UPC · Release
Rip the Calico
Paul Dooley
Last verified:
5099386034827 is the Universal Product Code (UPC barcode) for the release “Rip the Calico” by Paul Dooley, released 1996-01-01 on Not On Label (Paul Dooley (2) Self-released). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (11)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The March of the King of Laois | — | ||
| 2 | Mulhaire's, Rip the Calico, the Glass of Beer (Reels) | — | ||
| 3 | Anach Cuain (Slow Air) | — | ||
| 4 | Condon's Frolics, Garret Barry's, Eddie Kelly's (Jigs) | — | ||
| 5 | O'Carolan's Draught, John Doherty's Reel | — | ||
| 6 | The Raven's Wing (Slow Reel) | — | ||
| 7 | The Sweeper's Tune | — | ||
| 8 | Fear an Bhata (Slow Air), Captain O'Kane (O'Carolan) | — | ||
| 9 | The Clumsy Lover, the Otter's Holt, Marie's Wedding (Reels) | — | ||
| 10 | Jackson's (Slow Reel) | — | ||
| 11 | Inishowen, Pull the Knife and Stick It Again (Jigs) | — |
Credits Graph
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What is UPC 5099386034827?
5099386034827 is a Universal Product Code (UPC) assigned to Rip the Calico by Paul Dooley. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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