UPC · Release
MGMT
Last verified:
5060391091105 is the Universal Product Code (UPC barcode) for the release “Late Night Tales: MGMT” by MGMT, released 2011-09-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include GBBTF0400068, USRH10551885, GBAJH0400382.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Can’t See Through It | Disco Inferno | T9112097742 | |
| 2 | Love You Girl | The Great Society | T9047017027 | |
| 3 | Cheree | Suicide | T-071.858.242-3 | |
| 4 | Stop & Smell the Roses | Television Personalities | T0112980581 | |
| 5 | Ocean | The Velvet Underground | T-700.049.573-0 | |
| 6 | Red Indians | Felt | T-011.282.711-8 | |
| 7 | Laughing Boy | Julian Cope | — | |
| 8 | For Belgian Friends | The Durutti Column | — | |
| 9 | Mound of Clay | Charlie Feathers | — | |
| 10 | Song for Wilde | Mark Fry | T3058817628 | |
| 11 | All We Ever Wanted Was Everything | MGMT | T-011.278.797-9 | |
| 12 | Troubled Mind | Cheval Sombre | — | |
| 13 | Drug Song | Dave Bixby | — | |
| 14 | Hearts Are Like Flowers | Nikki Sudden, Dave Kusworth | — | |
| 15 | Pink Frost | The Chills | — | |
| 16 | Sparks | Martin Rev | — | |
| 17 | Melancholy Man | The Wake | — | |
| 18 | Lord Can You Hear Me? | Spacemen 3 | — | |
| 19 | Morning Splendour | Pauline Anna Strom | — | |
| 20 | Lost for Words Pt. 2 | Paul Morley | — | |
| 21 | MGMT Late Night Tales Continuous Mix | MGMT | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5060391091105 is a Universal Product Code (UPC) assigned to Late Night Tales: MGMT by MGMT. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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