UPC · Release
Live (at the Lokerse Festival, Belgium, August 7, 2006)
The Cramps
Last verified:
5060230860657 is the Universal Product Code (UPC barcode) for the release “Live (at the Lokerse Festival, Belgium, August 7, 2006)” by The Cramps, released 2010-01-01 on ABC Entertainment. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mad Daddy | — | ||
| 2 | Rock on the Moon | — | ||
| 3 | The Way I Walk | — | ||
| 4 | Hanky Panky | — | ||
| 5 | Hangup | — | ||
| 6 | Fissure of Rolando | — | ||
| 7 | Papa Satan Sang Louie | — | ||
| 8 | Big Black Witchcraft | — | ||
| 9 | It Thing Hard On | — | ||
| 10 | Primitive | — | ||
| 11 | Caveman | — | ||
| 12 | Let’s Get Fucked Up | — | ||
| 13 | Dames Booze Chains Boots | — | ||
| 14 | TV Set | — | ||
| 15 | Psychotic Reaction | — | ||
| 16 | Wrong Way Ticket | — | ||
| 17 | Tear It Up | — |
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Creative Contributors (ISNI)
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What is UPC 5060230860657?
5060230860657 is a Universal Product Code (UPC) assigned to Live (at the Lokerse Festival, Belgium, August 7, 2006) by The Cramps. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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