UPC · Release
The Recorded Legacy
Igor Stravinsky
5099704629025
395 tracksReleased 1991-01-01Sony Classical
Last verified:
5099704629025 is the Universal Product Code (UPC barcode) for the release “The Recorded Legacy” by Igor Stravinsky, released 1991-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 395 tracks, each with its own ISRC.
Format
509GS1 prefix
9704Company prefix
62902Product
5Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Recorded Legacy
IPI1 songwriter
Track List (395)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction | — | ||
| 2 | Kashchei's Enchanted Garden | — | ||
| 3 | The Firebird Appears, Pursued By Ivan Tsarevitch | — | ||
| 4 | Dance Of The Firebird | — | ||
| 5 | Ivan Tsarevitch Captures The Firebird | — | ||
| 6 | The Firebird's Entreaty | — | ||
| 7 | The Appearance Of The Thirteen Enchanted Princesses | — | ||
| 8 | The Princesses' Game With Apples Of Gold (Scherzo) | — | ||
| 9 | The Sudden Appearance Of Ivan Tsarevitch | — | ||
| 10 | The Princesses' Round | — | ||
| 11 | Dawn (Ivan Tsarevitch Enters Kashchei's Palace) | — | ||
| 12 | The Sound Of Enchanted Bells; Monsters Appear, Kashchei's Guards, And Take Ivan Tsarevitch Prisoner | — | ||
| 13 | The Arrival Of Kashchei The Immortal | — | ||
| 14 | Kashchei's Dialogue With Ivan Tsarevitch | — | ||
| 15 | The Princesses' Intercede | — | ||
| 16 | The Appearance Of The Firebird | — | ||
| 17 | Kashchei's Followers Dance Under The Firebird's Spell | — | ||
| 18 | Infernal Dance Of Kashchei's Subjects | — | ||
| 19 | Lullaby (The Firebird) | — | ||
| 20 | Kashchei Awakes | — | ||
| 21 | Death Of Kashchei - Profound Darkness | — | ||
| 22 | Kaschei's Spells Are Broken; His Palace Disappears, The Stone Knights Return To Life, Joy Reigns | — | ||
| 23 | Scherzo À La Russe | — | ||
| 24 | Scherzo Fantastique | — | ||
| 25 | Fireworks / Feuerwerk / Feu D'Artifice | — | ||
| 2-1 | I. The Shrove-tide Fair | — | ||
| 2-2 | II. The Crowds | — | ||
| 2-3 | III. The Charlatan's Booth | — | ||
| 2-4 | IV. Russian Dance | — | ||
| 2-5 | Petrushka's Room | — | ||
| 2-6 | I. The Moor's Room | — | ||
| 2-7 | II. Dance Of The Ballerina | — | ||
| 2-8 | III. Waltz (Ballerina And Moor) | — | ||
| 2-9 | I. The Shrove-tide Fair (Near Evening) | — | ||
| 2-10 | II. Dance Of The Wet Nurses | — | ||
| 2-11 | III. Dance Of The Peasant And The Bear | — | ||
| 2-12 | IV. Dance Of The Gipsy Girls | — | ||
| 2-13 | V. Dance Of The Coachmen And Grooms | — | ||
| 2-14 | VI. The Masqueraders | — | ||
| 2-15 | VII. Conclusion (Petrushka's Death) | — | ||
| 2-16 | Introduction (Lento) | — | ||
| 2-17 | The Augurs Of Spring (Dance Of The Young Girls) | — | ||
| 2-18 | Mock Abduction | — | ||
| 2-19 | Spring Round Dances | — | ||
| 2-20 | Games Of The Rival Tribes | — | ||
| 2-21 | Procession Of The Wise Elder | — | ||
| 2-22 | Adoration Of The Earth (The Wise Elder) | — | ||
| 2-23 | Dance Of The Earth | — | ||
| 2-24 | Introduction (Largo) | — | ||
| 2-25 | Mystical Circles Of The Young Girls | — | ||
| 2-26 | Glorification Of The Chosen Victim | — | ||
| 2-27 | Summoning Of The Ancestors | — | ||
| 2-28 | Ritual Of The Ancestors | — | ||
| 2-29 | Sacrificial Dance (The Chosen Victim) | — | ||
| 3-1 | Scene 1 - The Bride's Chamber | — | ||
| 3-2 | Scene 2 - At The Bridegroom's | — | ||
| 3-3 | Scene 3 - The Bride's Departure | — | ||
| 3-4 | Scene 4 - The Wedding Feast | — | ||
| 3-5 | Renard The Fox (A Burlesque Tale In Song And Dance) | — | ||
| 3-6 | The Soldier's March | — | ||
| 3-7 | Airs By A Stream | — | ||
| 3-8 | Pastorale | — | ||
| 3-9 | The Royal March | — | ||
| 3-10 | The Little Concert | — | ||
| 3-11 | Three Dances (Tango, Waltz, Ragtime) | — | ||
| 3-12 | The Devil's Dance | — | ||
| 3-13 | The Great Chorale | — | ||
| 3-14 | Triumphal March Of The Devil | — | ||
| 4-1 | The Birth Of Apollo: Largo - Allegro - Tempo I | — | ||
| 4-2 | Variation D'Apollon (Apollon Et Les Muses) | — | ||
| 4-3 | Pas D'Action (Apollon Et Les Trois Muses: Calliope, Polymnie Et Terpsichore): Moderato | — | ||
| 4-4 | Variation De Calliope (L'Alexandrin): Allegretto | — | ||
| 4-5 | Variation De Polymnie: Allegro | — | ||
| 4-6 | Variation De Terpsichore: Allegretto | — | ||
| 4-7 | Variation D'Apollon: Lento | — | ||
| 4-8 | Pas De Deux (Apollon Et Terpsichore): Adagio | — | ||
| 4-9 | Coda (Apollon Et Les Muses): Vivo - Tempo Sostenuto - Agitato | — | ||
| 4-10 | Apothéose: Largo Et Tranquillo | — | ||
| 4-11 | Pas De Quatre | — | ||
| 4-12 | Double Pas De Quatre | — | ||
| 4-13 | Triple Pas De Quatre | — | ||
| 4-14 | Prélude | — | ||
| 4-15 | Saraband Step | — | ||
| 4-16 | Gaillarde | — | ||
| 4-17 | Coda | — | ||
| 4-18 | Interlude | — | ||
| 4-19 | Bransle Simple | — | ||
| 4-20 | Bransle Gay | — | ||
| 4-21 | Bransle Double | — | ||
| 4-23 | Pas De Deux | — | ||
| 4-25 | Four Duos | — | ||
| 4-26 | Four Trios | — | ||
| 4-27 | First Deal | — | ||
| 4-28 | Second Deal | — | ||
| 4-29 | Third Deal | — | ||
| 5-2 | Danses (Corps De Ballet & Ballerine) | — | ||
| 5-3 | Pantomime | — | ||
| 5-6 | Variations: Danseur & Ballerine | — | ||
| 5-8 | Danses (Corps De Ballet) | — | ||
| 5-9 | Apothéose | — | ||
| 5-10 | Adagio | — | ||
| 5-11 | Variation I | — | ||
| 5-12 | Variation II | — | ||
| 5-14 | Prologue | — | ||
| 5-15 | A Village Fête | — | ||
| 5-16 | At The Mill | — | ||
| 5-19 | Variation | — | ||
| 5-21 | Scene | — | ||
| 5-22 | Épilogue: The Lullaby Of The Land Beyond Time And Place | — | ||
| 6-1 | Overture | — | ||
| 6-2 | Serenata | — | ||
| 6-3 | Scherzino | — | ||
| 6-4 | Tarantella | — | ||
| 6-5 | Gavotte With Two Variations | — | ||
| 6-6 | Orphée | — | ||
| 6-7 | Air De Danse | — | ||
| 6-8 | Dance Of The Angel Of Death | — | ||
| 6-10 | The Furies | — | ||
| 6-11 | Air De Danse - Interlude - Air De Danse | — | ||
| 6-12 | Pas D'Action | — | ||
| 6-16 | Apothéose D'Orphée | — | ||
| 7-10 | V. Dance Of The Coachmen | — | ||
| 7-12 | I. Sinfonia (Ouverture) | — | ||
| 7-13 | II. Serenata | — | ||
| 7-14 | III.(a) Scherzino | — | ||
| 7-15 | III.(b) Allegro | — | ||
| 7-16 | III.(c) Andantino | — | ||
| 7-17 | IV.Tarantella | — | ||
| 7-18 | V. Toccata | — | ||
| 7-19 | VI. Gavotta Con Due Variazioni | — | ||
| 7-20 | VII. Vivo (Duetto) | — | ||
| 7-21 | VIII.(a) Minuetto | — | ||
| 7-22 | VIII.(b) Finale | — | ||
| 7-24 | Prelude And Dance Of The Firebird | — | ||
| 7-25 | Variations (The Firebird) | — | ||
| 7-26 | Pantomime I | — | ||
| 7-27 | Pas De Deux (The Firebird And Ivan Tsarevitch) | — | ||
| 7-28 | Pantomime II | — | ||
| 7-29 | Scherzo. Dance Of The Princesses | — | ||
| 7-30 | Pantomime III | — | ||
| 7-31 | Rondo (Corovod) | — | ||
| 7-32 | Infernal Dance | — | ||
| 7-34 | Final Hymn | — | ||
| 8-1 | I. Allegro Moderato | — | ||
| 8-2 | II. Scherzo. Allegretto | — | ||
| 8-3 | III. Largo | — | ||
| 8-4 | IV. Finale. Allegro Molto | — | ||
| 8-5 | Apollo | — | ||
| 8-6 | Sleeping Beauty | — | ||
| 8-7 | Recollections Of My Childhood | — | ||
| 8-8 | Pulcinella | — | ||
| 8-9 | Piano Concerto | — | ||
| 8-10 | Symphony In C | — | ||
| 8-11 | Stravinsky In His Own Words | — | ||
| 9-1 | I. Overture. Allegro | — | ||
| 9-2 | II. Andante - Interlude: L'Istesso Tempo | — | ||
| 9-3 | III. Con Moto | — | ||
| 9-4 | I. Moderato Alla Breve | — | ||
| 9-5 | II. Larghetto Concertante | — | ||
| 9-6 | III. Allegretto | — | ||
| 9-7 | IV. Largo - Tempo Giusto, Alla Breve | — | ||
| 9-8 | Part I | — | ||
| 9-9 | Part II | — | ||
| 9-10 | Part III | — | ||
| 10-1 | I. Largo. Allegro - Maestoso | — | ||
| 10-2 | II. Largo | — | ||
| 10-3 | III. Allegro | — | ||
| 10-4 | I. ♪ = 110 | — | ||
| 10-5 | II. ♪ = 52 | — | ||
| 10-6 | III. ♪ = 72 | — | ||
| 10-7 | IV. ♪ = 80 | — | ||
| 10-8 | V. ♪ = 104 | — | ||
| 10-9 | I. Presto | — | ||
| 10-10 | II. Andante Rapsodico | — | ||
| 10-11 | III. Allegro Capriccioso Ma Tempo Giusto | — | ||
| 10-12 | I. Toccata | — | ||
| 10-13 | II. Aria I | — | ||
| 10-14 | III. Aria II | — | ||
| 10-15 | IV. Capriccio | — | ||
| 11-1 | Greeting Prelude | — | ||
| 11-2 | I. Andante | — | ||
| 11-3 | II. Napolitana | — | ||
| 11-4 | III. Española | — | ||
| 11-5 | IV. Balalaika | — | ||
| 11-6 | I. Marche | — | ||
| 11-7 | II. Valse | — | ||
| 11-8 | III. Polka | — | ||
| 11-9 | IV. Galop | — | ||
| 11-10 | I. Tempo Giusto | — | ||
| 11-11 | II. Allegretto | — | ||
| 11-13 | I. Intrada | — | ||
| 11-14 | II. Song | — | ||
| 11-15 | III. Wedding Dance | — | ||
| 11-16 | IV. Cortège | — | ||
| 11-17 | Circus Polka - Composed For A Young Elephant | — | ||
| 11-18 | I. Vivace | — | ||
| 11-19 | II. Arioso. Andantino | — | ||
| 11-20 | III. Rondo. Allegro | — | ||
| 11-21 | I. Andantino | — | ||
| 11-22 | II. Vivace | — | ||
| 11-23 | III. Lento | — | ||
| 11-24 | IV. Allegretto | — | ||
| 11-25 | V. Moderato Alla Breve | — | ||
| 11-26 | VI. Tempo Di Marcia | — | ||
| 11-27 | VII. Larghetto | — | ||
| 11-28 | VIII. Tempo Di Tango | — | ||
| 11-29 | I. Danse | — | ||
| 11-30 | II. Excentrique | — | ||
| 11-31 | III. Cantique | — | ||
| 11-32 | IV. Madrid | — | ||
| 12-1 | Preludium For Jazz Ensemble | — | ||
| 12-2 | Concertino For 12 Instruments | — | ||
| 12-3 | I. Sinfonia | — | ||
| 12-4 | II. Tema Con Variazioni | — | ||
| 12-5 | III. Finale | — | ||
| 12-6 | Ragtime For 11 Instruments | — | ||
| 12-7 | Tango (New Orchestration, 1953) | — | ||
| 12-8 | I. ♪ = 88 | — | ||
| 12-9 | II. Passacaglia | — | ||
| 12-10 | III. Gigue | — | ||
| 12-11 | Pastorale - Song Without Words (1933 Version) | — | ||
| 12-13 | II. Andante | — | ||
| 12-14 | III. Moderato; Con Moto | — | ||
| 12-15 | Symphonies Of Wind Instruments (Revised Version, 1947) | — | ||
| 13-1 | I. Cantilène | — | ||
| 13-2 | II. Eclogue I | — | ||
| 13-3 | III. Eclogue II | — | ||
| 13-4 | IV. Gigue | — | ||
| 13-5 | V. Dithyrambe | — | ||
| 13-6 | I. Hymne | — | ||
| 13-7 | II. Romanza | — | ||
| 13-8 | III. Rondoletto | — | ||
| 13-9 | IV. Cadenza Finale | — | ||
| 13-10 | I. Con Moto | — | ||
| 13-11 | II. Notturno. Adagietto | — | ||
| 13-12 | III. Quattro Variazioni | — | ||
| 13-13 | IV. Preludio E Fuga | — | ||
| 13-14 | Piano-Rag Music | — | ||
| 13-15 | I. Moderato | — | ||
| 13-16 | II. Theme With Variations | — | ||
| 13-18 | I. ♪ = 112 | — | ||
| 13-19 | II. Adagietto | — | ||
| 13-20 | III. ♪ = 112 | — | ||
| 14-2 | Entr'acte: Breezes | — | ||
| 14-3 | Chinese March | — | ||
| 14-4 | Song Of The Nightingale | — | ||
| 14-5 | The Courtiers | — | ||
| 14-6 | Three Japanese Envoys | — | ||
| 14-7 | Performance Of The Mechanical Nightingale | — | ||
| 14-8 | Conclusion, Larghetto | — | ||
| 14-10 | A Room In The Palace Of The Emperor | — | ||
| 14-11 | The Return Of The Nightingale | — | ||
| 14-12 | Solemn Procession | — | ||
| 14-13 | The Emperor's Recovery | — | ||
| 14-14 | Mavra - Opera Buffa In One Act After Pushkin | — | ||
| 15-1 | I. The Shepherdess | — | ||
| 15-2 | II. The Faun | — | ||
| 15-3 | III. The Torrent | — | ||
| 15-4 | The White Moon Shines In The Woods | — | ||
| 15-5 | Sleep | — | ||
| 15-6 | I. The Flower | — | ||
| 15-7 | II. The Dove | — | ||
| 15-8 | I. Akahito | — | ||
| 15-9 | II. Mazatsumi | — | ||
| 15-10 | III. Tsaraiuki | — | ||
| 15-11 | I. The Magpie | — | ||
| 15-12 | II. The Rook | — | ||
| 15-13 | III. The Jackdaw | — | ||
| 15-14 | I. Uncle Armand | — | ||
| 15-15 | II. The Oven | — | ||
| 15-16 | III. The Colonel | — | ||
| 15-17 | IV. The Old Man And The Hare | — | ||
| 15-18 | I. On The Stove | — | ||
| 15-19 | II. At Home | — | ||
| 15-20 | III. Bye Bye | — | ||
| 15-21 | IV. The Cat Has... | — | ||
| 15-22 | I. On Saints' Days In Chigisakh | — | ||
| 15-23 | II. Ovsen | — | ||
| 15-24 | III. The Pik | — | ||
| 15-25 | IV. Master Portly | — | ||
| 15-26 | I. The Drake | — | ||
| 15-27 | II. A Russian Spiritual | — | ||
| 15-28 | III. Geese And Swans | — | ||
| 15-29 | IV. Tilim-bom | — | ||
| 15-30 | I. Music To Hear | — | ||
| 15-31 | II. Full Fathom Five | — | ||
| 15-32 | III. When Daisies Pied | — | ||
| 15-33 | Dirge-Canons | — | ||
| 15-34 | Do Not Go Gentle Into That Good Night | — | ||
| 15-35 | Dirge-Canons (Postlude) | — | ||
| 15-36 | Elegy For J.F.K. | — | ||
| 15-37 | The Owl And The Pussy-Cat | — | ||
| 15-38 | Tilim-bom / Klabum-klabam - A Story For Children | — | ||
| 16-2 | "The Woods Are Green" | — | ||
| 16-3 | "Here I Stand" | — | ||
| 16-4 | "Tom Rakewell?" | — | ||
| 16-5 | "Farewell For Now" | — | ||
| 16-6 | "With Air Commanding" | — | ||
| 16-7 | "Come, Tom" | — | ||
| 16-8 | "Love Too Frequently Betrayed" (Cavatina) | — | ||
| 16-9 | "The Sun Is Bright" | — | ||
| 16-10 | "No Word From Tom." | — | ||
| 16-11 | "I Go To Him." (Cabaletta) | — | ||
| 16-12 | "Vary The Song, O London, Change!" | — | ||
| 16-13 | "Master, Are You Alone?" | — | ||
| 16-14 | "My Tale Shall Be Told" | — | ||
| 16-15 | "How Strange!" | — | ||
| 16-16 | "Anne! Here!" (Duet) | — | ||
| 16-17 | "Could It Then Have Been Known" (Trio) | — | ||
| 17-1 | "As I Was Saying" | — | ||
| 17-2 | "You! O Nick, I've Had The Strangest Dream" | — | ||
| 17-3 | "What Curious Phenomena..." | — | ||
| 17-4 | "Aha!" | — | ||
| 17-5 | "Sold! Annoyed! I've Caught You! Thieving!" | — | ||
| 17-6 | "I Go To Him." | — | ||
| 17-8 | "How Dark And Dreadful Is This Place." | — | ||
| 17-9 | "Very Well, Then, My Dear" | — | ||
| 17-10 | "I Burn! I Freeze!" | — | ||
| 17-11 | "Prepare Yourselves, Heroic Shades." | — | ||
| 17-12 | "There He Is. Have No Fear. He Is Not Dangerous." | — | ||
| 17-13 | "Gently, Little Boat" (Lullaby) | — | ||
| 17-14 | "Where Art Thou, Venus?" | — | ||
| 17-15 | Epilogue "Good People, Just A Moment:" | — | ||
| 18-1 | Prologue - Acte I | — | ||
| 18-2 | Acte II | — | ||
| 18-4 | Melodrama | — | ||
| 18-5 | The Building Of The Ark (Choreography) | — | ||
| 18-6 | The Catalogue Of The Animals | — | ||
| 18-7 | The Comedy (Noah And His Wife) | — | ||
| 18-8 | The Flood (Choreography) | — | ||
| 18-9 | The Covenant Of The Rainbow | — | ||
| 19-1 | I. Persephone Abducted | — | ||
| 19-2 | II. Persephone In The Underworld | — | ||
| 19-3 | III. Persephone Restored | — | ||
| 19-4 | I. Eulogy | — | ||
| 19-5 | II. Eclogue | — | ||
| 19-6 | III. Epitaph | — | ||
| 19-7 | I. Asciugate I Begli Occhi Madrigale XIV, Libro Quinto | — | ||
| 19-8 | II. Ma Tu, Cagion Di Quella Madrigale XVIII, Libro Quinto | — | ||
| 19-9 | III. Belta Poi Che T'Assenti Madigale II, Libro Sesto | — | ||
| 20-1 | Choral | — | ||
| 20-2 | Variation I (In Canone All'Ottava) | — | ||
| 20-3 | Variation II (Alio Modo Canone Alla Quinta) | — | ||
| 20-4 | Variation III (In Canone Alla Settima) | — | ||
| 20-5 | Variation IV (In Canone All'Ottava Per Augmentationem) | — | ||
| 20-6 | Variation V (L'Altra Sorte Del Canone Al Rovescio) | — | ||
| 20-7 | Zvezdoliki - The Star-Faced One | — | ||
| 20-8 | Ave Maria (Revised Version, 1949) | — | ||
| 20-9 | Credo (Revised Version, 1964) | — | ||
| 20-10 | Pater Noster (Revised Version, 1949) | — | ||
| 20-11 | A Lyke-Wake Dirge (Versus I. Prelude) | — | ||
| 20-12 | Ricercar I (Soprano) The Maidens Came | — | ||
| 20-13 | A Lyke-Wake Dirge (Versus II. 1st Interlude) | — | ||
| 20-14 | Ricercar II (Tenor) Tomorrow Shall Be (Sacred History) | — | ||
| 20-15 | A Lyke-Wake Dirge (Versus III. 2nd Interlude) | — | ||
| 20-16 | Westron Wind (Soprano And Tenor) | — | ||
| 20-17 | A Lyke-Wake Dirge (Versus IV. Postlude) | — | ||
| 20-18 | Kyrie | — | ||
| 20-19 | Gloria | — | ||
| 20-20 | Credo | — | ||
| 20-21 | Sanctus | — | ||
| 20-22 | Agnus Dei | — | ||
| 20-23 | Babel | — | ||
| 21-1 | Dedicatio | — | ||
| 21-2 | I. Euntes In Mundum | — | ||
| 21-3 | II. Surge, Aquilo | — | ||
| 21-4 | III. Ad Tres Virtutes Hortationes (Caritas, Spes, Fides) | — | ||
| 21-5 | IV. Jesus Autem Ait Illi | — | ||
| 21-6 | V. Illi Autem Profecti | — | ||
| 21-7 | Introitus - T. S. Elliot In Memoriam | — | ||
| 21-8 | I. A Sermon (From St. Paul) | — | ||
| 21-9 | II. A Narrative. The Stoning Of St. Stephen (Acts VI-VII) | — | ||
| 21-10 | III. A Prayer (From Thomas Dekker) | — | ||
| 21-11 | Anthem (The Dove Descending Breaks The Air) | — | ||
| 21-12 | Incipit | — | ||
| 21-13 | De Elegia Prima | — | ||
| 21-14 | I. Querimonia | — | ||
| 21-15 | II. Sensus Spei | — | ||
| 21-16 | III. Solacium | — | ||
| 21-17 | De Elegia Quinta. Oratio Jeremiae Prophetae | — | ||
| 22-1 | Song Of The Nightingale - Symphonic Poem For Orchestra | — | ||
| 22-2 | Danses concertantes (for Orchestra) | — | ||
| 22-3 | Epitaphium For The Tombstone Of Prince Max Egon Zu Fürstenberg | — | ||
| 22-4 | Double Canon For String Quartet - Raoul Dufy In Memoriam | — | ||
| 22-5 | Abraham And Isaac - Sacred Ballad For Baritone And Chamber Orchestra | — | ||
| 22-6 | Variations - Aldous Huxley In Memoriam | — | ||
| 22-7 | I. Prelude | — | ||
| 22-8 | II. Exaudi | — | ||
| 22-9 | III. Dies Irae | — | ||
| 22-10 | IV. Tuba Mirum | — | ||
| 22-11 | V. Interlude | — | ||
| 22-12 | VI. Rex Tremendae | — | ||
| 22-13 | VII. Lacrimosa | — | ||
| 22-14 | VIII. Libera Me | — | ||
| 22-15 | IX. Postlude | — |
Introduction
—
Kashchei's Enchanted Garden
—
The Firebird Appears, Pursued By Ivan Tsarevitch
—
Dance Of The Firebird
—
Ivan Tsarevitch Captures The Firebird
—
The Firebird's Entreaty
—
The Appearance Of The Thirteen Enchanted Princesses
—
The Princesses' Game With Apples Of Gold (Scherzo)
—
The Sudden Appearance Of Ivan Tsarevitch
—
The Princesses' Round
—
Dawn (Ivan Tsarevitch Enters Kashchei's Palace)
—
The Sound Of Enchanted Bells; Monsters Appear, Kashchei's Guards, And Take Ivan Tsarevitch Prisoner
—
The Arrival Of Kashchei The Immortal
—
Kashchei's Dialogue With Ivan Tsarevitch
—
The Princesses' Intercede
—
The Appearance Of The Firebird
—
Kashchei's Followers Dance Under The Firebird's Spell
—
Infernal Dance Of Kashchei's Subjects
—
Lullaby (The Firebird)
—
Kashchei Awakes
—
Death Of Kashchei - Profound Darkness
—
Kaschei's Spells Are Broken; His Palace Disappears, The Stone Knights Return To Life, Joy Reigns
—
Scherzo À La Russe
—
Scherzo Fantastique
—
Fireworks / Feuerwerk / Feu D'Artifice
—
I. The Shrove-tide Fair
—
II. The Crowds
—
III. The Charlatan's Booth
—
IV. Russian Dance
—
Petrushka's Room
—
I. The Moor's Room
—
II. Dance Of The Ballerina
—
III. Waltz (Ballerina And Moor)
—
I. The Shrove-tide Fair (Near Evening)
—
II. Dance Of The Wet Nurses
—
III. Dance Of The Peasant And The Bear
—
IV. Dance Of The Gipsy Girls
—
V. Dance Of The Coachmen And Grooms
—
VI. The Masqueraders
—
VII. Conclusion (Petrushka's Death)
—
Introduction (Lento)
—
The Augurs Of Spring (Dance Of The Young Girls)
—
Mock Abduction
—
Spring Round Dances
—
Games Of The Rival Tribes
—
Procession Of The Wise Elder
—
Adoration Of The Earth (The Wise Elder)
—
Dance Of The Earth
—
Introduction (Largo)
—
Mystical Circles Of The Young Girls
—
Glorification Of The Chosen Victim
—
Summoning Of The Ancestors
—
Ritual Of The Ancestors
—
Sacrificial Dance (The Chosen Victim)
—
Scene 1 - The Bride's Chamber
—
Scene 2 - At The Bridegroom's
—
Scene 3 - The Bride's Departure
—
Scene 4 - The Wedding Feast
—
Renard The Fox (A Burlesque Tale In Song And Dance)
—
The Soldier's March
—
Airs By A Stream
—
Pastorale
—
The Royal March
—
The Little Concert
—
Three Dances (Tango, Waltz, Ragtime)
—
The Devil's Dance
—
The Great Chorale
—
Triumphal March Of The Devil
—
The Birth Of Apollo: Largo - Allegro - Tempo I
—
Variation D'Apollon (Apollon Et Les Muses)
—
Pas D'Action (Apollon Et Les Trois Muses: Calliope, Polymnie Et Terpsichore): Moderato
—
Variation De Calliope (L'Alexandrin): Allegretto
—
Variation De Polymnie: Allegro
—
Variation De Terpsichore: Allegretto
—
Variation D'Apollon: Lento
—
Pas De Deux (Apollon Et Terpsichore): Adagio
—
Coda (Apollon Et Les Muses): Vivo - Tempo Sostenuto - Agitato
—
Apothéose: Largo Et Tranquillo
—
Pas De Quatre
—
Double Pas De Quatre
—
Triple Pas De Quatre
—
Prélude
—
Saraband Step
—
Gaillarde
—
Coda
—
Interlude
—
Bransle Simple
—
Bransle Gay
—
Bransle Double
—
Pas De Deux
—
Four Duos
—
Four Trios
—
First Deal
—
Second Deal
—
Third Deal
—
Danses (Corps De Ballet & Ballerine)
—
Pantomime
—
Variations: Danseur & Ballerine
—
Danses (Corps De Ballet)
—
Apothéose
—
Adagio
—
Variation I
—
Variation II
—
Prologue
—
A Village Fête
—
At The Mill
—
Variation
—
Scene
—
Épilogue: The Lullaby Of The Land Beyond Time And Place
—
Overture
—
Serenata
—
Scherzino
—
Tarantella
—
Gavotte With Two Variations
—
Orphée
—
Air De Danse
—
Dance Of The Angel Of Death
—
The Furies
—
Air De Danse - Interlude - Air De Danse
—
Pas D'Action
—
Apothéose D'Orphée
—
V. Dance Of The Coachmen
—
I. Sinfonia (Ouverture)
—
II. Serenata
—
III.(a) Scherzino
—
III.(b) Allegro
—
III.(c) Andantino
—
IV.Tarantella
—
V. Toccata
—
VI. Gavotta Con Due Variazioni
—
VII. Vivo (Duetto)
—
VIII.(a) Minuetto
—
VIII.(b) Finale
—
Prelude And Dance Of The Firebird
—
Variations (The Firebird)
—
Pantomime I
—
Pas De Deux (The Firebird And Ivan Tsarevitch)
—
Pantomime II
—
Scherzo. Dance Of The Princesses
—
Pantomime III
—
Rondo (Corovod)
—
Infernal Dance
—
Final Hymn
—
I. Allegro Moderato
—
II. Scherzo. Allegretto
—
III. Largo
—
IV. Finale. Allegro Molto
—
Apollo
—
Sleeping Beauty
—
Recollections Of My Childhood
—
Pulcinella
—
Piano Concerto
—
Symphony In C
—
Stravinsky In His Own Words
—
I. Overture. Allegro
—
II. Andante - Interlude: L'Istesso Tempo
—
III. Con Moto
—
I. Moderato Alla Breve
—
II. Larghetto Concertante
—
III. Allegretto
—
IV. Largo - Tempo Giusto, Alla Breve
—
Part I
—
Part II
—
Part III
—
I. Largo. Allegro - Maestoso
—
II. Largo
—
III. Allegro
—
I. ♪ = 110
—
II. ♪ = 52
—
III. ♪ = 72
—
IV. ♪ = 80
—
V. ♪ = 104
—
I. Presto
—
II. Andante Rapsodico
—
III. Allegro Capriccioso Ma Tempo Giusto
—
I. Toccata
—
II. Aria I
—
III. Aria II
—
IV. Capriccio
—
Greeting Prelude
—
I. Andante
—
II. Napolitana
—
III. Española
—
IV. Balalaika
—
I. Marche
—
II. Valse
—
III. Polka
—
IV. Galop
—
I. Tempo Giusto
—
II. Allegretto
—
I. Intrada
—
II. Song
—
III. Wedding Dance
—
IV. Cortège
—
Circus Polka - Composed For A Young Elephant
—
I. Vivace
—
II. Arioso. Andantino
—
III. Rondo. Allegro
—
I. Andantino
—
II. Vivace
—
III. Lento
—
IV. Allegretto
—
V. Moderato Alla Breve
—
VI. Tempo Di Marcia
—
VII. Larghetto
—
VIII. Tempo Di Tango
—
I. Danse
—
II. Excentrique
—
III. Cantique
—
IV. Madrid
—
Preludium For Jazz Ensemble
—
Concertino For 12 Instruments
—
I. Sinfonia
—
II. Tema Con Variazioni
—
III. Finale
—
Ragtime For 11 Instruments
—
Tango (New Orchestration, 1953)
—
I. ♪ = 88
—
II. Passacaglia
—
III. Gigue
—
Pastorale - Song Without Words (1933 Version)
—
II. Andante
—
III. Moderato; Con Moto
—
Symphonies Of Wind Instruments (Revised Version, 1947)
—
I. Cantilène
—
II. Eclogue I
—
III. Eclogue II
—
IV. Gigue
—
V. Dithyrambe
—
I. Hymne
—
II. Romanza
—
III. Rondoletto
—
IV. Cadenza Finale
—
I. Con Moto
—
II. Notturno. Adagietto
—
III. Quattro Variazioni
—
IV. Preludio E Fuga
—
Piano-Rag Music
—
I. Moderato
—
II. Theme With Variations
—
I. ♪ = 112
—
II. Adagietto
—
III. ♪ = 112
—
Entr'acte: Breezes
—
Chinese March
—
Song Of The Nightingale
—
The Courtiers
—
Three Japanese Envoys
—
Performance Of The Mechanical Nightingale
—
Conclusion, Larghetto
—
A Room In The Palace Of The Emperor
—
The Return Of The Nightingale
—
Solemn Procession
—
The Emperor's Recovery
—
Mavra - Opera Buffa In One Act After Pushkin
—
I. The Shepherdess
—
II. The Faun
—
III. The Torrent
—
The White Moon Shines In The Woods
—
Sleep
—
I. The Flower
—
II. The Dove
—
I. Akahito
—
II. Mazatsumi
—
III. Tsaraiuki
—
I. The Magpie
—
II. The Rook
—
III. The Jackdaw
—
I. Uncle Armand
—
II. The Oven
—
III. The Colonel
—
IV. The Old Man And The Hare
—
I. On The Stove
—
II. At Home
—
III. Bye Bye
—
IV. The Cat Has...
—
I. On Saints' Days In Chigisakh
—
II. Ovsen
—
III. The Pik
—
IV. Master Portly
—
I. The Drake
—
II. A Russian Spiritual
—
III. Geese And Swans
—
IV. Tilim-bom
—
I. Music To Hear
—
II. Full Fathom Five
—
III. When Daisies Pied
—
Dirge-Canons
—
Do Not Go Gentle Into That Good Night
—
Dirge-Canons (Postlude)
—
Elegy For J.F.K.
—
The Owl And The Pussy-Cat
—
Tilim-bom / Klabum-klabam - A Story For Children
—
"The Woods Are Green"
—
"Here I Stand"
—
"Tom Rakewell?"
—
"Farewell For Now"
—
"With Air Commanding"
—
"Come, Tom"
—
"Love Too Frequently Betrayed" (Cavatina)
—
"The Sun Is Bright"
—
"No Word From Tom."
—
"I Go To Him." (Cabaletta)
—
"Vary The Song, O London, Change!"
—
"Master, Are You Alone?"
—
"My Tale Shall Be Told"
—
"How Strange!"
—
"Anne! Here!" (Duet)
—
"Could It Then Have Been Known" (Trio)
—
"As I Was Saying"
—
"You! O Nick, I've Had The Strangest Dream"
—
"What Curious Phenomena..."
—
"Aha!"
—
"Sold! Annoyed! I've Caught You! Thieving!"
—
"I Go To Him."
—
"How Dark And Dreadful Is This Place."
—
"Very Well, Then, My Dear"
—
"I Burn! I Freeze!"
—
"Prepare Yourselves, Heroic Shades."
—
"There He Is. Have No Fear. He Is Not Dangerous."
—
"Gently, Little Boat" (Lullaby)
—
"Where Art Thou, Venus?"
—
Epilogue "Good People, Just A Moment:"
—
Prologue - Acte I
—
Acte II
—
Melodrama
—
The Building Of The Ark (Choreography)
—
The Catalogue Of The Animals
—
The Comedy (Noah And His Wife)
—
The Flood (Choreography)
—
The Covenant Of The Rainbow
—
I. Persephone Abducted
—
II. Persephone In The Underworld
—
III. Persephone Restored
—
I. Eulogy
—
II. Eclogue
—
III. Epitaph
—
I. Asciugate I Begli Occhi Madrigale XIV, Libro Quinto
—
II. Ma Tu, Cagion Di Quella Madrigale XVIII, Libro Quinto
—
III. Belta Poi Che T'Assenti Madigale II, Libro Sesto
—
Choral
—
Variation I (In Canone All'Ottava)
—
Variation II (Alio Modo Canone Alla Quinta)
—
Variation III (In Canone Alla Settima)
—
Variation IV (In Canone All'Ottava Per Augmentationem)
—
Variation V (L'Altra Sorte Del Canone Al Rovescio)
—
Zvezdoliki - The Star-Faced One
—
Ave Maria (Revised Version, 1949)
—
Credo (Revised Version, 1964)
—
Pater Noster (Revised Version, 1949)
—
A Lyke-Wake Dirge (Versus I. Prelude)
—
Ricercar I (Soprano) The Maidens Came
—
A Lyke-Wake Dirge (Versus II. 1st Interlude)
—
Ricercar II (Tenor) Tomorrow Shall Be (Sacred History)
—
A Lyke-Wake Dirge (Versus III. 2nd Interlude)
—
Westron Wind (Soprano And Tenor)
—
A Lyke-Wake Dirge (Versus IV. Postlude)
—
Kyrie
—
Gloria
—
Credo
—
Sanctus
—
Agnus Dei
—
Babel
—
Dedicatio
—
I. Euntes In Mundum
—
II. Surge, Aquilo
—
III. Ad Tres Virtutes Hortationes (Caritas, Spes, Fides)
—
IV. Jesus Autem Ait Illi
—
V. Illi Autem Profecti
—
Introitus - T. S. Elliot In Memoriam
—
I. A Sermon (From St. Paul)
—
II. A Narrative. The Stoning Of St. Stephen (Acts VI-VII)
—
III. A Prayer (From Thomas Dekker)
—
Anthem (The Dove Descending Breaks The Air)
—
Incipit
—
De Elegia Prima
—
I. Querimonia
—
II. Sensus Spei
—
III. Solacium
—
De Elegia Quinta. Oratio Jeremiae Prophetae
—
Song Of The Nightingale - Symphonic Poem For Orchestra
—
Danses concertantes (for Orchestra)
—
Epitaphium For The Tombstone Of Prince Max Egon Zu Fürstenberg
—
Double Canon For String Quartet - Raoul Dufy In Memoriam
—
Abraham And Isaac - Sacred Ballad For Baritone And Chamber Orchestra
—
Variations - Aldous Huxley In Memoriam
—
I. Prelude
—
II. Exaudi
—
III. Dies Irae
—
IV. Tuba Mirum
—
V. Interlude
—
VI. Rex Tremendae
—
VII. Lacrimosa
—
VIII. Libera Me
—
IX. Postlude
—
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 5099704629025?
5099704629025 is a Universal Product Code (UPC) assigned to The Recorded Legacy by Igor Stravinsky. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 395 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm