UPC · Release
Live in Montreal (Stereo)
John Digweed
Last verified:
5060463410322 is the Universal Product Code (UPC barcode) for the release “Live in Montreal (Stereo)” by John Digweed, released 2016-01-01 on Bedrock Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 53 tracks, each with its own ISRC. Tracks include GBEPM1401096, GBEPM1401097, GBEPM1401098.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (53)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 7 | Epitrachelion | Induction | — | |
| 8 | Neurowaves | Mohlao | T3164227623 | |
| 9 | Rise & Shine | Esteban Adame | — | |
| 10 | Tame | Recondite | T8034763662 | |
| 11 | Snowhaze | Christerk | T9171861282 | |
| 13 | Baro | Recondite | — | |
| 14 | It's All Good | Alek S | T8044301169 | |
| 15 | For Sale | The Unhottest | — | |
| 16 | All That Matters | Mr Dello | — | |
| 17 | Slowmo | Patrick Chardronnet | — | |
| 20 | You Can Bring | Sei A | T9108550352 | |
| 21 | Dub Theory 1 | Simoncino | — | |
| 22 | Monti | Ed Ed | — | |
| 23 | Job Lose | The Unhottest | — | |
| 24 | Ectoderm | Dovim | — | |
| 25 | Cascadia | Smash TV | — | |
| 26 | Braun | Ashworth | T9187505937 | |
| 27 | God Key | Smash TV | — | |
| 28 | This Place Is Empty Without You | Tigerskin | T8036689745 | |
| 29 | The WOW Signal | Dovim | — | |
| 30 | Blossom for Me | Ulf Bonde | — | |
| 31 | Daylight | Whitesquare | — | |
| 33 | Breath | Moonwalk | T0700197698 | |
| 35 | Come Right Here | Def Mike | — | |
| 38 | Way Out | Nuiton | — | |
| 39 | Within Our Gates | Raw District | T9227703324 | |
| 40 | A Hot Drink In The Desert | Simon García | T2102408692 | |
| 41 | Reverie | Nick Curly | T8036289198 | |
| 42 | Tonada (No Asking dub) | Leonardo Gonnelli | T9199112248 | |
| 43 | Panama Jaxx 1.1 | Scan Mode | — | |
| 44 | Flashback | Nuiton | — | |
| 45 | I'm a Bitch (Basement dub) | Martin Landsky | T9180745328 | |
| 49 | We Will Return (Joeski dub) | Damian Lazarus, The Ancient Moons | T9180943140 | |
| 51 | Leaving the Comfort Zone | André Lodemann | — | |
| 52 | Wishing to Receive | Mita Mita | — | |
| 53 | Fireworks | Eagles & Butterflies | T2004556424 | |
| 54 | Inner Jungle | Blond:ish | — | |
| 56 | Cilantro | H.O.S.H. | — | |
| 57 | Absence | Clarian | — | |
| 58 | Sofie_Lucie | Joop Junior | T9261305559 | |
| 59 | Quasar 27.3 | Lee Van Dowski | — | |
| 61 | Moonlight | Eagles & Butterflies | — | |
| 62 | Hippies | Tigerskin | — | |
| 63 | If Only Jack Was Here | Lee Van Dowski | — | |
| 64 | Ataraxia | Simon García | T2102408738 | |
| 65 | Lumière Sombre | Noir | T9193225740 | |
| 71 | Scorpion | Dave Angel | — | |
| 73 | Acamar | Frankey & Sandrino | — | |
| 76 | Cloud Generator | KiNK | T9249267252 | |
| 77 | Muddy Walls | Pan-Pot, Martin Eyerer, Abby | — | |
| 78 | Murder Was the Bass | Eagles & Butterflies | — | |
| 79 | Alphabetti Spaghetti | 3 Channels | T9273162268 | |
| 80 | What You Need | Adam Beyer | T-916901726-9 |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Until I Dissolve (Deetron remix) | Eric Volta, Gaika | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
Verified on
What is UPC 5060463410322?
5060463410322 is a Universal Product Code (UPC) assigned to Live in Montreal (Stereo) by John Digweed. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 53 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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