UPC · Release
Abbey Road And Beyond (Greatest Hits And Lost Sessions 1962 - 1966)
The Beatles
Last verified:
5060420344622 is the Universal Product Code (UPC barcode) for the release “Abbey Road And Beyond (Greatest Hits And Lost Sessions 1962 - 1966)” by The Beatles, released 2016-01-01 on Stormbird. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 115 tracks, each with its own ISRC. Tracks include DEF066405180, GBAYE0600340, GBUM71308699.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (115)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Money (That’s What I Want) | — | ||
| 2 | Till There Was You | — | ||
| 3 | To Know Her Is to Love Her | — | ||
| 4 | Take Good Care of My Baby | — | ||
| 5 | Memphis Tennessee | — | ||
| 6 | Sure to Fall in Love With You | — | ||
| 7 | Crying, Waiting, Hoping | — | ||
| 8 | Love of the Loved | — | ||
| 9 | September in the Rain | — | ||
| 10 | Besame Mucho | — | ||
| 11 | Pete Best – The Decca Sessions | — | ||
| 12 | Pete Best – Recording Love Me Do | — | ||
| 13 | Love Me Do (with Ringo Starr) | — | ||
| 14 | Till There Was You (with Ringo Starr) | — | ||
| 15 | Memories With Pete Best | — | ||
| 16 | My Bonnie | Tony Sheridan, The Beat Brothers | — | |
| 2-1 | Love Me Do | — | ||
| 2-2 | P.S. I Love You | The Beatles | T-010.163.293-2 | |
| 2-3 | There’s a Place (take 2) | — | ||
| 2-4 | I Saw Her Standing There (Takes 6 & 10) | — | ||
| 2-5 | Misery (take 6) | — | ||
| 2-6 | Thank You Girl (Takes 4 & 12) | — | ||
| 2-7 | Don’t Bother Me (take 10) | — | ||
| 2-8 | Hold Me Tight (take 28) | — | ||
| 2-9 | A Hard Day’s Night (take 7) | — | ||
| 2-10 | I’m a Loser (take 8) | — | ||
| 2-11 | What You’re Doing (take 11) | — | ||
| 2-12 | She’s a Woman (take 2) | — | ||
| 3-1 | I Saw Her Standing There | The Beatles | T-010.163.209-0 | |
| 3-2 | Misery | — | ||
| 3-3 | Too Much Monkey Business | — | ||
| 3-4 | I’m Talking About You | — | ||
| 3-5 | Please Please Me | The Beatles | T-010.078.384-3 | |
| 3-6 | Hippy Hippy Shake | — | ||
| 3-7 | She Loves You | — | ||
| 3-8 | Twist and Shout | — | ||
| 3-9 | From Me to You | — | ||
| 3-10 | I’ll Get You | — | ||
| 3-11 | She Loves You | — | ||
| 3-12 | Twist and Shout | — | ||
| 3-13 | I Want to Hold Your Hand | — | ||
| 3-14 | This Boy | — | ||
| 3-15 | All My Loving | — | ||
| 3-17 | The One After 909 (take 1) | — | ||
| 3-18 | Catwalk (take 1) | — | ||
| 3-19 | Twist and Shout | — | ||
| 3-20 | Can’t Buy Me Love | — | ||
| 3-21 | If I Fell | — | ||
| 3-22 | A Hard Day’s Night | — | ||
| 4-1 | All My Loving | — | ||
| 4-2 | Till There Was You | — | ||
| 4-3 | She Loves You | — | ||
| 4-4 | I Saw Her Standing There | — | ||
| 4-5 | I Want to Hold Your Hand | — | ||
| 4-6 | She Loves You | — | ||
| 4-7 | This Boy | — | ||
| 4-8 | All My Loving | — | ||
| 4-9 | I Saw Her Standing There | — | ||
| 4-10 | From Me to You | — | ||
| 4-11 | I Want to Hold Your Hand | — | ||
| 4-12 | Twist and Shout | — | ||
| 4-13 | You Can’t Do That | — | ||
| 4-14 | All My Loving | — | ||
| 4-15 | She Loves You | — | ||
| 4-16 | Things We Said Today | — | ||
| 4-17 | Roll Over Beethoven | — | ||
| 4-18 | Can’t Buy Me Love | — | ||
| 4-19 | If I Fell | — | ||
| 4-20 | I Want to Hold Your Hand | — | ||
| 4-21 | Boys | — | ||
| 4-22 | A Hard Day’s Night | — | ||
| 4-23 | Long Tall Sally | — | ||
| 5-1 | A Hard Day’s Night | — | ||
| 5-2 | Things We Said Today | — | ||
| 5-3 | You Can’t Do That | — | ||
| 5-4 | If I Fell | — | ||
| 5-5 | Long Tall Sally | — | ||
| 5-6 | I Feel Fine | — | ||
| 5-7 | I’m Down | — | ||
| 5-8 | Act Naturally | — | ||
| 5-9 | Ticket to Ride | — | ||
| 5-10 | Yesterday | — | ||
| 5-11 | Help! | — | ||
| 5-12 | Twist and Shout | — | ||
| 5-13 | She’s a Woman | — | ||
| 5-14 | I’m a Loser | — | ||
| 5-15 | Can’t Buy Me Love | — | ||
| 5-16 | Baby’s in Black | — | ||
| 5-17 | I Wanna Be Your Man | — | ||
| 5-18 | A Hard Day’s Night | — | ||
| 5-19 | Everybody’s Trying to Be My Baby | — | ||
| 5-20 | Rock ’n’ Roll Music | — | ||
| 5-21 | Ticket to Ride | — | ||
| 5-22 | Long Tall Sally | — | ||
| 6-1 | I Saw Her Standng There | — | ||
| 6-2 | You Can’t Do That | — | ||
| 6-3 | All My Loving | — | ||
| 6-4 | She Loves You | — | ||
| 6-5 | Till There Was You | — | ||
| 6-6 | Roll Over Beethoven | — | ||
| 6-7 | Can’t Buy Me Love | — | ||
| 6-8 | This Boy | — | ||
| 6-9 | Twist and Shout | — | ||
| 6-10 | Long Tall Sally | — | ||
| 6-11 | Rock ’n’ Roll Music | — | ||
| 6-12 | She’s a Woman | — | ||
| 6-13 | If I Need Someone | — | ||
| 6-14 | Day Tripper | — | ||
| 6-15 | Baby’s in Black | — | ||
| 6-16 | I Feel Fine | — | ||
| 6-17 | Yesterday | — | ||
| 6-18 | I Wanna Be Your Man | — | ||
| 6-19 | Nowhere Man | — | ||
| 6-20 | Paperback Writer | — | ||
| 6-21 | I’m Down | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| My Bonnie | Tony Sheridan, The Beat Brothers | — |
| My Bonnie | Tony Sheridan, The Beat Brothers | — |
| My Bonnie | Tony Sheridan, The Beat Brothers | — |
| My Bonnie | Tony Sheridan, The Beat Brothers | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Creative Contributors (ISNI)
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People also ask
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What is UPC 5060420344622?
5060420344622 is a Universal Product Code (UPC) assigned to Abbey Road And Beyond (Greatest Hits And Lost Sessions 1962 - 1966) by The Beatles. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 115 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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