UPC · Release
Concentus: The John Wetton Live Collection Volume 1
John Wetton
5060854800756
119 tracksReleased 2024-01-01Spirit Of Unicorn Music
Last verified:
5060854800756 is the Universal Product Code (UPC barcode) for the release “Concentus: The John Wetton Live Collection Volume 1” by John Wetton, released 2024-01-01 on Spirit Of Unicorn Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 119 tracks, each with its own ISRC.
Format
506GS1 prefix
0854Company prefix
80075Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCConcentus: The John Wetton Live Collection Volume 1
IPI2 songwriters
Track List (119)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Heat of the Moment | — | ||
| 2 | Don't Cry | — | ||
| 3 | Rendezvous 6:02 | — | ||
| 4 | Crime of Passion | — | ||
| 5 | Caught in the Crossfire | — | ||
| 6 | Easy Money | — | ||
| 7 | In the Dead of Night | — | ||
| 8 | Thirty Years | — | ||
| 9 | Only Time Will Tell | — | ||
| 10 | Hold Me Now | — | ||
| 11 | Starless | — | ||
| 12 | Book of Saturday | — | ||
| 13 | Batlle Lines | — | ||
| 14 | Open Your Eyes | — | ||
| 15 | The Smile Has Left Your Eyes | — | ||
| 2-1 | Voice of America | — | ||
| 2-2 | Hold Me Now | — | ||
| 2-3 | Rendezvous 6:02 | — | ||
| 2-4 | Christina | — | ||
| 2-5 | Thirty Years | — | ||
| 2-6 | Only Tyme Will Tell | — | ||
| 2-7 | Book of Saturday | — | ||
| 2-8 | Don't Cry | — | ||
| 2-9 | Battle Lines | — | ||
| 2-10 | The Smile Has Left Your Eyes | — | ||
| 2-11 | Heat of the Moment | — | ||
| 2-12 | You're Not the Only One | — | ||
| 3-1 | In the Dead of Night | — | ||
| 3-2 | Sole Survivor | — | ||
| 3-3 | Only Time Will Tell | — | ||
| 3-4 | Voice of America | — | ||
| 3-5 | Book of Saturday | — | ||
| 3-6 | The Smile Has Left Your Eyes | — | ||
| 3-7 | Thirty Years | — | ||
| 3-8 | Hold Me Now | — | ||
| 3-9 | Martin Orford Piano Solo - 'Ode to Quilmes' | — | ||
| 3-10 | Rendezvous 6:02 | — | ||
| 4-1 | Thomas Lang's Drum Solo | — | ||
| 4-2 | Caught in the Crossfire | — | ||
| 4-3 | Easy Money | — | ||
| 4-4 | Battle Lines | — | ||
| 4-5 | Heat of the Moment | — | ||
| 4-6 | Starless | — | ||
| 4-7 | Don't Cry | — | ||
| 5-1 | The Circle of St. Giles | — | ||
| 5-2 | Heat of the Moment | — | ||
| 5-3 | Book of Saturday | — | ||
| 5-4 | Sole Survivor | — | ||
| 5-5 | The Smile Has Left Your Eyes | — | ||
| 5-6 | Thirty Years | — | ||
| 5-7 | Hold Me Now | — | ||
| 5-8 | Rendezvous 6:02 | — | ||
| 5-9 | Martin Orford Piano Solo - 'Ode to Quilmes' | — | ||
| 5-10 | The Night Watch | — | ||
| 5-11 | Arkangel | — | ||
| 5-12 | Battle Lines | — | ||
| 5-13 | Starless | — | ||
| 5-14 | Easy Money | — | ||
| 6-1 | Intro | — | ||
| 6-2 | The Last Thing on My Mind | — | ||
| 6-3 | Sole Survivor | — | ||
| 6-4 | I Can't Lie Anymore | — | ||
| 6-5 | Battle Lines | — | ||
| 6-6 | John Young's Keyboard Solo | — | ||
| 6-7 | Arkangel | — | ||
| 6-8 | Emma | — | ||
| 6-9 | The Smile Has Left Your Eyes | — | ||
| 6-10 | The Night Watch | — | ||
| 6-11 | Thirty Years | — | ||
| 6-12 | Hold Me Now | — | ||
| 6-13 | Only Time Will Tell | — | ||
| 7-1 | Rendezvous 6:02 | — | ||
| 7-2 | Thomas Lang's Drum Solo | — | ||
| 7-3 | Easy Money | — | ||
| 7-4 | In the Dead of Night | — | ||
| 7-5 | After All | — | ||
| 7-6 | Heat of the Moment | — | ||
| 7-7 | Starless | — | ||
| 7-8 | Don't Cry | — | ||
| 8-1 | The Circle of St. Giles | — | ||
| 8-2 | In the Dead of Night | — | ||
| 8-3 | Sole Survivor | — | ||
| 8-4 | Voice of America | — | ||
| 8-5 | Billy Liesegang's Guitar Solo | — | ||
| 8-6 | Battle Lines | — | ||
| 8-7 | Arkangel | — | ||
| 8-8 | The Night Watch | — | ||
| 8-9 | The Smile Has Left Your Eyes | — | ||
| 8-10 | Thirty Years | — | ||
| 8-11 | Hold Me Now | — | ||
| 8-12 | Only Time Will Tell | — | ||
| 8-13 | Martin Orford Piano Solo - 'Ode to Quilmes' | — | ||
| 9-1 | Rendezvous 6:02 | — | ||
| 9-2 | Thomas Lang's Drum Solo | — | ||
| 9-3 | Caught in the Crossfire | — | ||
| 9-4 | Easy Money | — | ||
| 9-5 | Starless | — | ||
| 9-6 | Heat of the Moment | — | ||
| 9-7 | Don't Cry | — | ||
| 9-8 | Short Jam (Soundcheck) | — | ||
| 9-9 | All Along the Watchtower (Soundcheck) | — | ||
| 9-10 | Starless (Soundcheck) | — | ||
| 10-1 | Heat of the Moment | — | ||
| 10-2 | The Smile Has Left Your Eyes | — | ||
| 10-3 | Hold Me Now | — | ||
| 10-4 | Don't Cry | — | ||
| 10-5 | Open Your Eyes | — | ||
| 10-6 | Battle Lines | — | ||
| 10-7 | Rendezvous 6:02 | — | ||
| 10-8 | Book of Saturday (rehearsal) | — | ||
| 10-9 | Lament (rehearsal) | — | ||
| 10-10 | You're Not the Only One (rehearsal) | — | ||
| 10-11 | Starless (rehearsal) | — | ||
| 10-12 | Thirty Years (rehearsal) | — | ||
| 10-13 | In the Dead of Night | — | ||
| 10-14 | Rendezvous 6:02 | — | ||
| 10-15 | Sole Survivor | — | ||
| 10-16 | Battle Lines | — | ||
| 10-17 | Starless | — |
Heat of the Moment
—
Don't Cry
—
Rendezvous 6:02
—
Crime of Passion
—
Caught in the Crossfire
—
Easy Money
—
In the Dead of Night
—
Thirty Years
—
Only Time Will Tell
—
Hold Me Now
—
Starless
—
Book of Saturday
—
Batlle Lines
—
Open Your Eyes
—
The Smile Has Left Your Eyes
—
Voice of America
—
Hold Me Now
—
Rendezvous 6:02
—
Christina
—
Thirty Years
—
Only Tyme Will Tell
—
Book of Saturday
—
Don't Cry
—
Battle Lines
—
The Smile Has Left Your Eyes
—
Heat of the Moment
—
You're Not the Only One
—
In the Dead of Night
—
Sole Survivor
—
Only Time Will Tell
—
Voice of America
—
Book of Saturday
—
The Smile Has Left Your Eyes
—
Thirty Years
—
Hold Me Now
—
Martin Orford Piano Solo - 'Ode to Quilmes'
—
Rendezvous 6:02
—
Thomas Lang's Drum Solo
—
Caught in the Crossfire
—
Easy Money
—
Battle Lines
—
Heat of the Moment
—
Starless
—
Don't Cry
—
The Circle of St. Giles
—
Heat of the Moment
—
Book of Saturday
—
Sole Survivor
—
The Smile Has Left Your Eyes
—
Thirty Years
—
Hold Me Now
—
Rendezvous 6:02
—
Martin Orford Piano Solo - 'Ode to Quilmes'
—
The Night Watch
—
Arkangel
—
Battle Lines
—
Starless
—
Easy Money
—
Intro
—
The Last Thing on My Mind
—
Sole Survivor
—
I Can't Lie Anymore
—
Battle Lines
—
John Young's Keyboard Solo
—
Arkangel
—
Emma
—
The Smile Has Left Your Eyes
—
The Night Watch
—
Thirty Years
—
Hold Me Now
—
Only Time Will Tell
—
Rendezvous 6:02
—
Thomas Lang's Drum Solo
—
Easy Money
—
In the Dead of Night
—
After All
—
Heat of the Moment
—
Starless
—
Don't Cry
—
The Circle of St. Giles
—
In the Dead of Night
—
Sole Survivor
—
Voice of America
—
Billy Liesegang's Guitar Solo
—
Battle Lines
—
Arkangel
—
The Night Watch
—
The Smile Has Left Your Eyes
—
Thirty Years
—
Hold Me Now
—
Only Time Will Tell
—
Martin Orford Piano Solo - 'Ode to Quilmes'
—
Rendezvous 6:02
—
Thomas Lang's Drum Solo
—
Caught in the Crossfire
—
Easy Money
—
Starless
—
Heat of the Moment
—
Don't Cry
—
Short Jam (Soundcheck)
—
All Along the Watchtower (Soundcheck)
—
Starless (Soundcheck)
—
Heat of the Moment
—
The Smile Has Left Your Eyes
—
Hold Me Now
—
Don't Cry
—
Open Your Eyes
—
Battle Lines
—
Rendezvous 6:02
—
Book of Saturday (rehearsal)
—
Lament (rehearsal)
—
You're Not the Only One (rehearsal)
—
Starless (rehearsal)
—
Thirty Years (rehearsal)
—
In the Dead of Night
—
Rendezvous 6:02
—
Sole Survivor
—
Battle Lines
—
Starless
—
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 5060854800756?
5060854800756 is a Universal Product Code (UPC) assigned to Concentus: The John Wetton Live Collection Volume 1 by John Wetton. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 119 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm