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  3. In spe contra spem / Viola & Cello Concertos / Orchestral Works
In spe contra spem / Viola & Cello Concertos / Orchestral Works

UPC · Release

In spe contra spem / Viola & Cello Concertos / Orchestral Works

Brett Dean, London Philharmonic Orchestra

5060498633680
27 tracksReleased 2024-11-28

Last verified: August 19, 2026

5060498633680 is the Universal Product Code (UPC barcode) for the release “In spe contra spem / Viola & Cello Concertos / Orchestral Works” by Brett Dean, London Philharmonic Orchestra, released 2024-11-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include GBHZU2413001, GBHZU2413002, GBHZU2413003.

Format

506GS1 prefix
0498Company prefix
63368Product
0Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCIn spe contra spem / Viola & Cello Concertos / Orchestral Works
ISRC27 recordings
ISWC6 works

Track List (27)

#Track TitleArtist(s)ISWC
Amphitheatre (scene for orchestra)1Amphitheatre (scene for orchestra)London Philharmonic Orchestra, Enrique MazzolaT-801.101.532-1
Viola Concerto: Fragment2Viola Concerto: FragmentLawrence Power, London Philharmonic Orchestra, Hannu Lintu—
Viola Concerto: Pursuit3Viola Concerto: PursuitLawrence Power, London Philharmonic Orchestra, Hannu Lintu—
Viola Concerto: Veiled and Mysterious4Viola Concerto: Veiled and MysteriousLawrence Power, London Philharmonic Orchestra, Hannu Lintu—
In spe contra spem, Part One: Full grievous is the way5In spe contra spem, Part One: Full grievous is the wayEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part One: In spe contra spem6In spe contra spem, Part One: In spe contra spemEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward GardnerT-315.364.191-5
In spe contra spem, Part One: We Princes are set on stages7In spe contra spem, Part One: We Princes are set on stagesEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part One: Were we but as two milkmaids8In spe contra spem, Part One: Were we but as two milkmaidsEmma Bell, London Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part One: La fin de mon long et ennuyeux pèlerinage9In spe contra spem, Part One: La fin de mon long et ennuyeux pèlerinageEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part Two: Interlude10In spe contra spem, Part Two: InterludeLondon Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part Two: I am not so ignorant, gentlemen11In spe contra spem, Part Two: I am not so ignorant, gentlemenEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part Two: Yet I find no great cause12In spe contra spem, Part Two: Yet I find no great causeEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part Two: Accuse me not of presumption13In spe contra spem, Part Two: Accuse me not of presumptionEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner—
Cello Concerto: Extremely intimate, yet flowing and playful2-1Cello Concerto: Extremely intimate, yet flowing and playfulAlban Gerhardt, Edward Gardner, London Philharmonic Orchestra—
Cello Concerto: Slow, dreamy, unhurried2-2Cello Concerto: Slow, dreamy, unhurriedAlban Gerhardt, Edward Gardner, London Philharmonic Orchestra—
Cello Concerto: Allegro agitato sempre2-3Cello Concerto: Allegro agitato sempreAlban Gerhardt, Edward Gardner, London Philharmonic Orchestra—
Cello Concerto: Fast, rhythmic, relentless2-4Cello Concerto: Fast, rhythmic, relentlessAlban Gerhardt, Edward Gardner, London Philharmonic Orchestra—
Cello Concerto: Slow, spacious, and still2-5Cello Concerto: Slow, spacious, and stillAlban Gerhardt, Edward Gardner, London Philharmonic Orchestra—
3 Memorials: Dispersal2-63 Memorials: DispersalLondon Philharmonic Orchestra, Karina CanellakisT-800.012.786-7
3 Memorials: Ceremonial2-73 Memorials: CeremonialLondon Philharmonic Orchestra, Karina CanellakisT-801.730.433-6
3 Memorials: Komarov’s Fall2-83 Memorials: Komarov’s FallLondon Philharmonic Orchestra, Karina Canellakis—
Notturno inquieto2-9Notturno inquietoLondon Philharmonic Orchestra, Vladimir JurowskiT-803.959.537-5
The Players (for accordion and orchestra): Prelude2-10The Players (for accordion and orchestra): PreludeBartosz Glowacki, London Philharmonic Orchestra, Vladimir JurowskiT-804.064.902-4
The Players (for accordion and orchestra): Look, look! Look where my abridgement comes!2-11The Players (for accordion and orchestra): Look, look! Look where my abridgement comes!Bartosz Glowacki, London Philharmonic Orchestra, Vladimir JurowskiT-804.064.902-4
The Players (for accordion and orchestra): Fanfare. The players arrive.2-12The Players (for accordion and orchestra): Fanfare. The players arrive.Bartosz Glowacki, London Philharmonic Orchestra, Vladimir Jurowski—
The Players (for accordion and orchestra): Pantomime2-13The Players (for accordion and orchestra): PantomimeBartosz Glowacki, London Philharmonic Orchestra, Vladimir JurowskiT-804.064.902-4
The Players (for accordion and orchestra): Postlude2-14The Players (for accordion and orchestra): PostludeBartosz Glowacki, London Philharmonic Orchestra, Vladimir JurowskiT-804.064.902-4
Amphitheatre (scene for orchestra)
Amphitheatre (scene for orchestra)
London Philharmonic Orchestra, Enrique Mazzola
T-801.101.532-1
Viola Concerto: Fragment
Viola Concerto: Fragment
Lawrence Power, London Philharmonic Orchestra, Hannu Lintu
—
Viola Concerto: Pursuit
Viola Concerto: Pursuit
Lawrence Power, London Philharmonic Orchestra, Hannu Lintu
—
Viola Concerto: Veiled and Mysterious
Viola Concerto: Veiled and Mysterious
Lawrence Power, London Philharmonic Orchestra, Hannu Lintu
—
In spe contra spem, Part One: Full grievous is the way
In spe contra spem, Part One: Full grievous is the way
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part One: In spe contra spem
In spe contra spem, Part One: In spe contra spem
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
T-315.364.191-5
In spe contra spem, Part One: We Princes are set on stages
In spe contra spem, Part One: We Princes are set on stages
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part One: Were we but as two milkmaids
In spe contra spem, Part One: Were we but as two milkmaids
Emma Bell, London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part One: La fin de mon long et ennuyeux pèlerinage
In spe contra spem, Part One: La fin de mon long et ennuyeux pèlerinage
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part Two: Interlude
In spe contra spem, Part Two: Interlude
London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part Two: I am not so ignorant, gentlemen
In spe contra spem, Part Two: I am not so ignorant, gentlemen
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part Two: Yet I find no great cause
In spe contra spem, Part Two: Yet I find no great cause
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part Two: Accuse me not of presumption
In spe contra spem, Part Two: Accuse me not of presumption
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
—
Cello Concerto: Extremely intimate, yet flowing and playful
Cello Concerto: Extremely intimate, yet flowing and playful
Alban Gerhardt, Edward Gardner, London Philharmonic Orchestra
—
Cello Concerto: Slow, dreamy, unhurried
Cello Concerto: Slow, dreamy, unhurried
Alban Gerhardt, Edward Gardner, London Philharmonic Orchestra
—
Cello Concerto: Allegro agitato sempre
Cello Concerto: Allegro agitato sempre
Alban Gerhardt, Edward Gardner, London Philharmonic Orchestra
—
Cello Concerto: Fast, rhythmic, relentless
Cello Concerto: Fast, rhythmic, relentless
Alban Gerhardt, Edward Gardner, London Philharmonic Orchestra
—
Cello Concerto: Slow, spacious, and still
Cello Concerto: Slow, spacious, and still
Alban Gerhardt, Edward Gardner, London Philharmonic Orchestra
—
3 Memorials: Dispersal
3 Memorials: Dispersal
London Philharmonic Orchestra, Karina Canellakis
T-800.012.786-7
3 Memorials: Ceremonial
3 Memorials: Ceremonial
London Philharmonic Orchestra, Karina Canellakis
T-801.730.433-6
3 Memorials: Komarov’s Fall
3 Memorials: Komarov’s Fall
London Philharmonic Orchestra, Karina Canellakis
—
Notturno inquieto
Notturno inquieto
London Philharmonic Orchestra, Vladimir Jurowski
T-803.959.537-5
The Players (for accordion and orchestra): Prelude
The Players (for accordion and orchestra): Prelude
Bartosz Glowacki, London Philharmonic Orchestra, Vladimir Jurowski
T-804.064.902-4
The Players (for accordion and orchestra): Look, look! Look where my abridgement comes!
The Players (for accordion and orchestra): Look, look! Look where my abridgement comes!
Bartosz Glowacki, London Philharmonic Orchestra, Vladimir Jurowski
T-804.064.902-4
The Players (for accordion and orchestra): Fanfare. The players arrive.
The Players (for accordion and orchestra): Fanfare. The players arrive.
Bartosz Glowacki, London Philharmonic Orchestra, Vladimir Jurowski
—
The Players (for accordion and orchestra): Pantomime
The Players (for accordion and orchestra): Pantomime
Bartosz Glowacki, London Philharmonic Orchestra, Vladimir Jurowski
T-804.064.902-4
The Players (for accordion and orchestra): Postlude
The Players (for accordion and orchestra): Postlude
Bartosz Glowacki, London Philharmonic Orchestra, Vladimir Jurowski
T-804.064.902-4

What other identifiers does this connect to?

Musical Works (ISWC)

T-801.101.532-1T-315.364.191-5T-800.012.786-7T-801.730.433-6T-803.959.537-5T-804.064.902-4

Creative Contributors (ISNI)

000000004565790400000000588838040000000080870268000000011617058X0000000118717446000000012102827000000001216773770000000417544370000000046504627X
SourcesMusicBrainz

Verified on

  • MusicBrainz release search

Identifier Graph

UPCIn spe contra s…ISRCAmphitheatre (s…ISRCViola Concerto:…ISRCViola Concerto:…ISRCViola Concerto:…ISRCIn spe contra s…

People also ask

What is UPC 5060498633680?+
UPC 5060498633680 is the Universal Product Code (barcode) for "In spe contra spem / Viola & Cello Concertos / Orchestral Works" by Brett Dean, London Philharmonic Orchestra.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5060498633680?+
UPC 5060498633680 contains 27 tracks, each with its own ISRC.

What is UPC 5060498633680?

5060498633680 is a Universal Product Code (UPC) assigned to In spe contra spem / Viola & Cello Concertos / Orchestral Works by Brett Dean, London Philharmonic Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Brett Dean, London Philharmonic Orchestra

5060498633680 is the Universal Product Code (UPC barcode) for the release “In spe contra spem / Viola & Cello Concertos / Orchestral Works” by Brett Dean, London Philharmonic Orchestra, released 2024-11-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include GBHZU2413001, GBHZU2413002, GBHZU2413003.

Track List (27)

#Track TitleArtist(s)ISWC
Amphitheatre (scene for orchestra)1Amphitheatre (scene for orchestra)London Philharmonic Orchestra, Enrique MazzolaT-801.101.532-1
Viola Concerto: Fragment2Viola Concerto: FragmentLawrence Power, London Philharmonic Orchestra, Hannu Lintu—
Viola Concerto: Pursuit3Viola Concerto: PursuitLawrence Power, London Philharmonic Orchestra, Hannu Lintu—
Viola Concerto: Veiled and Mysterious4Viola Concerto: Veiled and MysteriousLawrence Power, London Philharmonic Orchestra, Hannu Lintu—
In spe contra spem, Part One: Full grievous is the way5In spe contra spem, Part One: Full grievous is the wayEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part One: In spe contra spem6In spe contra spem, Part One: In spe contra spemEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward GardnerT-315.364.191-5
In spe contra spem, Part One: We Princes are set on stages7In spe contra spem, Part One: We Princes are set on stagesEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part One: Were we but as two milkmaids8In spe contra spem, Part One: Were we but as two milkmaidsEmma Bell, London Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part One: La fin de mon long et ennuyeux pèlerinage9In spe contra spem, Part One: La fin de mon long et ennuyeux pèlerinageEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part Two: Interlude10In spe contra spem, Part Two: InterludeLondon Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part Two: I am not so ignorant, gentlemen11In spe contra spem, Part Two: I am not so ignorant, gentlemenEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part Two: Yet I find no great cause12In spe contra spem, Part Two: Yet I find no great causeEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner—
In spe contra spem, Part Two: Accuse me not of presumption13In spe contra spem, Part Two: Accuse me not of presumptionEmma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner—
Cello Concerto: Extremely intimate, yet flowing and playful2-1Cello Concerto: Extremely intimate, yet flowing and playfulAlban Gerhardt, Edward Gardner, London Philharmonic Orchestra—
Cello Concerto: Slow, dreamy, unhurried2-2Cello Concerto: Slow, dreamy, unhurriedAlban Gerhardt, Edward Gardner, London Philharmonic Orchestra—
Cello Concerto: Allegro agitato sempre2-3Cello Concerto: Allegro agitato sempreAlban Gerhardt, Edward Gardner, London Philharmonic Orchestra—
Cello Concerto: Fast, rhythmic, relentless2-4Cello Concerto: Fast, rhythmic, relentlessAlban Gerhardt, Edward Gardner, London Philharmonic Orchestra—
Cello Concerto: Slow, spacious, and still2-5Cello Concerto: Slow, spacious, and stillAlban Gerhardt, Edward Gardner, London Philharmonic Orchestra—
3 Memorials: Dispersal2-63 Memorials: DispersalLondon Philharmonic Orchestra, Karina CanellakisT-800.012.786-7
3 Memorials: Ceremonial2-73 Memorials: CeremonialLondon Philharmonic Orchestra, Karina CanellakisT-801.730.433-6
3 Memorials: Komarov’s Fall2-83 Memorials: Komarov’s FallLondon Philharmonic Orchestra, Karina Canellakis—
Notturno inquieto2-9Notturno inquietoLondon Philharmonic Orchestra, Vladimir JurowskiT-803.959.537-5
The Players (for accordion and orchestra): Prelude2-10The Players (for accordion and orchestra): PreludeBartosz Glowacki, London Philharmonic Orchestra, Vladimir JurowskiT-804.064.902-4
The Players (for accordion and orchestra): Look, look! Look where my abridgement comes!2-11The Players (for accordion and orchestra): Look, look! Look where my abridgement comes!Bartosz Glowacki, London Philharmonic Orchestra, Vladimir JurowskiT-804.064.902-4
The Players (for accordion and orchestra): Fanfare. The players arrive.2-12The Players (for accordion and orchestra): Fanfare. The players arrive.Bartosz Glowacki, London Philharmonic Orchestra, Vladimir Jurowski—
The Players (for accordion and orchestra): Pantomime2-13The Players (for accordion and orchestra): PantomimeBartosz Glowacki, London Philharmonic Orchestra, Vladimir JurowskiT-804.064.902-4
The Players (for accordion and orchestra): Postlude2-14The Players (for accordion and orchestra): PostludeBartosz Glowacki, London Philharmonic Orchestra, Vladimir JurowskiT-804.064.902-4
Amphitheatre (scene for orchestra)
Amphitheatre (scene for orchestra)
London Philharmonic Orchestra, Enrique Mazzola
T-801.101.532-1
Viola Concerto: Fragment
Viola Concerto: Fragment
Lawrence Power, London Philharmonic Orchestra, Hannu Lintu
—
Viola Concerto: Pursuit
Viola Concerto: Pursuit
Lawrence Power, London Philharmonic Orchestra, Hannu Lintu
—
Viola Concerto: Veiled and Mysterious
Viola Concerto: Veiled and Mysterious
Lawrence Power, London Philharmonic Orchestra, Hannu Lintu
—
In spe contra spem, Part One: Full grievous is the way
In spe contra spem, Part One: Full grievous is the way
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part One: In spe contra spem
In spe contra spem, Part One: In spe contra spem
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
T-315.364.191-5
In spe contra spem, Part One: We Princes are set on stages
In spe contra spem, Part One: We Princes are set on stages
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part One: Were we but as two milkmaids
In spe contra spem, Part One: Were we but as two milkmaids
Emma Bell, London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part One: La fin de mon long et ennuyeux pèlerinage
In spe contra spem, Part One: La fin de mon long et ennuyeux pèlerinage
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part Two: Interlude
In spe contra spem, Part Two: Interlude
London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part Two: I am not so ignorant, gentlemen
In spe contra spem, Part Two: I am not so ignorant, gentlemen
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part Two: Yet I find no great cause
In spe contra spem, Part Two: Yet I find no great cause
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
—
In spe contra spem, Part Two: Accuse me not of presumption
In spe contra spem, Part Two: Accuse me not of presumption
Emma Bell, Elsa Dreisig, London Philharmonic Orchestra, Edward Gardner
—
Cello Concerto: Extremely intimate, yet flowing and playful
Cello Concerto: Extremely intimate, yet flowing and playful
Alban Gerhardt, Edward Gardner, London Philharmonic Orchestra
—
Cello Concerto: Slow, dreamy, unhurried
Cello Concerto: Slow, dreamy, unhurried
Alban Gerhardt, Edward Gardner, London Philharmonic Orchestra
—
Cello Concerto: Allegro agitato sempre
Cello Concerto: Allegro agitato sempre
Alban Gerhardt, Edward Gardner, London Philharmonic Orchestra
—
Cello Concerto: Fast, rhythmic, relentless
Cello Concerto: Fast, rhythmic, relentless
Alban Gerhardt, Edward Gardner, London Philharmonic Orchestra
—
Cello Concerto: Slow, spacious, and still
Cello Concerto: Slow, spacious, and still
Alban Gerhardt, Edward Gardner, London Philharmonic Orchestra
—
3 Memorials: Dispersal
3 Memorials: Dispersal
London Philharmonic Orchestra, Karina Canellakis
T-800.012.786-7
3 Memorials: Ceremonial
3 Memorials: Ceremonial
London Philharmonic Orchestra, Karina Canellakis
T-801.730.433-6
3 Memorials: Komarov’s Fall
3 Memorials: Komarov’s Fall
London Philharmonic Orchestra, Karina Canellakis
—
Notturno inquieto
Notturno inquieto
London Philharmonic Orchestra, Vladimir Jurowski
T-803.959.537-5
The Players (for accordion and orchestra): Prelude
The Players (for accordion and orchestra): Prelude
Bartosz Glowacki, London Philharmonic Orchestra, Vladimir Jurowski
T-804.064.902-4
The Players (for accordion and orchestra): Look, look! Look where my abridgement comes!
The Players (for accordion and orchestra): Look, look! Look where my abridgement comes!
Bartosz Glowacki, London Philharmonic Orchestra, Vladimir Jurowski
T-804.064.902-4
The Players (for accordion and orchestra): Fanfare. The players arrive.
The Players (for accordion and orchestra): Fanfare. The players arrive.
Bartosz Glowacki, London Philharmonic Orchestra, Vladimir Jurowski
—
The Players (for accordion and orchestra): Pantomime
The Players (for accordion and orchestra): Pantomime
Bartosz Glowacki, London Philharmonic Orchestra, Vladimir Jurowski
T-804.064.902-4
The Players (for accordion and orchestra): Postlude
The Players (for accordion and orchestra): Postlude
Bartosz Glowacki, London Philharmonic Orchestra, Vladimir Jurowski
T-804.064.902-4