UPC · Release
The String Quartets: Live from Suntory Hall, Tokyo
Beethoven, Kuss Quartet
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5065002149442 is the Universal Product Code (UPC barcode) for the release “The String Quartets: Live from Suntory Hall, Tokyo” by Beethoven, Kuss Quartet, released 2020-01-01 on Rubicon Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 71 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (71)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | String Quartet no. 3 in D, op. 18 no. 3: I. Allegro | — | ||
| 2 | String Quartet no. 3 in D, op. 18 no. 3: II. Andante con moto | — | ||
| 3 | String Quartet no. 3 in D, op. 18 no. 3: III. Allegro | — | ||
| 4 | String Quartet no. 3 in D, op. 18 no. 3: IV. Presto | — | ||
| 5 | String Quartet no. 2 in G, op. 18 no. 2: I. Allegro | — | ||
| 6 | String Quartet no. 2 in G, op. 18 no. 2: II. Adagio cantabile – Allegro – Tempo I | — | ||
| 7 | String Quartet no. 2 in G, op. 18 no. 2: III. Scherzo: Allegro | — | ||
| 8 | String Quartet no. 2 in G, op. 18 no. 2: IV. Allegro molto, quasi Presto | — | ||
| 9 | String Quartet no. 1 in F, op. 18 no. 1: I. Allegro con brio | — | ||
| 10 | String Quartet no. 1 in F, op. 18 no. 1: II. Adagio affettuoso ed appassionato | — | ||
| 11 | String Quartet no. 1 in F, op. 18 no. 1: III. Scherzo: Allegro molto | — | ||
| 12 | String Quartet no. 1 in F, op. 18 no. 1: IV. Allegro | — | ||
| 2-1 | String Quartet no. 5 in A, op. 18 no. 5: I. Allegro | — | ||
| 2-2 | String Quartet no. 5 in A, op. 18 no. 5: II. Menuetto | — | ||
| 2-3 | String Quartet no. 5 in A, op. 18 no. 5: III. Andante cantabile | — | ||
| 2-4 | String Quartet no. 5 in A, op. 18 no. 5: IV. Allegro | — | ||
| 2-5 | String Quartet no. 4 in C minor, op. 18 no. 4: I. Allegro ma non tanto | — | ||
| 2-6 | String Quartet no. 4 in C minor, op. 18 no. 4: II. Andante scherzoso quasi Allegretto | — | ||
| 2-7 | String Quartet no. 4 in C minor, op. 18 no. 4: III. Menuetto: Allegro | — | ||
| 2-8 | String Quartet no. 4 in C minor, op. 18 no. 4: IV. Allegretto – Prestissimo | — | ||
| 2-9 | String Quartet no. 6 in B-flat, op. 18 no. 6: I. Allegro con brio | — | ||
| 2-10 | String Quartet no. 6 in B-flat, op. 18 no. 6: II. Adagio ma non troppo | — | ||
| 2-11 | String Quartet no. 6 in B-flat, op. 18 no. 6: III. Scherzo: Allegro | — | ||
| 2-12 | String Quartet no. 6 in B-flat, op. 18 no. 6: IV. La Malinconia: Adagio – Allegretto quasi Allegro | — | ||
| 3-1 | String Quartet no. 7 in F, op. 59 no. 1 “Razumovsky”: I. Allegro | — | ||
| 3-2 | String Quartet no. 7 in F, op. 59 no. 1 “Razumovsky”: II. Allegretto vivace e sempre scherzando | — | ||
| 3-3 | String Quartet no. 7 in F, op. 59 no. 1 “Razumovsky”: III. Adagio molto e mesto – | — | ||
| 3-4 | String Quartet no. 7 in F, op. 59 no. 1 “Razumovsky”: IV. Thème russe: Allegro | — | ||
| 3-5 | String Quartet no. 8 in E minor, op. 59 no. 2 “Razumovsky”: I. Allegro | — | ||
| 3-6 | String Quartet no. 8 in E minor, op. 59 no. 2 “Razumovsky”: II. Molto Adagio | — | ||
| 3-7 | String Quartet no. 8 in E minor, op. 59 no. 2 “Razumovsky”: III. Allegretto --. Maggiore (Thème russe) | — | ||
| 3-8 | String Quartet no. 8 in E minor, op. 59 no. 2 “Razumovsky”: IV. Finale: Presto | — | ||
| 4-1 | String Quartet no. 9 in C, op. 59 no. 3 “Razumovsky”: I. Introduzione: Andante con moto – Allegro vivace | — | ||
| 4-2 | String Quartet no. 9 in C, op. 59 no. 3 “Razumovsky”: II. Andante con moto quasi Allegretto | — | ||
| 4-3 | String Quartet no. 9 in C, op. 59 no. 3 “Razumovsky”: III. Menuetto: Grazioso – | — | ||
| 4-4 | String Quartet no. 9 in C, op. 59 no. 3 “Razumovsky”: IV. Allegro molto | — | ||
| 4-5 | String Quartet no. 10 in E-flat, op. 74 “Harp”: I. Poco Adagio – Allegro | — | ||
| 4-6 | String Quartet no. 10 in E-flat, op. 74 “Harp”: II. Adagio ma non troppo | — | ||
| 4-7 | String Quartet no. 10 in E-flat, op. 74 “Harp”: III. Presto – Più presto quasi prestissimo | — | ||
| 4-8 | String Quartet no. 10 in E-flat, op. 74 “Harp”: IV. Allegretto con Variazioni | — | ||
| 5-1 | String Quartet no. 11 in F minor, op. 95 “Serioso”: I. Allegro con brio | — | ||
| 5-2 | String Quartet no. 11 in F minor, op. 95 “Serioso”: II. Allegretto ma non troppo – | — | ||
| 5-3 | String Quartet no. 11 in F minor, op. 95 “Serioso”: III. Allegro assai vivace ma serioso | — | ||
| 5-4 | String Quartet no. 11 in F minor, op. 95 “Serioso”: IV. Larghetto espressivo – Allegretto agitato – Allegro | — | ||
| 5-5 | String Quartet no. 12 in E-flat, op. 127: I. Maestoso – Allegro | — | ||
| 5-6 | String Quartet no. 12 in E-flat, op. 127: II. Adagio ma non troppo e molto cantabile – Andante con moto – Adagio molto espressivo – Tempo I | — | ||
| 5-7 | String Quartet no. 12 in E-flat, op. 127: III. Scherzo: Vivace | — | ||
| 5-8 | String Quartet no. 12 in E-flat, op. 127: IV. Allegro – Allegro comodo | — | ||
| 6-1 | String Quartet no. 15 in A minor, op. 132: I. Assai sostenuto – Allegro | — | ||
| 6-2 | String Quartet no. 15 in A minor, op. 132: II. Allegro ma non tanto | — | ||
| 6-3 | String Quartet no. 15 in A minor, op. 132: III. Heiliger Dankgesang eines Genesen an die Gottheit, in der lydischen Tonart: Molto adagio – Neue Kraft fühlend: Andante – Molto adagio – Andante – Molto adagio. Mit innigster Empfindung | — | ||
| 6-4 | String Quartet no. 15 in A minor, op. 132: IV. Alla marcia, assai vivace – Più allegro – | — | ||
| 6-5 | String Quartet no. 15 in A minor, op. 132: V. Allegro appassionato – Presto | — | ||
| 7-1 | String Quartet no. 13 in B-flat, op. 130: I. Adagio ma non troppo – Allegro | — | ||
| 7-2 | String Quartet no. 13 in B-flat, op. 130: II. Presto | — | ||
| 7-3 | String Quartet no. 13 in B-flat, op. 130: III. Andante con moto, ma non troppo Poco scherzoso | — | ||
| 7-4 | String Quartet no. 13 in B-flat, op. 130: IV. Alla danza tedesca: Allegro assai | — | ||
| 7-5 | String Quartet no. 13 in B-flat, op. 130: V. Cavatina: Adagio molto espressivo | — | ||
| 7-6 | Grosse Fuge, op. 133 | — | ||
| 8-1 | String Quartet no. 14 in C-sharp minor, op. 131: I. Adagio, ma non troppo e molto espressivo – | — | ||
| 8-2 | String Quartet no. 14 in C-sharp minor, op. 131: II. Allegro molto vivace – | — | ||
| 8-3 | String Quartet no. 14 in C-sharp minor, op. 131: III. Allegro moderato – Adagio | — | ||
| 8-4 | String Quartet no. 14 in C-sharp minor, op. 131: IV. Andante, ma non troppo e molto cantabile – Più mosso – Andante moderato e lusinghiero – Adagio – Allegretto – Adagio, ma non troppo e semplice – Allegretto – Adagio, ma non troppo e semplice – Allegretto | — | ||
| 8-5 | String Quartet no. 14 in C-sharp minor, op. 131: V. Presto – | — | ||
| 8-6 | String Quartet no. 14 in C-sharp minor, op. 131: VI. Adagio quasi un poco andante – | — | ||
| 8-7 | String Quartet no. 14 in C-sharp minor, op. 131: VII. Allegro | — | ||
| 8-8 | String Quartet no. 16 in F, op. 135: I. Allegretto | — | ||
| 8-9 | String Quartet no. 16 in F, op. 135: II. Vivace | — | ||
| 8-10 | String Quartet no. 16 in F, op. 135: III. Assai lento, cantante e tranquillo | — | ||
| 8-11 | String Quartet no. 16 in F, op. 135: IV. Der schwer gefasste Entschluss: Grave, ma non troppo tratto (“Muss es sein?”) – Allegro (“Es muss sein!”) | — | ||
| 8-12 | String Quartet no. 6 “Beethoveniana” | — |
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What is UPC 5065002149442?
5065002149442 is a Universal Product Code (UPC) assigned to The String Quartets: Live from Suntory Hall, Tokyo by Beethoven, Kuss Quartet. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 71 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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