UPC · Release
I Quattro Rusteghi
Wolf-Ferrari, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko
Last verified:
5065002149237 is the Universal Product Code (UPC barcode) for the release “I Quattro Rusteghi” by Wolf-Ferrari, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko, released 2018-01-01 on Rubicon Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I quatro rusteghi, Atto I: Preludio | — | ||
| 2 | I quatro rusteghi, Atto I: Scena 1, “Siora mare?” (Lucieta, Margarita) | — | ||
| 3 | I quatro rusteghi, Atto I: Scena 2, “Velo qua, eh!” (Margarita, Lucieta, Lunardo) | — | ||
| 4 | I quatro rusteghi, Atto I: Scena 3, “E cussì, come va sto maridozzo?” (Margarita, Lunardo) | — | ||
| 5 | I quatro rusteghi, Atto I: Scena 4, “L’è andada finalmente” (Lunardo, Maurizio) | — | ||
| 6 | I quatro rusteghi, Atto I: Scena 5, “El specio me ga dito che son bela” (Marina, una serva, Filipeto) | — | ||
| 7 | I quatro rusteghi, Atto I: Scena 6, “Xe sior barba!” (Filipeto, Marina, Simone) | — | ||
| 8 | I quatro rusteghi, Atto I: Scena 7, “Caro da Dio!” (Marina, Simone) | — | ||
| 9 | I quatro rusteghi, Atto I: Scena 8, “Ghe la fazzo, cospetina!” (Marina, una serva, Felice, Cancian, Riccardo) | — | ||
| 10 | I quatro rusteghi, Atto I: Scena 9, “Marina? – Sior?” (Simone, Marina, Felice, Riccardo, Cancian) | — | ||
| 2-1 | I quatro rusteghi, Atto II: Intermezzo | — | ||
| 2-2 | I quatro rusteghi, Atto II: Scena 1, “I me vol zirar ma mi li go magnai!” Lucieta, Margarita | — | ||
| 2-3 | I quatro rusteghi, Atto II: Scena 2, “Coss’è? Coss’è, parona, che parè una bissona?”(Lunardo, Margarita, Lucieta) | — | ||
| 2-4 | I quatro rusteghi, Atto II: Scena 3, “Patrona, siora Malgari!” (Marina, Margarita, Lucieta, Simone, Lunardo) | — | ||
| 2-5 | I quatro rusteghi, Atto II: Scena 4, “Marideve, che avarè de sti gusti” (Simone, Lunardo) | — | ||
| 2-6 | I quatro rusteghi, Atto II: Scena 5, “Oh, ècome quà lustrissimi” (Felice, Simone, Lunardo, Margarita, Lucieta, Marina) | — | ||
| 2-7 | I quatro rusteghi, Atto II: Scena 6, “A vu, ste mascarete ve domanda” (Margarita, Riccardo, Felice, Marina, Lucieta, Filipeto) | — | ||
| 2-8 | I quatro rusteghi, Atto II: Scena 7, “Cossa feu là?” (Lunardo, Lucieta, Simone, Cancian, Marina, Felice, Margarita) | — | ||
| 2-9 | I quatro rusteghi, Atto II: Scena 8, “O via, seu quà?” (Lunardo, Maurizio, Simone, Cancian, Felice, Riccardo, Marina, Filipeto, Lucieta, Margarita) | — | ||
| 2-10 | I quatro rusteghi, Atto III: Scena 1, “Hm! Ah, femene del diavolo, parchè ve gai creà?” (Lunardo, Simone, Cancian) | — | ||
| 2-11 | I quatro rusteghi, Atto III: Scena 2, “Siori gentilissimi grazie del bon amor” (Felice, Lunardo, Simone, Cancian) | — | ||
| 2-12 | I quatro rusteghi, Atto III: Ultima scena, “Vele quà pentìe contrìe le domanda perdon” (Felice, Lucieta, Marina, Margarita, Lunardo, Cancian, Simone, Maurizio, Filipeto, Riccardo) | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 5065002149237?
5065002149237 is a Universal Product Code (UPC) assigned to I Quattro Rusteghi by Wolf-Ferrari, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm