UPC · Release
Bad Taste, Vol. 4
Blokhe4d
Last verified:
5060182932068 is the Universal Product Code (UPC barcode) for the release “Bad Taste, Vol. 4” by Blokhe4d, released 2011-01-01 on Bad Taste Recordings. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 8 tracks, each with its own ISRC. Tracks include GBTEL1100004, GBTEL1100007, GBTEL1100009.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (8)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lifelike | Cause4Concern | — | |
| 2 | The Lost Galaxy | Telekinesis | — | |
| 4 | Excessive Use | Fourward | — | |
| 5 | Faith | Aeph | T-011.572.635-6 | |
| 6 | Kisses & Lies | Blokhe4d | — | |
| 7 | Doctrine | Fourward, Mefjus | T-009.089.318-7 | |
| 9 | Hate | Telekinesis | — | |
| 10 | Holy Call | Aeph | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Tor (Audio remix) | The Upbeats | — |
| Cretin (Prolix remix) | Blokhe4d | T-911.534.646-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
Identifier Graph
People also ask
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What is UPC 5060182932068?
5060182932068 is a Universal Product Code (UPC) assigned to Bad Taste, Vol. 4 by Blokhe4d. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 8 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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