UPC · Release
100 Essential Hits
Louis Armstrong
Last verified:
5060209952659 is the Universal Product Code (UPC barcode) for the release “100 Essential Hits” by Louis Armstrong. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include DEU240822522, DEU240802106, DEU240802089.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mack the Knife | — | ||
| 2 | C’est si bon | — | ||
| 3 | Ain’t Misbehavin’ | — | ||
| 4 | Blueberry Hill | — | ||
| 5 | Takes Two to Tango | — | ||
| 6 | Jeepers Creepers | — | ||
| 7 | You Rascal You | — | ||
| 8 | A Kiss to Build a Dream On | — | ||
| 9 | After You’ve Gone | — | ||
| 10 | Georgia on My Mind | — | ||
| 11 | Lazy River | — | ||
| 12 | Stardust | — | ||
| 13 | A Fine Romance | — | ||
| 14 | I Ain’t Got Nobody | — | ||
| 15 | I’m a Ding Dong Daddy | — | ||
| 16 | Willow Weep for Me | — | ||
| 17 | Between the Devil and the Deep Blue Sea | Louis Armstrong & His Orchestra | T-010.041.592-6 | |
| 18 | When the Saints Go Marching In | — | ||
| 19 | Them There Eyes | — | ||
| 20 | You’re Driving Me Crazy | — | ||
| 21 | St. James Infirmary | — | ||
| 22 | Dinah | — | ||
| 23 | Let’s Do It (Let’s Fall in Love) | — | ||
| 24 | I Can’t Believe That You’re in Love with Me | — | ||
| 25 | Dear Old Southland | Louis Armstrong | T-071.422.512-3 | |
| 26 | Exactly Like You | — | ||
| 27 | That Rhythm Man | Louis Armstrong & His Orchestra | T-071.189.795-8 | |
| 28 | Some of These Days | — | ||
| 29 | You’re Lucky to Me | Louis Armstrong & His Sebastian New Cotton Club Orchestra | T-070.211.350-5 | |
| 30 | Blue, Turning Grey over You | — | ||
| 31 | I'm Shooting High | Louis Armstrong and His Orchestra | T-070905903-9 | |
| 32 | Bessie Couldn’t Help It | Louis Armstrong and His Orchestra | — | |
| 33 | I Wonder Who | Louis Armstrong and His Orchestra | — | |
| 34 | Red Sails in the Sunset | Louis Armstrong & His Orchestra | T-010.434.162-9 | |
| 35 | Falling in Love With You | Louis Armstrong | T-070.197.594-1 | |
| 36 | I’m Putting All My Eggs in One Basket | — | ||
| 37 | Rhythm Saved the World | — | ||
| 38 | On the Sunny Side of the Street | — | ||
| 39 | Hear Me Talkin’ to Ya | — | ||
| 40 | Wolverine Blues | — | ||
| 41 | 2:19 Blues | — | ||
| 42 | Harlem Stomp | — | ||
| 43 | Lazy Bones | — | ||
| 44 | Sweet Sue, Just You | — | ||
| 45 | Tiger Rag | — | ||
| 46 | West End Blues | — | ||
| 47 | Savoy Blues | — | ||
| 48 | St. Louis Blues | — | ||
| 49 | Where the Blues Were Born in New Orleans | — | ||
| 50 | I Get a Kick out of You | — | ||
| 51 | That Lucky Old Sun | — | ||
| 52 | Summertime | — | ||
| 53 | Sweet Lorraine | — | ||
| 54 | La vie en rose | — | ||
| 55 | Stompin’ at the Savoy | — | ||
| 56 | Blues for Yesterday | — | ||
| 57 | I’m Confessin’ (That I Love You) | — | ||
| 58 | My Sweet Hunk O’Trash | — | ||
| 59 | Baby, Won’t You Please Come Home | — | ||
| 60 | I Want a Little Girl | — | ||
| 61 | Down in Honky Tonk Town | — | ||
| 62 | Have You Met Miss Jones? | — | ||
| 63 | Someday You’ll Be Sorry | — | ||
| 64 | Dipper Mouth Blues | Louis Armstrong, Jimmy Dorsey and His Orchestra | — | |
| 65 | Satchel Mouth Swing | Louis Armstrong & His Orchestra | — | |
| 66 | Perdido Street Blues | — | ||
| 67 | Struttin’ with Some Barbecue | — | ||
| 68 | Sweethearts on Parade | — | ||
| 69 | I Can’t Give You Anything but Love | — | ||
| 70 | That’s My Home | — | ||
| 71 | Bess, You Is My Woman Now | — | ||
| 72 | High Society Calypso | — | ||
| 73 | You Won’t Be Satisfied (Until You Break My Heart) | — | ||
| 74 | The Black Cat Has 9 Lives | — | ||
| 75 | Makin’ Whoopee | — | ||
| 76 | You’ve Got Me Voodoo’d | Louis Armstrong and His Orchestra | T-070.211.464-4 | |
| 77 | Jazz Lips | — | ||
| 78 | When It’s Sleepy Time Down South | — | ||
| 79 | When You’re Smiling (The Whole World Smiles with You) | — | ||
| 80 | Gone Fishin’ | — | ||
| 81 | Dream a Little Dream of Me | — | ||
| 82 | Chloe (Song of the Swamp) | — | ||
| 83 | Stormy Weather | — | ||
| 84 | Alexander’s Ragtime Band | Louis Armstrong & His Orchestra | T-070.007.927-1 | |
| 85 | Mahogany Hall Stomp | — | ||
| 86 | On a Cocoanut Island | Louis Armstrong, The Polynesians | — | |
| 87 | Do You Know What It Means to Miss New Orleans? | — | ||
| 88 | Body and Soul | — | ||
| 89 | Sugar | — | ||
| 90 | (What Did I Do to Be So) Black and Blue | — | ||
| 91 | Old Rockin’ Chair | — | ||
| 92 | I’m in the Mood for Love | — | ||
| 93 | Basin Street Blues | — | ||
| 94 | Gee Baby Ain’t I Good to You? | — | ||
| 95 | You Can’t Lose a Broken Heart | — | ||
| 96 | Don’t Get Around Much Anymore | — | ||
| 97 | Let’s Call the Whole Thing Off | — | ||
| 98 | I Gotta Right to Sing the Blues | — | ||
| 99 | Top Hat, White Tie and Tails | — | ||
| 100 | We’ll Be Together Again | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| On a Cocoanut Island | Louis Armstrong, The Polynesians | — |
| Bessie Couldn’t Help It | Louis Armstrong and His Orchestra | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 5060209952659?
5060209952659 is a Universal Product Code (UPC) assigned to 100 Essential Hits by Louis Armstrong. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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