Festival Chorus, Marjorie Thomas, Pro Arte Orchestra, Sir Malcolm Sargent | — | |
| 10 | H.M.S. Pinafore: Act II. “Fair moon to thee I sing” (Captain Corcoran) | John Cameron, Pro Arte Orchestra, Sir Malcolm Sargent | T-070.178.689-1 | |
| 11 | H.M.S. Pinafore: Act II. “Things are seldom what they seem” (Buttercup, Captain, Corcoran) | John Cameron, Monica Sinclair, Pro Arte Orchestra, Sir Malcolm Sargent | T-070.039.759-6 | |
| 12 | H.M.S. Pinafore: Act II. “Never mind the why and wherefore” (Captain Corcoran, Sir Joseph, Josephine) | George Baker, John Cameron, Elsie Morison, Pro Arte Orchestra, Sir Malcolm Sargent | — | |
| 13 | H.M.S. Pinafore: Act II. “Carefully on tiptoe stealing” (Ralph, Josephine, Sailors, Captain Corcoran, Dick) | Marjorie Thomas, George Baker, Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | T-070.055.087-3 | |
| 14 | The Pirates of Penzance: Act I. “Oh, better far to live and die” | Donald Adams, D’Oyly Carte Opera Chorus, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 15 | The Pirates of Penzance: Act I. “Climbing over rocky mountain” | Beryl Dixon, D’Oyly Carte Opera Chorus, Marion Martin, D’Oyly Carte Opera Orchestra, Isidore Godfrey | T-070.181.519-1 | |
| 16 | The Pirates of Penzance: Oh, Is There Not One Maiden Breast | D’Oyly Carte Opera Chorus, Jean Hindmarsh, Thomas Round, D’Oyly Carte Opera Orchestra, Isidore Godfrey | T-900.157.447-6 | |
| 17 | The Pirates of Penzance: Act I. “Poor wand’ring one” | D’Oyly Carte Opera Chorus, Jean Hindmarsh, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 18 | The Pirates of Penzance: What Ought We to Do... How Beautifully Blue the Sky | Beryl Dixon, D’Oyly Carte Opera Chorus, Jean Hindmarsh, Marion Martin, Thomas Round, D’Oyly Carte Opera Orchestra, Isidore Godfrey | T-071.419.520-6 | |
| 19 | The Pirates of Penzance: Act I. “I am the very model of a modern Major-General” | D’Oyly Carte Opera Chorus, Peter Pratt, D’Oyly Carte Opera Orchestra, Isidore Godfrey | T-926.166.438-4 | |
| 20 | The Pirates of Penzance: When the Foeman Bares His Steel | Beryl Dixon, D’Oyly Carte Opera Chorus, Jean Hindmarsh, Peter Pratt, Thomas Round, Kenneth Sandford, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 21 | The Pirates of Penzance: When You Had Left Our Pirate Fold | Donald Adams, Ann Drummond-Grant, Thomas Round, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 22 | The Pirates of Penzance: Ah Leave Me Not to Pine | Jean Hindmarsh, Thomas Round, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 23 | The Pirates of Penzance: Act II. “When a felon’s not engaged in his employment” | D’Oyly Carte Opera Chorus, Kenneth Sandford, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 24 | The Pirates of Penzance: Act II. “With cat-like tread” | D’Oyly Carte Opera Chorus, Howard Short, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 25 | Act One - I cannot tell what this love may be | The D’Oyly Carte Opera Company | — | |
| 26 | Act Two - So go to him and say to him | The D’Oyly Carte Opera Company | — | |
| 27 | Act Two - If Saphir I choose to marry | The D’Oyly Carte Opera Company | — | |
| 2-1 | Iolanthe: March and Entry of the Peers: Loudly Let the Trumpet Bray! | — | ||
| 2-2 | Iolanthe: The Law Is the True Embodiment | — | ||
| 2-3 | Iolanthe: When I Went to the Bar | — | ||
| 2-4 | Iolanthe: When All Night Long a Chap Remains | — | ||
| 2-5 | Iolanthe: When Britain Really Ruled the Waves | — | ||
| 2-6 | Iolanthe: Oh, Foolish Fay | — | ||
| 2-7 | Iolanthe: Nightmare Song: Love, Unrequited Robs Me of My Rest | — | ||
| 2-8 | Iolanthe: When You're Lying Awake With a Dismal Headache | — | ||
| 2-9 | Iolanthe: If You Go In | — | ||
| 2-10 | Princess Ida: The Woman of the Wisest Wit | — | ||
| 2-11 | Princess Ida: Would You Know the Kind of Maid? | — | ||
| 2-12 | Princess Ida: Whene'er I Spoke Sarcastic Joke | — | ||
| 2-13 | The Mikado: A Wand'ring Minstrel I | — | ||
| 2-14 | The Mikado: Behold the Lord High Executioner | — | ||
| 2-15 | The Mikado: As Some Day It May Happen | — | ||
| 2-16 | The Mikado: Comes a Train of Little Ladies | — | ||
| 2-17 | The Mikado: Three Little Maids From School Are We | — | ||
| 2-18 | The Mikado: Were You Not to Ko-Ko Plighted | — | ||
| 2-19 | The Mikado: Braid the Raven Hair | — | ||
| 2-20 | The Mikado: The Sun, Whose Rays Are All Ablaze | — | ||
| 2-21 | The Mikado: Here's a How-De-Do! | — | ||
| 2-22 | The Mikado: A More Humane Mikado | — | ||
| 2-23 | The Mikado: The Flowers That Bloom in the Spring | — | ||
| 2-24 | The Mikado: On a Tree by a River a Little Tom-Tit | — | ||
| 2-25 | The Mikado: There Is Beauty in the Bellow of the Blast | — | ||
| 2-26 | The Mikado: Finale: For He's Gone and Married Yum-Yum | — | ||
| 2-27 | Ruddigore: When the Night Wind Howls | — | ||
| 2-28 | Ruddigore: My Eyes Are Fully Open to My Awful Situation | — | ||
| 3-1 | The Yeomen of the Guard: Tower Warders, Under Orders | — | ||
| 3-2 | The Yeomen of the Guard: When Our Gallant Norman Foes | — | ||
| 3-3 | The Yeomen of the Guard: Is Life a Boon | — | ||
| 3-4 | The Yeomen of the Guard: I Have a Song to Sing-O! | — | ||
| 3-5 | The Yeomen of the Guard: I've Jibe and Joke | — | ||
| 3-6 | The Yeomen of the Guard: 'Tis Done, I Am a Bride | — | ||
| 3-7 | The Yeomen of the Guard: Were I Thy Bride | — | ||
| 3-8 | The Yeomen of the Guard: Oh! A Private Buffoon Is a Light-Hearted Loon | — | ||
| 3-9 | The Yeomen of the Guard: Hereupon We're Both Agreed | — | ||
| 3-10 | The Yeomen of the Guard: Strange Adventure | — | ||
| 3-11 | The Yeomen of the Guard: A Man Who Would Woo a Fair Maid | — | ||
| 3-12 | The Yeomen of the Guard: When a Wooer Goes a-Wooing | — | ||
| 3-13 | The Gondoliers: For the Merriest Fellows Are We | — | ||
| 3-14 | The Gondoliers: We're Called Gondolieri | — | ||
| 3-15 | The Gondoliers: From the Sunny Spanish Shore | — | ||
| 3-16 | The Gondoliers: In Enterprise of Martial Kind | — | ||
| 3-17 | The Gondoliers: I Stole the Prince | — | ||
| 3-18 | The Gondoliers: When a Merry Maiden Marries | — | ||
| 3-19 | The Gondoliers: Then One of Us Will Be a Queen | — | ||
| 3-20 | The Gondoliers: Rising Early in the Morning | — | ||
| 3-21 | The Gondoliers: Take a Pair of Sparkling Eyes | — | ||
| 3-22 | The Gondoliers: Dance a Cachucha | — | ||
| 3-23 | The Gondoliers: There Lived a King | — | ||
| 3-24 | The Gondoliers: In a Contemplative Fashion | — | ||
| 3-25 | The Gondoliers: I Am a Courtier Grave and Serious | — | ||
| 3-26 | The Gondoliers: Finale: Once More Gondolieri | — | ||
| 4-1 | [introduction] | — | ||
| 4-2 | The Pirates of Penzance: Pour, oh Pour, the Pirate Sherry | — | ||
| 4-3 | The Pirates of Penzance: Stop, Ladies, Pray! | — | ||
| 4-4 | The Pirates of Penzance: Oh, Is There Not One Maiden Breast | — | ||
| 4-5 | The Pirates of Penzance: Poor Wandering One | — | ||
| 4-6 | The Pirates of Penzance: I Am the Model of a Modern Major-General | — | ||
| 4-7 | The Pirates of Penzance: A Policeman's Lot Is Not a Happy One | — | ||
| 4-8 | [dialogue 1] | — | ||
| 4-9 | H.M.S. Pinafore: My Gallant Crew, Good Morning! / I Am the Captain of the Pinafore | — | ||
| 4-10 | H.M.S. Pinafore: When I Was a Lad | — | ||
| 4-11 | [dialogue 2] | — | ||
| 4-12 | Iolanthe: When Britain Really Ruled the Waves | — | ||
| 4-13 | [dialogue 3] | — | ||
| 4-14 | The Gondoliers: Take a Pair of Sparkling Eyes | — | ||
| 4-15 | The Gondoliers: Once More Gondolieri | — | ||
| 4-16 | [dialogue 4] | — | ||
| 4-17 | The Mikado: Gentlemen, I Pray You Tell Me | — | ||
| 4-18 | The Mikado: A Wand'ring Minstrel I | — | ||
| 4-19 | The Mikado: The Sun, Whose Rays Are All Ablaze | — | ||
| 4-20 | The Mikado: A More Humane Mikado | — | ||
| 4-21 | The Mikado: He's Gone and Married Yum-Yum | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5060137483188 is a Universal Product Code (UPC) assigned to The Best of Gilbert & Sullivan by Gilbert, Sullivan, The D’Oyly Carte Opera Company, Glyndebourne Festival Opera. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 102 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Best of Gilbert & Sullivan” by Gilbert, Sullivan, The D’Oyly Carte Opera Company, Glyndebourne Festival Opera is 5060137483188. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: H&H Music. This release contains 102 tracks, each with its own ISRC. Tracks include GBTYZ1000401, GBTYZ1000402, GBTYZ1000403.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Yeomen of the Guard: Overture | Pro Arte Orchestra, Sir Malcolm Sargent | T-070.024.519-7 | |
| 2 | Trial by Jury: Hark the hour of ten is sounding | New Promenade Orchestra, Isidore Godfrey | — | |
| 3 | Trial by Jury: When I, good friends | Richard Watson, New Promenade Orchestra, Isidore Godfrey | — | |
| 4 | The Sorceror: My Name Is John Wellington Wells | Peter Pratt, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 5 | H.M.S. Pinafore: Act I. “We sail the ocean blue” (Sailors) | Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | — | |
| 6 | H.M.S. Pinafore: Act I. “I’m called Little Buttercup” (Buttercup) | Monica Sinclair, Pro Arte Orchestra, Sir Malcolm Sargent | T-070.011.858-6 | |
| 7 | H.M.S. Pinafore: Act I. “My gallant crew, good morning” (Captain Corcoran, Sailors) | John Cameron, Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | T-070.049.336-2 | |
| 8 | H.M.S. Pinafore: Act I. “I am the captain of the Pinafore” (Captain Corcoran, Sailors) | John Cameron, Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | — | |
| 9 | H.M.S. Pinafore: Act I. “When I was a lad I served a term” (Sir Joseph, Relatives, Sailors) | George Baker, Glyndebourne Festival Chorus, Marjorie Thomas, Pro Arte Orchestra, Sir Malcolm Sargent | — | |
| 10 | H.M.S. Pinafore: Act II. “Fair moon to thee I sing” (Captain Corcoran) | John Cameron, Pro Arte Orchestra, Sir Malcolm Sargent | T-070.178.689-1 | |
| 11 | H.M.S. Pinafore: Act II. “Things are seldom what they seem” (Buttercup, Captain, Corcoran) | John Cameron, Monica Sinclair, Pro Arte Orchestra, Sir Malcolm Sargent | T-070.039.759-6 | |
| 12 | H.M.S. Pinafore: Act II. “Never mind the why and wherefore” (Captain Corcoran, Sir Joseph, Josephine) | George Baker, John Cameron, Elsie Morison, Pro Arte Orchestra, Sir Malcolm Sargent | — | |
| 13 | H.M.S. Pinafore: Act II. “Carefully on tiptoe stealing” (Ralph, Josephine, Sailors, Captain Corcoran, Dick) | Marjorie Thomas, George Baker, Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | T-070.055.087-3 | |
| 14 | The Pirates of Penzance: Act I. “Oh, better far to live and die” | Donald Adams, D’Oyly Carte Opera Chorus, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 15 | The Pirates of Penzance: Act I. “Climbing over rocky mountain” | Beryl Dixon, D’Oyly Carte Opera Chorus, Marion Martin, D’Oyly Carte Opera Orchestra, Isidore Godfrey | T-070.181.519-1 | |
| 16 | The Pirates of Penzance: Oh, Is There Not One Maiden Breast | D’Oyly Carte Opera Chorus, Jean Hindmarsh, Thomas Round, D’Oyly Carte Opera Orchestra, Isidore Godfrey | T-900.157.447-6 | |
| 17 | The Pirates of Penzance: Act I. “Poor wand’ring one” | D’Oyly Carte Opera Chorus, Jean Hindmarsh, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 18 | The Pirates of Penzance: What Ought We to Do... How Beautifully Blue the Sky | Beryl Dixon, D’Oyly Carte Opera Chorus, Jean Hindmarsh, Marion Martin, Thomas Round, D’Oyly Carte Opera Orchestra, Isidore Godfrey | T-071.419.520-6 | |
| 19 | The Pirates of Penzance: Act I. “I am the very model of a modern Major-General” | D’Oyly Carte Opera Chorus, Peter Pratt, D’Oyly Carte Opera Orchestra, Isidore Godfrey | T-926.166.438-4 | |
| 20 | The Pirates of Penzance: When the Foeman Bares His Steel | Beryl Dixon, D’Oyly Carte Opera Chorus, Jean Hindmarsh, Peter Pratt, Thomas Round, Kenneth Sandford, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 21 | The Pirates of Penzance: When You Had Left Our Pirate Fold | Donald Adams, Ann Drummond-Grant, Thomas Round, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 22 | The Pirates of Penzance: Ah Leave Me Not to Pine | Jean Hindmarsh, Thomas Round, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 23 | The Pirates of Penzance: Act II. “When a felon’s not engaged in his employment” | D’Oyly Carte Opera Chorus, Kenneth Sandford, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 24 | The Pirates of Penzance: Act II. “With cat-like tread” | D’Oyly Carte Opera Chorus, Howard Short, D’Oyly Carte Opera Orchestra, Isidore Godfrey | — | |
| 25 | Act One - I cannot tell what this love may be | The D’Oyly Carte Opera Company | — | |
| 26 | Act Two - So go to him and say to him | The D’Oyly Carte Opera Company | — | |
| 27 | Act Two - If Saphir I choose to marry | The D’Oyly Carte Opera Company | — | |
| 2-1 | Iolanthe: March and Entry of the Peers: Loudly Let the Trumpet Bray! | — | ||
| 2-2 | Iolanthe: The Law Is the True Embodiment | — | ||
| 2-3 | Iolanthe: When I Went to the Bar | — | ||
| 2-4 | Iolanthe: When All Night Long a Chap Remains | — | ||
| 2-5 | Iolanthe: When Britain Really Ruled the Waves | — | ||
| 2-6 | Iolanthe: Oh, Foolish Fay | — | ||
| 2-7 | Iolanthe: Nightmare Song: Love, Unrequited Robs Me of My Rest | — | ||
| 2-8 | Iolanthe: When You're Lying Awake With a Dismal Headache | — | ||
| 2-9 | Iolanthe: If You Go In | — | ||
| 2-10 | Princess Ida: The Woman of the Wisest Wit | — | ||
| 2-11 | Princess Ida: Would You Know the Kind of Maid? | — | ||
| 2-12 | Princess Ida: Whene'er I Spoke Sarcastic Joke | — | ||
| 2-13 | The Mikado: A Wand'ring Minstrel I | — | ||
| 2-14 | The Mikado: Behold the Lord High Executioner | — | ||
| 2-15 | The Mikado: As Some Day It May Happen | — | ||
| 2-16 | The Mikado: Comes a Train of Little Ladies | — | ||
| 2-17 | The Mikado: Three Little Maids From School Are We | — | ||
| 2-18 | The Mikado: Were You Not to Ko-Ko Plighted | — | ||
| 2-19 | The Mikado: Braid the Raven Hair | — | ||
| 2-20 | The Mikado: The Sun, Whose Rays Are All Ablaze | — | ||
| 2-21 | The Mikado: Here's a How-De-Do! | — | ||
| 2-22 | The Mikado: A More Humane Mikado | — | ||
| 2-23 | The Mikado: The Flowers That Bloom in the Spring | — | ||
| 2-24 | The Mikado: On a Tree by a River a Little Tom-Tit | — | ||
| 2-25 | The Mikado: There Is Beauty in the Bellow of the Blast | — | ||
| 2-26 | The Mikado: Finale: For He's Gone and Married Yum-Yum | — | ||
| 2-27 | Ruddigore: When the Night Wind Howls | — | ||
| 2-28 | Ruddigore: My Eyes Are Fully Open to My Awful Situation | — | ||
| 3-1 | The Yeomen of the Guard: Tower Warders, Under Orders | — | ||
| 3-2 | The Yeomen of the Guard: When Our Gallant Norman Foes | — | ||
| 3-3 | The Yeomen of the Guard: Is Life a Boon | — | ||
| 3-4 | The Yeomen of the Guard: I Have a Song to Sing-O! | — | ||
| 3-5 | The Yeomen of the Guard: I've Jibe and Joke | — | ||
| 3-6 | The Yeomen of the Guard: 'Tis Done, I Am a Bride | — | ||
| 3-7 | The Yeomen of the Guard: Were I Thy Bride | — | ||
| 3-8 | The Yeomen of the Guard: Oh! A Private Buffoon Is a Light-Hearted Loon | — | ||
| 3-9 | The Yeomen of the Guard: Hereupon We're Both Agreed | — | ||
| 3-10 | The Yeomen of the Guard: Strange Adventure | — | ||
| 3-11 | The Yeomen of the Guard: A Man Who Would Woo a Fair Maid | — | ||
| 3-12 | The Yeomen of the Guard: When a Wooer Goes a-Wooing | — | ||
| 3-13 | The Gondoliers: For the Merriest Fellows Are We | — | ||
| 3-14 | The Gondoliers: We're Called Gondolieri | — | ||
| 3-15 | The Gondoliers: From the Sunny Spanish Shore | — | ||
| 3-16 | The Gondoliers: In Enterprise of Martial Kind | — | ||
| 3-17 | The Gondoliers: I Stole the Prince | — | ||
| 3-18 | The Gondoliers: When a Merry Maiden Marries | — | ||
| 3-19 | The Gondoliers: Then One of Us Will Be a Queen | — | ||
| 3-20 | The Gondoliers: Rising Early in the Morning | — | ||
| 3-21 | The Gondoliers: Take a Pair of Sparkling Eyes | — | ||
| 3-22 | The Gondoliers: Dance a Cachucha | — | ||
| 3-23 | The Gondoliers: There Lived a King | — | ||
| 3-24 | The Gondoliers: In a Contemplative Fashion | — | ||
| 3-25 | The Gondoliers: I Am a Courtier Grave and Serious | — | ||
| 3-26 | The Gondoliers: Finale: Once More Gondolieri | — | ||
| 4-1 | [introduction] | — | ||
| 4-2 | The Pirates of Penzance: Pour, oh Pour, the Pirate Sherry | — | ||
| 4-3 | The Pirates of Penzance: Stop, Ladies, Pray! | — | ||
| 4-4 | The Pirates of Penzance: Oh, Is There Not One Maiden Breast | — | ||
| 4-5 | The Pirates of Penzance: Poor Wandering One | — | ||
| 4-6 | The Pirates of Penzance: I Am the Model of a Modern Major-General | — | ||
| 4-7 | The Pirates of Penzance: A Policeman's Lot Is Not a Happy One | — | ||
| 4-8 | [dialogue 1] | — | ||
| 4-9 | H.M.S. Pinafore: My Gallant Crew, Good Morning! / I Am the Captain of the Pinafore | — | ||
| 4-10 | H.M.S. Pinafore: When I Was a Lad | — | ||
| 4-11 | [dialogue 2] | — | ||
| 4-12 | Iolanthe: When Britain Really Ruled the Waves | — | ||
| 4-13 | [dialogue 3] | — | ||
| 4-14 | The Gondoliers: Take a Pair of Sparkling Eyes | — | ||
| 4-15 | The Gondoliers: Once More Gondolieri | — | ||
| 4-16 | [dialogue 4] | — | ||
| 4-17 | The Mikado: Gentlemen, I Pray You Tell Me | — | ||
| 4-18 | The Mikado: A Wand'ring Minstrel I | — | ||
| 4-19 | The Mikado: The Sun, Whose Rays Are All Ablaze | — | ||
| 4-20 | The Mikado: A More Humane Mikado | — | ||
| 4-21 | The Mikado: He's Gone and Married Yum-Yum | — |
