UPC · Release
Country’s Greatest Hits
Various Artists
Last verified:
5060143492259 is the Universal Product Code (UPC barcode) for the release “Country’s Greatest Hits” by Various Artists, released 2007-01-01 on Not Now Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include GBAWA0513428, USCA28800181, DEU240526754.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Walk the Line | Johnny Cash, The Tennessee Two | T-070.904.584-0 | |
| 2 | Sixteen Tons | Tennessee Ernie Ford | T-070.243.651-8 | |
| 3 | Your Cheatin’ Heart | Hank Williams | T-070.248.357-5 | |
| 4 | According to My Heart | — | ||
| 5 | Mister Sandman | — | ||
| 6 | Turn the Card Slowly | — | ||
| 7 | Singing the Blues | Marty Robbins | T-070.940.240-3 | |
| 8 | Let Me Be the One | — | ||
| 9 | All I Have to Do Is Dream | The Everly Brothers | T-070.231.895-3 | |
| 10 | Why Baby Why? | — | ||
| 11 | I’m Movin’ On | Hank Snow, his Rainbow Ranch Boys | T-070.919.028-2 | |
| 12 | Foggy Mountain Breakdown | Lester Flatt & Earl Scruggs | — | |
| 13 | Goin’ Steady | — | ||
| 14 | It’s Been So Long | — | ||
| 15 | Midnight | — | ||
| 16 | Talk to Your Heart | — | ||
| 17 | Hey, Good Lookin’ | Hank Williams, His Drifting Cowboys | T-903.988.232-1 | |
| 18 | Mexican Joe | Jim Reeves | T-070.242.167-7 | |
| 19 | The Wild Side of Life | — | ||
| 20 | It Wasn’t God Who Made Honky Tonk Angels | Kitty Wells | T-314.783.731-4 | |
| 21 | Candy Kisses | — | ||
| 22 | Cry, Cry, Cry | — | ||
| 23 | Dixie Fried | — | ||
| 24 | The Shotgun Boogie | — | ||
| 25 | Hillbilly Fever | — | ||
| 2-1 | Take These Chains From My Heart | Hank Williams, His Drifting Cowboys | T-070.177.932-9 | |
| 2-2 | Folsom Prison Blues | Johnny Cash, The Tennessee Two | T-070.055.040-8 | |
| 2-3 | Hidin’ Out | — | ||
| 2-4 | Just One More | — | ||
| 2-5 | Then I’ll Stop Loving You | — | ||
| 2-6 | I’ll Go on Alone | Marty Robbins | T-070.240.674-3 | |
| 2-7 | WONDERING | Webb Pierce | — | |
| 2-8 | Hey Joe | — | ||
| 2-9 | (Now and Again) There’s a Fool Such as I | — | ||
| 2-10 | I Love You Mostly | — | ||
| 2-11 | Make Up Your Mind | — | ||
| 2-12 | Tennesse Waltz | — | ||
| 2-13 | Eddy’s Song | — | ||
| 2-14 | I Couldn’t Keep From Crying | Marty Robbins | T-700.024.706-5 | |
| 2-15 | Indian Love Call | — | ||
| 2-16 | Penny Candy | Jim Reeves | — | |
| 2-17 | Chattanoogie Shoe Shine Boy | Red Foley | T-070.243.212-9 | |
| 2-18 | Run ’em Off | — | ||
| 2-19 | Jambalaya (on the Bayou) | Hank Williams, His Drifting Cowboys | T-070.241.327-1 | |
| 2-20 | THERE STANDS THE GLASS | Webb Pierce | T-070.940.549-1 | |
| 2-21 | Sure to Fall | — | ||
| 2-22 | There You Go | — | ||
| 2-23 | High Noon | — | ||
| 2-24 | Kaw‐Liga | Hank Williams | T-071.065.290-6 | |
| 2-25 | Slow Poke | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| In Love | Michael Holliday | T-914.757.708-0 |
| Rose Marie | Slim Whitman | — |
| Folsom Prison Blues (overdubbed) | Johnny Cash | T-070.055.040-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 5060143492259?
5060143492259 is a Universal Product Code (UPC) assigned to Country’s Greatest Hits by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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