UPC · Release
Rage in Eden (deluxe edition)
Ultravox
Last verified:
5060516098033 is the Universal Product Code (UPC barcode) for the release “Rage in Eden (deluxe edition)” by Ultravox, released 2022-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC. Tracks include GBAYK0800138, GBAYK0800139, GBAYK0800140.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (32)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Voice (full length version) | Ultravox | — | |
| 2 | We Stand Alone | Ultravox | — | |
| 3 | Rage in Eden | Ultravox | — | |
| 4 | I Remember (Death in the Afternoon) | Ultravox | T0104779330 | |
| 5 | The Thin Wall | Ultravox | T-010.475.294-4 | |
| 6 | Stranger Within | Ultravox | — | |
| 7 | Accent on Youth | Ultravox | — | |
| 8 | The Ascent | Ultravox | — | |
| 9 | Your Name (Has Slipped My Mind Again) | — | ||
| 12 | The Thin Wall (Full Length version) (Steven Wilson stereo mix) | — | ||
| 13 | Stranger Within (Full Length version) (Steven Wilson stereo mix) | — | ||
| 22 | I Never Wanted to Begin | Ultravox | T0104814676 | |
| 24 | The Voice | Ultravox | — | |
| 25 | Paths and Angles | Ultravox | — | |
| 26 | Private Lives (recorded live at Crystal Palace, 13 Jun 1981) | Ultravox | — | |
| 27 | All Stood Still | Ultravox | — | |
| 32 | The Thin Wall (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 33 | New Europeans (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 34 | Sleepwalk (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 35 | I Remember (Death in the Afternoon) (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 36 | Stranger Within (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 37 | Mr. X (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 38 | Rage in Eden (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 39 | Accent On Youth (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 40 | The Ascent (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 41 | Your Name (Has Slipped My Mind Again) (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 42 | Vienna (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 43 | Passionate Reply (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 44 | Passing Strangers (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 45 | We Stand Alone (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 46 | All Stood Still (Live at the Hammersmith Odeon, London 16/10/1981) | — | ||
| 47 | The Voice (Live at the Hammersmith Odeon, London 16/10/1981) | — |
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Thin Wall | Ultravox | T-010.475.294-4 |
| I Never Wanted to Begin (extended version) | Ultravox | T0104814676 |
| Stranger Within (work in progress mix) | Ultravox | — |
| The Voice | Ultravox | — |
| The Voice | Ultravox | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 5060516098033?
5060516098033 is a Universal Product Code (UPC) assigned to Rage in Eden (deluxe edition) by Ultravox. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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