UPC · Release
The How Great Thou Art Sessions
Elvis Presley
5060209751719
91 tracksReleased 2023-01-01Follow That Dream Records
Last verified:
5060209751719 is the Universal Product Code (UPC barcode) for the release “The How Great Thou Art Sessions” by Elvis Presley, released 2023-01-01 on Follow That Dream Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 91 tracks, each with its own ISRC.
Format
506GS1 prefix
0209Company prefix
75171Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe How Great Thou Art Sessions
ISWC21 works
IPI3 songwriters
Track List (91)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | How Great Thou Art | — | ||
| 2 | In The Garden | — | ||
| 3 | Somebody Bigger Than You And I | — | ||
| 4 | Farther Along | — | ||
| 5 | Stand By Me | — | ||
| 6 | Without Him | — | ||
| 7 | So High | — | ||
| 8 | Where Could I Go But To The Lord | — | ||
| 9 | By And By | — | ||
| 10 | If The Lord Wasn't Walking By My Side | — | ||
| 11 | Run On | — | ||
| 12 | Where No One Stands Alone | — | ||
| 13 | Love Letters (June 8, 1966 Single) | — | ||
| 14 | Come What May (June 8, 1966 Single) | — | ||
| 15 | Tomorrow Is A Long Time (October 24, 1966 "Spinout" Bonus Songs) | — | ||
| 16 | Down In The Alley (October 24, 1966 "Spinout" Bonus Songs) | — | ||
| 17 | I'll Remember You (October 24, 1966 "Spinout" Bonus Songs) | — | ||
| 18 | If Every Day Was Like Christmas (November 15, 1966 Single A-Side) | — | ||
| 19 | Indescribably Blue (January 10, 1967 Single) | — | ||
| 20 | Fools Fall In Love (January 10, 1967 Single) | — | ||
| 21 | Beyond The Reef (Unused Recording, Original Overdubbed Master) | — | ||
| 2-1 | Run On (Takes 1-2) | — | ||
| 2-2 | Run On (Takes 3-6) | — | ||
| 2-3 | Run On (Take 7/M) | — | ||
| 2-4 | How Great Thou Art (Takes 1-2) | — | ||
| 2-5 | How Great Thou Art (Takes 3-4/M) | — | ||
| 2-6 | Stand By Me (Takes 1-2) | — | ||
| 2-7 | Stand By Me (Takes 3-7) | — | ||
| 2-8 | Stand By Me (Takes 8-10) | — | ||
| 2-9 | Stand By Me (Take 11/M) | — | ||
| 2-10 | Where No One Stands Alone (Take 1) | — | ||
| 2-11 | Where No One Stands Alone (Takes 2-3) | — | ||
| 2-12 | Where No One Stands Alone (Take 4) | — | ||
| 2-13 | Where No One Stands Alone (Work Parts 1-4) | — | ||
| 2-14 | Where No One Stands Alone (Work Part 5) | — | ||
| 2-15 | Where No One Stands Alone (Work Part 6) | — | ||
| 2-16 | Where No One Stands Alone (Splice Of Take 4 And 1/M) | — | ||
| 3-1 | Down There In The Alley (Take 1) | — | ||
| 3-2 | Down There In The Alley (Takes 2-6) | — | ||
| 3-3 | Down There In The Alley (Takes 7-9/M) | — | ||
| 3-4 | Tommow Is A Long Time (Takes 1-2) | — | ||
| 3-5 | Tommow Is A Long Time (Take 3/M) | — | ||
| 3-6 | Love Letters (Takes 1-2) | — | ||
| 3-7 | Love Letters (Takes 3-7) | — | ||
| 3-8 | Love Letters (Take 8) | — | ||
| 3-9 | Love Letters (Take 9/M) | — | ||
| 3-10 | So High (Take 1) | — | ||
| 3-11 | So High (Takes 2-3) | — | ||
| 3-12 | So High (Take 4/M) | — | ||
| 3-13 | Farther Along (Takes 1-2) | — | ||
| 3-14 | Farther Along (Splice Of Take 3 And One Line Of Take 2/M) | — | ||
| 3-15 | By And By (Takes 1-4) | — | ||
| 3-16 | By And By (Takes 5-7) | — | ||
| 3-17 | By And By (Take 10/M) | — | ||
| 4-1 | In The Garden (Takes 1-3/M) | — | ||
| 4-2 | Beyond The Reef (Takes 1-2/M Undubbed Master) | — | ||
| 4-3 | Somebody Bigger Than You And I (Takes 1-8) | — | ||
| 4-4 | Somebody Bigger Than You And I (Takes 9-11) | — | ||
| 4-5 | Somebody Bigger Than You And I (Take 12) | — | ||
| 4-6 | Somebody Bigger Than You And I (Takes 13-15) | — | ||
| 4-7 | Somebody Bigger Than You And I (Take 16) | — | ||
| 4-8 | Somebody Bigger Than You And I (Work Parts 1-4) | — | ||
| 4-9 | Somebody Bigger Than You And I (Work Part 5) | — | ||
| 4-10 | Somebody Bigger Than You And I (Work Part 6) | — | ||
| 4-11 | Somebody Bigger Than You And I (Splice of Take 16 and Work Part 6/M) | — | ||
| 4-12 | Without Him (Take 1) | — | ||
| 4-13 | Without Him (Takes 2-8) | — | ||
| 4-14 | Without Him (Takes 9-14) | — | ||
| 4-15 | Without Him (Take 15/M) | — | ||
| 4-16 | If The Lord Wasn't Walking By My Side (Take 1) | — | ||
| 4-17 | If The Lord Wasn't Walking By My Side (Takes 2-4) | — | ||
| 4-18 | If The Lord Wasn't Walking By My Side (Take 5/M) | — | ||
| 4-19 | If The Lord Wasn't Walking By My Side (Take 6) | — | ||
| 4-20 | Where Could I Go But To The Lord (Takes 1-2/M) | — | ||
| 5-1 | Come What May (Takes 1-2) | — | ||
| 5-2 | Come What May (Takes 3-4) | — | ||
| 5-3 | Come What May (Takes 5-6) | — | ||
| 5-4 | Come What May (Take 7) | — | ||
| 5-5 | Come What May (Take 8/M) | — | ||
| 5-6 | Fools Fall In Love (Takes 1-4) | — | ||
| 5-7 | Fools Fall In Love (Take 5/M) | — | ||
| 5-8 | Indescribably Blue (Instrumental Track Take 7 And Work Parts 1-2) | — | ||
| 5-9 | I'll Remember You (Instrumental Track Takes 17-19/M) | — | ||
| 5-10 | If Every Day Was Like Christmas (Instrumental Track Takes 8-9/M) | — | ||
| 5-11 | Indescribably Blue (Vocal Overdub Take 1 To Instrumental Track 7 And Work Part 1) | — | ||
| 5-12 | Indescribably Blue (Vocal Overdub Take 2 To Instrumental Track 7 And Work Part 1/M) | — | ||
| 5-13 | I'll Remember You (Vocal Overdub Take 1 To Instrumental Track 19) | — | ||
| 5-14 | I'll Remember You (Vocal Overdub Take 2 To Instrumental Track 19) | — | ||
| 5-15 | I'll Remember You (Vocal Overdub Take 3 To Instrumental Track 19) | — | ||
| 5-16 | I'll Remember You (Splice Of Vocal Overdub Takes 1 And 3 To Instrumental Track 19-Unedited/M | — | ||
| 5-17 | If Evey Day Was Like Christmas (Vocal Overdub Takes 1-2/M To Instrumental Track 9-Undubbed/M) | — |
How Great Thou Art
—
In The Garden
—
Somebody Bigger Than You And I
—
Farther Along
—
Stand By Me
—
Without Him
—
So High
—
Where Could I Go But To The Lord
—
By And By
—
If The Lord Wasn't Walking By My Side
—
Run On
—
Where No One Stands Alone
—
Love Letters (June 8, 1966 Single)
—
Come What May (June 8, 1966 Single)
—
Tomorrow Is A Long Time (October 24, 1966 "Spinout" Bonus Songs)
—
Down In The Alley (October 24, 1966 "Spinout" Bonus Songs)
—
I'll Remember You (October 24, 1966 "Spinout" Bonus Songs)
—
If Every Day Was Like Christmas (November 15, 1966 Single A-Side)
—
Indescribably Blue (January 10, 1967 Single)
—
Fools Fall In Love (January 10, 1967 Single)
—
Beyond The Reef (Unused Recording, Original Overdubbed Master)
—
Run On (Takes 1-2)
—
Run On (Takes 3-6)
—
Run On (Take 7/M)
—
How Great Thou Art (Takes 1-2)
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How Great Thou Art (Takes 3-4/M)
—
Stand By Me (Takes 1-2)
—
Stand By Me (Takes 3-7)
—
Stand By Me (Takes 8-10)
—
Stand By Me (Take 11/M)
—
Where No One Stands Alone (Take 1)
—
Where No One Stands Alone (Takes 2-3)
—
Where No One Stands Alone (Take 4)
—
Where No One Stands Alone (Work Parts 1-4)
—
Where No One Stands Alone (Work Part 5)
—
Where No One Stands Alone (Work Part 6)
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Where No One Stands Alone (Splice Of Take 4 And 1/M)
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Down There In The Alley (Take 1)
—
Down There In The Alley (Takes 2-6)
—
Down There In The Alley (Takes 7-9/M)
—
Tommow Is A Long Time (Takes 1-2)
—
Tommow Is A Long Time (Take 3/M)
—
Love Letters (Takes 1-2)
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Love Letters (Takes 3-7)
—
Love Letters (Take 8)
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Love Letters (Take 9/M)
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So High (Take 1)
—
So High (Takes 2-3)
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So High (Take 4/M)
—
Farther Along (Takes 1-2)
—
Farther Along (Splice Of Take 3 And One Line Of Take 2/M)
—
By And By (Takes 1-4)
—
By And By (Takes 5-7)
—
By And By (Take 10/M)
—
In The Garden (Takes 1-3/M)
—
Beyond The Reef (Takes 1-2/M Undubbed Master)
—
Somebody Bigger Than You And I (Takes 1-8)
—
Somebody Bigger Than You And I (Takes 9-11)
—
Somebody Bigger Than You And I (Take 12)
—
Somebody Bigger Than You And I (Takes 13-15)
—
Somebody Bigger Than You And I (Take 16)
—
Somebody Bigger Than You And I (Work Parts 1-4)
—
Somebody Bigger Than You And I (Work Part 5)
—
Somebody Bigger Than You And I (Work Part 6)
—
Somebody Bigger Than You And I (Splice of Take 16 and Work Part 6/M)
—
Without Him (Take 1)
—
Without Him (Takes 2-8)
—
Without Him (Takes 9-14)
—
Without Him (Take 15/M)
—
If The Lord Wasn't Walking By My Side (Take 1)
—
If The Lord Wasn't Walking By My Side (Takes 2-4)
—
If The Lord Wasn't Walking By My Side (Take 5/M)
—
If The Lord Wasn't Walking By My Side (Take 6)
—
Where Could I Go But To The Lord (Takes 1-2/M)
—
Come What May (Takes 1-2)
—
Come What May (Takes 3-4)
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Come What May (Takes 5-6)
—
Come What May (Take 7)
—
Come What May (Take 8/M)
—
Fools Fall In Love (Takes 1-4)
—
Fools Fall In Love (Take 5/M)
—
Indescribably Blue (Instrumental Track Take 7 And Work Parts 1-2)
—
I'll Remember You (Instrumental Track Takes 17-19/M)
—
If Every Day Was Like Christmas (Instrumental Track Takes 8-9/M)
—
Indescribably Blue (Vocal Overdub Take 1 To Instrumental Track 7 And Work Part 1)
—
Indescribably Blue (Vocal Overdub Take 2 To Instrumental Track 7 And Work Part 1/M)
—
I'll Remember You (Vocal Overdub Take 1 To Instrumental Track 19)
—
I'll Remember You (Vocal Overdub Take 2 To Instrumental Track 19)
—
I'll Remember You (Vocal Overdub Take 3 To Instrumental Track 19)
—
I'll Remember You (Splice Of Vocal Overdub Takes 1 And 3 To Instrumental Track 19-Unedited/M
—
If Evey Day Was Like Christmas (Vocal Overdub Takes 1-2/M To Instrumental Track 9-Undubbed/M)
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 5060209751719?
5060209751719 is a Universal Product Code (UPC) assigned to The How Great Thou Art Sessions by Elvis Presley. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 91 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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