UPC · Release
8:58
8:58
Last verified:
5060243326768 is the Universal Product Code (UPC barcode) for the release “8:58” by 8:58, released 2015-01-01 on ACP Recordings. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 9 tracks, each with its own ISRC. Tracks include GBQUK1400006, GBQUK1400007, GBQUK1400008.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (9)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 8:58 | 8:58, Cillian Murphy | T9176062401 | |
| 2 | Please | 8:58, Robert Smith, Lianne Hall | T-900.208.874-6 | |
| 3 | The Past Now | 8:58, Lisa Knapp | T3190500693 | |
| 4 | Villain | 8:58, Ed Harcourt | T-916.864.557-6 | |
| 5 | The Clock | 8:58, Cillian Murphy | T-917.215.893-9 | |
| 6 | A Forest | 8:58, The Unthanks | T-010.472.419-7 | |
| 7 | Broken Up | 8:58 | — | |
| 8 | Nearly There | 8:58 | T9182783046 | |
| 9 | Cemetery | 8:58, Fable | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 5060243326768?
5060243326768 is a Universal Product Code (UPC) assigned to 8:58 by 8:58. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 9 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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