UPC · Release
Complete Works for Cello and Piano
Ludwig van Beethoven, Robin Michael, Daniel Tong
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5060262792056 is the Universal Product Code (UPC barcode) for the release “Complete Works for Cello and Piano” by Ludwig van Beethoven, Robin Michael, Daniel Tong, released 2020-01-01 on Resonus Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 49 tracks, each with its own ISRC. Tracks include GBC3S2015401, GBC3S2015402, GBC3S2015403.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (49)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata no. 1 in F major, op. 5 no. 1: Adagio sostenuto | Robin Michael, Daniel Tong | — | |
| 2 | Sonata no. 1 in F major, op. 5 no. 1: Allegro | Robin Michael, Daniel Tong | — | |
| 3 | Sonata no. 1 in F major, op. 5 no. 1: Rondo: Allegro vivace | Robin Michael, Daniel Tong | — | |
| 4 | 12 Variations on “See the Conquering Hero Comes” from Handel’s “Judas Maccabeus”, WoO 45: Theme | Robin Michael, Daniel Tong | — | |
| 5 | 12 Variations on “See the Conquering Hero Comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation I | Robin Michael, Daniel Tong | — | |
| 6 | 12 Variations on “See the Conquering Hero Comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation II | Robin Michael, Daniel Tong | — | |
| 7 | 12 Variations on “See the Conquering Hero Comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation III. | Robin Michael, Daniel Tong | — | |
| 8 | 12 Variations on “See the Conquering Hero Comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation IV | Robin Michael, Daniel Tong | — | |
| 9 | 12 Variations on “See the Conquering Hero Comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation V | Robin Michael, Daniel Tong | — | |
| 10 | 12 Variations on “See the Conquering Hero Comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation VI | Robin Michael, Daniel Tong | — | |
| 11 | 12 Variations on “See the Conquering Hero Comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation VII | Robin Michael, Daniel Tong | — | |
| 12 | 12 Variations on “See the Conquering Hero Comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation VIII | Robin Michael, Daniel Tong | — | |
| 13 | 12 Variations on “See the Conquering Hero Comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation IX | Robin Michael, Daniel Tong | — | |
| 14 | 12 Variations on “See the Conquering Hero Comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation X | Robin Michael, Daniel Tong | — | |
| 15 | 12 Variations on “See the Conquering Hero Comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation XI | Robin Michael, Daniel Tong | — | |
| 16 | 12 Variations on “See the Conquering Hero Comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation XII | Robin Michael, Daniel Tong | — | |
| 17 | Sonata no. 2 in G minor, op. 5 no. 2: Adagio sostenuto e espressivo | Robin Michael, Daniel Tong | — | |
| 18 | Sonata no. 2 in G minor, op. 5 no. 2: Allegro molto più tosto presto | Robin Michael, Daniel Tong | — | |
| 19 | Sonata no. 2 in G minor, op. 5 no. 2: Rondo: Allegro | Robin Michael, Daniel Tong | — | |
| 20 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66: Theme | Robin Michael, Daniel Tong | T-061.792.500-4 | |
| 21 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66: Variation I | Robin Michael, Daniel Tong | — | |
| 22 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66: Variation II | Robin Michael, Daniel Tong | — | |
| 23 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66: Variation III | Robin Michael, Daniel Tong | — | |
| 24 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66: Variation IV | Robin Michael, Daniel Tong | — | |
| 25 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66: Variation V | Robin Michael, Daniel Tong | — | |
| 26 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66: Variation VI | Robin Michael, Daniel Tong | — | |
| 27 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66: Variation VII | Robin Michael, Daniel Tong | — | |
| 28 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66: Variation VIII | Robin Michael, Daniel Tong | — | |
| 29 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66: Variation IX | Robin Michael, Daniel Tong | — | |
| 30 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66: Variation X | Robin Michael, Daniel Tong | — | |
| 31 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66: Variation XI | Robin Michael, Daniel Tong | — | |
| 32 | 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66: Variation XII | Robin Michael, Daniel Tong | — | |
| 2-1 | Sonata no. 3 in A major, op. 69: Allegro ma non tanto | Robin Michael, Daniel Tong | — | |
| 2-2 | Sonata no. 3 in A major, op. 69: Scherzo: Allegro molto | Robin Michael, Daniel Tong | — | |
| 2-3 | Sonata no. 3 in A major, op. 69: Adagio cantabile – Allegro vivace | Robin Michael, Daniel Tong | — | |
| 2-4 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Theme | Robin Michael, Daniel Tong | — | |
| 2-5 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation I | Robin Michael, Daniel Tong | — | |
| 2-6 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation II | Robin Michael, Daniel Tong | — | |
| 2-7 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation III | Robin Michael, Daniel Tong | — | |
| 2-8 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation IV | Robin Michael, Daniel Tong | — | |
| 2-9 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation V | Robin Michael, Daniel Tong | — | |
| 2-10 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation VI | Robin Michael, Daniel Tong | — | |
| 2-11 | 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation VII | Robin Michael, Daniel Tong | — | |
| 2-12 | Sonata no. 4 in C major, op. 102 no. 1: Andante | Robin Michael, Daniel Tong | — | |
| 2-13 | Sonata no. 4 in C major, op. 102 no. 1: Allegro vivace | Robin Michael, Daniel Tong | — | |
| 2-14 | Sonata no. 4 in C major, op. 102 no. 1: Adagio – Tempo d’Andante – Allegro vivace | Robin Michael, Daniel Tong | — | |
| 2-15 | Sonata no. 5 in D major, op. 102 no. 2: Allegro con brio | Robin Michael, Daniel Tong | — | |
| 2-16 | Sonata no. 5 in D major, op. 102 no. 2: Adagio con molto sentimento d’affetto | Robin Michael, Daniel Tong | — | |
| 2-17 | Sonata no. 5 in D major, op. 102 no. 2: Allegro | Robin Michael, Daniel Tong | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 5060262792056?
5060262792056 is a Universal Product Code (UPC) assigned to Complete Works for Cello and Piano by Ludwig van Beethoven, Robin Michael, Daniel Tong. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 49 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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