UPC · Release
Various Artists
Last verified:
5060283303026 is the Universal Product Code (UPC barcode) for the release “Jukebox Favourites: Hits of the 50s and 60s” by Various Artists, released 2012-01-01 on AP Music Ltd. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 66 tracks, each with its own ISRC. Tracks include FRX281906402, DEU241001090, USF095800910.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Why Do Fools Fall in Love | Frankie Lymon & The Teenagers | T-070200014-3 | |
| 2 | I’ll Be Home | Pat Boone | T-070.240.655-0 | |
| 3 | Whole Lotta Woman | — | ||
| 4 | Singing the Blues | — | ||
| 5 | Who's Sorry Now? | Connie Francis | T-071192605-4 | |
| 6 | Yes Tonight, Josephine | — | ||
| 7 | Island in the Sun | — | ||
| 8 | At the Hop | — | ||
| 9 | Rock’n’Roll Waltz | — | ||
| 10 | Why | Anthony Newley | T-070.199.955-4 | |
| 11 | Tequila | — | ||
| 12 | Are You Lonesome Tonight? | — | ||
| 13 | All I Have to Do Is Dream | — | ||
| 14 | When | Kalin Twins | T-070.198.775-8 | |
| 15 | The Story of My Life | — | ||
| 16 | Diana | — | ||
| 17 | Smoke Gets in Your Eyes | The Platters | T-070.199.313-6 | |
| 18 | Living Doll | Cliff Richard, The Drifters | T-010.029.769-5 | |
| 19 | As I Love You | Shirley Bassey, Wally Stott & His Orchestra | T-070001917-5 | |
| 20 | It’s All in the Game | Tommy Edwards | T-070.907.229-6 | |
| 21 | What Do You Want | — | ||
| 22 | It Doesn’t Matter Anymore | — | ||
| 2-1 | Mack the Knife | Bobby Darin | T-071314125-3 | |
| 2-2 | It’s Now or Never | Elvis Presley | T-914.979.608-7 | |
| 2-3 | It’s Only Make Believe | — | ||
| 2-4 | What Do You Want to Make Those Eyes at Me For | Emile Ford & the Checkmates | T-914.779.805-8 | |
| 2-5 | Only Sixteen | Craig Douglas | T-070242765-3 | |
| 2-6 | Please Don’t Tease | — | ||
| 2-7 | Come Softly to Me | Fleetwoods | T-070.233.444-8 | |
| 2-8 | Stupid Cupid | — | ||
| 2-9 | I’m Sorry | Brenda Lee | T-070240810-3 | |
| 2-10 | Do You Mind | — | ||
| 2-11 | Venus | Frankie Avalon | T-070.195.316-3 | |
| 2-12 | Poor Me | — | ||
| 2-13 | Here Comes Summer | — | ||
| 2-14 | Dream Lover | — | ||
| 2-15 | Butterfly | Andy Williams | T-071.057.336-6 | |
| 2-16 | The Twist | — | ||
| 2-17 | The Battle of New Orleans | Johnny Horton | T-070.256.194-1 | |
| 2-18 | Stagger Lee | — | ||
| 2-19 | Walk Right Back | — | ||
| 2-20 | El Paso | — | ||
| 2-21 | Roulette | — | ||
| 2-22 | You Don’t Know | — | ||
| 3-1 | Three Steps to Heaven | Eddie Cochran | T-071.017.374-2 | |
| 3-2 | Sleep Walk | — | ||
| 3-3 | Save the Last Dance for Me | — | ||
| 3-4 | Tell Laura I Love Her | — | ||
| 3-5 | Cathy’s Clown | — | ||
| 3-6 | Stay | — | ||
| 3-7 | Alley Oop | The Hollywood Argyles | T-070.231.929-6 | |
| 3-8 | Surrender | Elvis Presley | T-070.244.091-2 | |
| 3-9 | Good Timin’ | Jimmy Jones | — | |
| 3-10 | Teen Angel | — | ||
| 3-11 | Only the Lonely (Know the Way I Feel) | Roy Orbison | T-070.242.766-4 | |
| 3-12 | Shakin’ All Over | Johnny Kidd and the Pirates | T-010158773-8 | |
| 3-13 | Poetry in Motion | Johnny Tillotson | T-070242955-7 | |
| 3-14 | Tossin’ & Turnin’ | — | ||
| 3-15 | Runaway | — | ||
| 3-16 | Georgia on My Mind | — | ||
| 3-17 | I Love You | — | ||
| 3-18 | My Old Man’s a Dustman | — | ||
| 3-19 | Starry Eyed | — | ||
| 3-20 | Running Bear | — | ||
| 3-21 | Mr. Blue | The Fleetwoods | T-070.242.318-4 | |
| 3-22 | Apache | The Shadows | T-010.271.376-7 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5060283303026 is a Universal Product Code (UPC) assigned to Jukebox Favourites: Hits of the 50s and 60s by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 66 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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