UPC · Release
The Great American Songbook
Ella Fitzgerald
Last verified:
5060143492112 is the Universal Product Code (UPC barcode) for the release “The Great American Songbook” by Ella Fitzgerald, released 2007-01-01 on Not Now Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 49 tracks, each with its own ISRC. Tracks include USPR35612096, USF095600090, USMC15076836.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (49)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Manhattan | — | ||
| 2 | Ev’ry Time We Say Goodbye | — | ||
| 3 | The Lady Is a Tramp | Ella Fitzgerald | T-070.094.816-8 | |
| 4 | Let’s Do It (Let’s Fall in Love) | Ella Fitzgerald | T-070.095.689-3 | |
| 5 | If You Can’t Sing It (You’ll Have to Swing It) | — | ||
| 6 | Taking a Chance on Love | — | ||
| 7 | Soon | — | ||
| 8 | Black Coffee | — | ||
| 9 | I’ve Got the World on a String | — | ||
| 10 | Someone to Watch Over Me | Ella Fitzgerald | T-010.436.010-2 | |
| 11 | That Old Black Magic | — | ||
| 12 | Old Devil Moon | — | ||
| 13 | I Can’t Get Started | — | ||
| 14 | Between the Devil and the Deep Blue Sea | — | ||
| 15 | You’ll Never Know | — | ||
| 16 | Lover, Come Back to Me | — | ||
| 17 | But Not for Me | — | ||
| 18 | It Might as Well Be Spring | — | ||
| 19 | I’ve Got You Under My Skin | Ella Fitzgerald | T-070.907.808-9 | |
| 20 | THE COLE PORTER SONGBOOK - NIGHT AND DAY | ELLA FITZGERALD,NORMAN GRANZ,BUDDY BREGMAN,BUDDY BREGMAN ORCHESTRA,ALAN EMIG,ALAN EMIG,COLE PORTER | T-070.152.461-9 | |
| 21 | My Funny Valentine | — | ||
| 22 | (Love Is) The Tender Trap | — | ||
| 23 | My One and Only Love | — | ||
| 24 | Smooth Sailing | Ella Fitzgerald | T-070.243.703-3 | |
| 2-1 | Oh, Lady Be Good! | — | ||
| 2-2 | Body and Soul | — | ||
| 2-3 | How High the Moon | — | ||
| 2-4 | I Got It Bad and That Ain’t Good | — | ||
| 2-5 | Angel Eyes | Ella Fitzgerald | T-070.001.350-8 | |
| 2-6 | Maybe | — | ||
| 2-7 | Looking for a Boy | Ella Fitzgerald | T-010.434.842-6 | |
| 2-8 | I’ve Got a Crush on You | — | ||
| 2-9 | Air Mail Special | Ella Fitzgerald | T-070.000.510-2 | |
| 2-10 | Dream a Little Dream of Me | — | ||
| 2-11 | Baby It’s Cold Outside | — | ||
| 2-12 | You Won’t Be Satisfied (Until You Break My Heart) | Ella Fitzgerald, Louis Armstrong, Bob Haggart’s Orchestra | T-070.211.113-4 | |
| 2-13 | Basin Street Blues | — | ||
| 2-14 | Sentimental Journey | — | ||
| 2-15 | Thanks for the Memory | — | ||
| 2-16 | Moanin’ Low | — | ||
| 2-17 | Walkin’ by the River | — | ||
| 2-18 | An Empty Ballroom | — | ||
| 2-19 | I Wished on the Moon | — | ||
| 2-20 | My One and Only | — | ||
| 2-21 | How Long Has This Been Going On | — | ||
| 2-22 | Happy Talk | — | ||
| 2-23 | I’m Gonna Wash That Man Right Outa My Hair | — | ||
| 2-24 | I’ve Got a Feelin’ I’m Fallin’ | — | ||
| 2-25 | Crying | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Night and Day | Ella Fitzgerald | T-070.152.461-9 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
What is UPC 5060143492112?
5060143492112 is a Universal Product Code (UPC) assigned to The Great American Songbook by Ella Fitzgerald. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 49 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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