UPC · Release
Curse of the Damned
Jill Jackson
Last verified:
5063176039125 is the Universal Product Code (UPC barcode) for the release “Curse of the Damned” by Jill Jackson, released 2024-05-10. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include UKNF62400001, UKNF62400002, UKNF62400003.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (10)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Curse of the Damned | Jill Jackson, Ron Block | — | |
| 2 | Standing at the Edge | Jill Jackson | — | |
| 3 | Knock Next Door | Jill Jackson | — | |
| 4 | Back When I Was Wilder | Jill Jackson | — | |
| 5 | Avalanche | Jill Jackson | — | |
| 6 | Lonesome Lament | Jill Jackson | — | |
| 7 | Misunderstood | Jill Jackson | — | |
| 8 | Wake Me Up | Jill Jackson | — | |
| 9 | The Runaway Lady | Jill Jackson | — | |
| 10 | Kaleidoscope | Jill Jackson | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 5063176039125?
5063176039125 is a Universal Product Code (UPC) assigned to Curse of the Damned by Jill Jackson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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