UPC · Release
No.1 Hits of the ’50s
Various Artists
5060255180020
75 tracksReleased 2011-01-01One Day Music
Last verified:
5060255180020 is the Universal Product Code (UPC barcode) for the release “No.1 Hits of the ’50s” by Various Artists, released 2011-01-01 on One Day Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC. Tracks include GBXHC1200605, NLF056090004, GBA7H1009769.
Format
506GS1 prefix
0255Company prefix
18002Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCNo.1 Hits of the ’50s
ISRC23 recordings
ISWC50 works
IPI30 songwriters
Track List (75)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Love You | — | ||
| 2 | It’s Now or Never | Elvis Presley | T-914.979.608-7 | |
| 3 | Only the Lonely | — | ||
| 4 | Tell Laura I Love Her | — | ||
| 5 | Apache | — | ||
| 6 | Shakin’ All Over | — | ||
| 7 | Please Don’t Tease | — | ||
| 8 | Good Timin’ | Jimmy Jones | — | |
| 9 | Three Steps to Heaven | Eddie Cochran | T-071.017.374-2 | |
| 10 | Cathy’s Clown | — | ||
| 11 | Do You Mind? | — | ||
| 12 | My Old Man’s a Dustman | — | ||
| 13 | Running Bear | — | ||
| 14 | Poor Me | — | ||
| 15 | Why? | — | ||
| 16 | Starry Eyed | — | ||
| 17 | What Do You Want to Make Those Eyes at Me For? | — | ||
| 18 | What Do You Want? | — | ||
| 19 | Travellin’ Light | — | ||
| 20 | Mack the Knife | Bobby Darin | T-071.314.125-3 | |
| 21 | Here Comes Summer | — | ||
| 22 | Only Sixteen | — | ||
| 23 | Living Doll | — | ||
| 24 | Dream Lover | — | ||
| 25 | Roulette | — | ||
| 2-1 | I Need Your Love Tonight | Elvis Presley | T-070.904.158-6 | |
| 2-2 | It Doesn’t Matter Anymore | — | ||
| 2-3 | Side Saddle | — | ||
| 2-4 | Smoke Gets in Your Eyes | — | ||
| 2-5 | As I Love You | Shirley Bassey, Wally Stott & His Orchestra | T-070.001.917-5 | |
| 2-6 | One Night | — | ||
| 2-7 | It’s Only Make Believe | — | ||
| 2-8 | Hoots Man | — | ||
| 2-9 | It’s All in the Game | Tommy Edwards | T-070.907.229-6 | |
| 2-10 | Stupid Cupid | — | ||
| 2-11 | When | Kalin Twins | T-070.198.775-8 | |
| 2-12 | (Now and Then There’s) a Fool Such as I | Elvis Presley | T-070.262.892-9 | |
| 2-13 | All I Have to Do Is Dream | — | ||
| 2-14 | On the Street Where You Live | Vic Damone | T-037.659.054-3 | |
| 2-15 | Who’s Sorry Now? | — | ||
| 2-16 | Whole Lotta Woman | — | ||
| 2-17 | Magic Moments | Perry Como, Mitchell Ayres Orchestra, The Ray Charles Singers | T-070.080.006-1 | |
| 2-18 | Jailhouse Rock | — | ||
| 2-19 | Great Balls of Fire | — | ||
| 2-20 | That’ll Be the Day | — | ||
| 2-21 | Diana | Paul Anka | T-070.233.637-5 | |
| 2-22 | All Shook Up | — | ||
| 2-23 | Putting on the Style | — | ||
| 2-24 | Yes Tonight, Josephine | — | ||
| 2-25 | The Story of My Life | — | ||
| 3-1 | Butterfly | Andy Williams | T-071.057.336-6 | |
| 3-2 | Rock‐A‐Billy | — | ||
| 3-3 | Cumberland Gap | — | ||
| 3-4 | Young Love | — | ||
| 3-5 | Garden of Eden | — | ||
| 3-6 | Singing the Blues | — | ||
| 3-7 | Just Walkin’ in the Rain | Johnnie Ray | T-070.247.649-0 | |
| 3-8 | Woman in Love | — | ||
| 3-9 | Whatever Will Be, Will Be (Que será, será) | Doris Day | T-070.198.718-9 | |
| 3-10 | Why Do Fools Fall in Love | Frankie Lymon & The Teenagers | T-070.200.014-3 | |
| 3-11 | Rock and Roll Waltz | Kay Starr | T-070.126.887-2 | |
| 3-12 | It’s Almost Tomorrow | — | ||
| 3-13 | Sixteen Tons | Tennessee Ernie Ford | T-070.243.651-8 | |
| 3-14 | Rock Around the Clock | Bill Haley and His Comets | T-070.922.116-8 | |
| 3-15 | The Man From Laramie | — | ||
| 3-16 | This Ole House | Rosemary Clooney, Buddy Cole and His Orchestra | T-070.928.769-3 | |
| 3-17 | Dreamboat | Alma Cogan | T-070.040.214-7 | |
| 3-18 | Unchained Melody | — | ||
| 3-19 | Cherry Pink and Apple Blossom White | — | ||
| 3-20 | Three Coins in the Fountain | — | ||
| 3-21 | Mambo Italiano | Rosemary Clooney, The Mellomen, Buddy Cole | T-042.661.364-0 | |
| 3-22 | Secret Love | — | ||
| 3-23 | Oh Mein Papa | — | ||
| 3-24 | (How Much Is) That Doggie in the Window | Lita Roza | T-070.039.342-5 | |
| 3-25 | Don’t Let the Stars Get in Your Eyes | — |
I Love You
—
Only the Lonely
—
Tell Laura I Love Her
—
Apache
—
Shakin’ All Over
—
Please Don’t Tease
—
Good Timin’
Jimmy Jones
—
Cathy’s Clown
—
Do You Mind?
—
My Old Man’s a Dustman
—
Running Bear
—
Poor Me
—
Why?
—
Starry Eyed
—
What Do You Want to Make Those Eyes at Me For?
—
What Do You Want?
—
Travellin’ Light
—
Here Comes Summer
—
Only Sixteen
—
Living Doll
—
Dream Lover
—
Roulette
—
It Doesn’t Matter Anymore
—
Side Saddle
—
Smoke Gets in Your Eyes
—
One Night
—
It’s Only Make Believe
—
Hoots Man
—
Stupid Cupid
—
All I Have to Do Is Dream
—
Who’s Sorry Now?
—
Whole Lotta Woman
—
Jailhouse Rock
—
Great Balls of Fire
—
That’ll Be the Day
—
All Shook Up
—
Putting on the Style
—
Yes Tonight, Josephine
—
The Story of My Life
—
Rock‐A‐Billy
—
Cumberland Gap
—
Young Love
—
Garden of Eden
—
Singing the Blues
—
Woman in Love
—
It’s Almost Tomorrow
—
The Man From Laramie
—
Unchained Melody
—
Cherry Pink and Apple Blossom White
—
Three Coins in the Fountain
—
Secret Love
—
Oh Mein Papa
—
Don’t Let the Stars Get in Your Eyes
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| (We’re Gonna) Rock Around the Clock | Bill Haley and His Comets | T-070.922.116-8 |
| Rock Around the Clock | Bill Haley and His Comets | — |
Bill Haley and His Comets
Rock Around the Clock
Bill Haley and His Comets
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.029.769-5T-010.158.773-8T-010.159.250-0T-010.164.703-3T-010.271.376-7T-010.894.046-0T-010.940.897-0T-010.971.187-6T-011.057.563-7T-037.659.054-3
+40 more
T-042.661.364-0T-050.385.969-5T-070.001.917-5T-070.024.589-1T-070.029.405-8T-070.039.342-5T-070.040.214-7T-070.065.265-8T-070.080.006-1T-070.088.153-3T-070.107.745-3T-070.126.887-2T-070.134.575-6T-070.137.617-1T-070.137.917-0T-070.158.980-1T-070.178.668-6T-070.179.962-3T-070.193.442-0T-070.198.718-9T-070.198.775-8T-070.200.014-3T-070.200.609-4T-070.231.895-3T-070.233.277-1T-070.233.637-5T-070.233.743-6T-070.234.181-8T-070.241.215-4T-070.242.731-3T-070.242.765-3T-070.242.766-4T-070.243.651-8T-070.247.649-0T-070.262.892-9T-070.904.158-6T-070.907.229-6T-070.922.113-5T-070.928.769-3T-070.939.577-6
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055568606000000005719460100000000592161490000000059271746000000005938381X0000000059470729000000005957340200000000630257400000000063096522000000006310916X
+38 more
00000000735733450000000073579288000000007358057X00000000735853890000000073595747000000007360416400000000782498780000000078274934000000007838917600000000811616580000000081802267000000008371454300000000838837260000000083930297000000008632911400000001071946860000000108673486000000010882352800000001100925840000000110863510000000011460651100000001147030550000000114712242000000011564146600000001156792100000000116112742000000011646835100000001173843870000000118047622000000011874977100000001212419600000000122537966000000012259881400000001229583730000000354119982000000036846587800000003686388710000000374240368
Credits Graph
People also ask
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Verified on
What is UPC 5060255180020?
5060255180020 is a Universal Product Code (UPC) assigned to No.1 Hits of the ’50s by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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