UPC · Release
Symphony No. 8
Mahler, Sweet, Coburn, Quivar, Fassbaender, Leech, Nimsgern, Estes, Konzertvereinigung Wiener Staatsopernchor, ORF-Chor, Arnold Schoenberg‐Chor, Wiener Sängerknaben, Wiener Philharmoniker, Lorin Maazel
5099704575421
32 tracksReleased 1992-01-01Sony Classical
Last verified:
5099704575421 is the Universal Product Code (UPC barcode) for the release “Symphony No. 8” by Mahler, Sweet, Coburn, Quivar, Fassbaender, Leech, Nimsgern, Estes, Konzertvereinigung Wiener Staatsopernchor, ORF-Chor, Arnold Schoenberg‐Chor, Wiener Sängerknaben, Wiener Philharmoniker, Lorin Maazel, released 1992-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC. Tracks include USSM18900614.
Format
509GS1 prefix
9704Company prefix
57542Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCSymphony No. 8
ISRC1 recording
Track List (32)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: I. Veni Creatur Spiritus! | Wiener Philharmoniker, Lorin Maazel | — | |
| 2 | Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 2. "Imple superna gratia" | — | ||
| 3 | Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 3. "Infirma nostri corporis" | — | ||
| 4 | Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 4. Tempo I. (Allegro, etwas hasig.) | — | ||
| 5 | Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 5. "Infirma nostri corporis" | — | ||
| 6 | Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 6. "Accende lumen sensibus" | — | ||
| 7 | Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 7. "Qui Paraclitus diceris" | — | ||
| 8 | Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 8. "Gloria Patri Domino" | — | ||
| 2-1 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 1. Poco adagio | — | ||
| 2-2 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 2. Più mosso. (Allegro moderato.) | — | ||
| 2-3 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 3. "Waldung, sie scheankt heran" | — | ||
| 2-4 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 4. "Ewiger Wonnebrand" | — | ||
| 2-5 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 5. "Wie Felsenabgrund mir zu Füßen" | — | ||
| 2-6 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 6. "Gerettet ist das edle Glied" | — | ||
| 2-7 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 7. "Jene Rosen, aus den Händen" | — | ||
| 2-8 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 8. "Uns bleibt ein Erdenrest" | — | ||
| 2-9 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 9. "Ich spür’ soeben" | — | ||
| 2-10 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 10. "Hier ist die Aussicht frei" | — | ||
| 2-11 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 11. "Höchste Herrscherin der Welt" | — | ||
| 2-12 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 12. "Jungfrau, rein im schönsten Sinne" | — | ||
| 2-13 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 13. Äußerst langsam. Adagissimo | — | ||
| 2-14 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 14. "Dir, der Unberührbaren" | — | ||
| 2-15 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 15. "Bei der Liebe, die den Füßen" | — | ||
| 2-16 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 16. "Bei dem Bronn, zu dem schon weiland" | — | ||
| 2-17 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 17. "Bei dem hochgeweihten Orte" | — | ||
| 2-18 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 18. "Die du großen Sünderinnen" | — | ||
| 2-19 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 19. "Neige, neige, du Ohnegleiche" | — | ||
| 2-20 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 20. "Er überwächst uns schon" | — | ||
| 2-21 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 21. "Vom edlen Geisterchor umgeben" | — | ||
| 2-22 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 22. "Komm! Komm! Hebe dich zu höheren Sphären!" | — | ||
| 2-23 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 23. "Blicket auf zum Retterblick" | — | ||
| 2-24 | Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 24. "Alles Vergängliche | — |
Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: I. Veni Creatur Spiritus!
Wiener Philharmoniker, Lorin Maazel
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 2. "Imple superna gratia"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 3. "Infirma nostri corporis"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 4. Tempo I. (Allegro, etwas hasig.)
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 5. "Infirma nostri corporis"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 6. "Accende lumen sensibus"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 7. "Qui Paraclitus diceris"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 8. "Gloria Patri Domino"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 1. Poco adagio
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 2. Più mosso. (Allegro moderato.)
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 3. "Waldung, sie scheankt heran"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 4. "Ewiger Wonnebrand"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 5. "Wie Felsenabgrund mir zu Füßen"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 6. "Gerettet ist das edle Glied"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 7. "Jene Rosen, aus den Händen"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 8. "Uns bleibt ein Erdenrest"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 9. "Ich spür’ soeben"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 10. "Hier ist die Aussicht frei"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 11. "Höchste Herrscherin der Welt"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 12. "Jungfrau, rein im schönsten Sinne"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 13. Äußerst langsam. Adagissimo
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 14. "Dir, der Unberührbaren"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 15. "Bei der Liebe, die den Füßen"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 16. "Bei dem Bronn, zu dem schon weiland"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 17. "Bei dem hochgeweihten Orte"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 18. "Die du großen Sünderinnen"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 19. "Neige, neige, du Ohnegleiche"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 20. "Er überwächst uns schon"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 21. "Vom edlen Geisterchor umgeben"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 22. "Komm! Komm! Hebe dich zu höheren Sphären!"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 23. "Blicket auf zum Retterblick"
—
Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 24. "Alles Vergängliche
—
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What is UPC 5099704575421?
5099704575421 is a Universal Product Code (UPC) assigned to Symphony No. 8 by Mahler, Sweet, Coburn, Quivar, Fassbaender, Leech, Nimsgern, Estes, Konzertvereinigung Wiener Staatsopernchor, ORF-Chor, Arnold Schoenberg‐Chor, Wiener Sängerknaben, Wiener Philharmoniker, Lorin Maazel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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