UPC · Release
Spiky Dread, Issue One: Punky Reggae & Post Punk Dub 1978-1984
Various Artists
Last verified:
5060323890004 is the Universal Product Code (UPC barcode) for the release “Spiky Dread, Issue One: Punky Reggae & Post Punk Dub 1978-1984” by Various Artists, released 2013-01-01 on Rongorongo. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (13)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cool Down | — | ||
| 2 | Who Killed Bruce Lee (version) | — | ||
| 3 | Bass Adds Bass | — | ||
| 4 | Same Thing Twice | — | ||
| 5 | Pleasures of the Dance | — | ||
| 6 | Merge | — | ||
| 7 | Trapper Aint Got a Bird | — | ||
| 2-1 | Calling Capitain Nemo | — | ||
| 2-2 | Sommadub | — | ||
| 2-3 | More or Less Cut | — | ||
| 2-4 | Dangerous Girls | — | ||
| 2-5 | Stay Close to Me | — | ||
| 2-6 | Animal Space | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
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What is UPC 5060323890004?
5060323890004 is a Universal Product Code (UPC) assigned to Spiky Dread, Issue One: Punky Reggae & Post Punk Dub 1978-1984 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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