UPC · Release
Sacred Works
Igor Stravinsky
5099704630120
20 tracksReleased 1991-01-01Sony Classical
Last verified:
5099704630120 is the Universal Product Code (UPC barcode) for the release “Sacred Works” by Igor Stravinsky, released 1991-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include USSM16301161, USSM16301162, USSM16301163.
Format
509GS1 prefix
9704Company prefix
63012Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCSacred Works
ISRC20 recordings
ISWC2 works
IPI1 songwriter
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chorale Variations: Choral | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 2 | Chorale Variations: Variation I (In canone all'Ottava) | CBC Symphony Orchestra, Igor Stravinsky | — | |
| 3 | Chorale Variations: Variation II (Alio modo canone alla Quinta) | Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 4 | Chorale Variations: Variation III (In canone alla Settima) | Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 5 | Chorale Variations: Variation IV (In canone all'Ottava per | Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 6 | Chorale Variations: Variation V (L'altra sorte del canone al | Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 7 | Zvezdoliki | Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — | |
| 11 | Cantata: A Lyke-Wake Dirge (Versus I. Prelude) | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 12 | Cantata: Ricercar I (Soprano) The Maidens Came | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 13 | Cantata: A Lyke-Wake Dirge (Versus II. 1st Interlude) | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 14 | Cantata: Ricercar II (Tenor) Tomorrow Shall Be (Sacred History) | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 15 | Cantata: A Lyke-Wake Dirge (Versus III. 2nd Interlude) | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 16 | Cantata: Westron Wind (Soprano and Tenor) | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 17 | Cantata: A Lyke-Wake Dirge (Versus IV. Postlude) | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | — | |
| 18 | Mass: Kyrie | Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky | — | |
| 19 | Mass: Gloria | Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky | — | |
| 20 | Mass: Credo | Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky | — | |
| 21 | Mass: Sanctus | Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky | — | |
| 22 | Mass: Agnus Dei | Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky | — | |
| 23 | Babel | Elmer Iseler, John Calicos, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky | — |
Chorale Variations: Choral
CBC Symphony Orchestra, Igor Stravinsky
—
Chorale Variations: Variation I (In canone all'Ottava)
CBC Symphony Orchestra, Igor Stravinsky
—
Chorale Variations: Variation II (Alio modo canone alla Quinta)
Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky
—
Chorale Variations: Variation III (In canone alla Settima)
Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky
—
Chorale Variations: Variation IV (In canone all'Ottava per
Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky
—
Chorale Variations: Variation V (L'altra sorte del canone al
Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky
—
Zvezdoliki
Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky
—
Cantata: A Lyke-Wake Dirge (Versus I. Prelude)
Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
—
Cantata: Ricercar I (Soprano) The Maidens Came
Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
—
Cantata: A Lyke-Wake Dirge (Versus II. 1st Interlude)
Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
—
Cantata: Ricercar II (Tenor) Tomorrow Shall Be (Sacred History)
Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
—
Cantata: A Lyke-Wake Dirge (Versus III. 2nd Interlude)
Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
—
Cantata: Westron Wind (Soprano and Tenor)
Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
—
Cantata: A Lyke-Wake Dirge (Versus IV. Postlude)
Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
—
Mass: Kyrie
Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky
—
Mass: Gloria
Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky
—
Mass: Credo
Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky
—
Mass: Sanctus
Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky
—
Mass: Agnus Dei
Gregg Smith, Gregg Smith Singers, Columbia Symphony Winds & Brass, Igor Stravinsky
—
Babel
Elmer Iseler, John Calicos, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky
—
Additional database matches (18)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Threni: De Elegia Tertia | Hugh Ross, Bethany Beardslee, Beatrice Krebs, William Lewis, Mac Morgan, Robert Oliver, The Schola Cantorum, James Wainner, Columbia Symphony Orchestra, Igor Stravinsky | — |
| Canticum Sacrum: Dedicatio | Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — |
| Canticum Sacrum: I. Euntes in mundum | Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — |
| Canticum Sacrum: II. Surge, aquilo | Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — |
| Canticum Sacrum: III. Ad tres virtutes hortationes | Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — |
| Canticum Sacrum: IV. Jesus autem ait illi | Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — |
| Canticum Sacrum: V. Illi autem profecti | Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky | — |
| Threni: Incipit | Hugh Ross, Bethany Beardslee, Beatrice Krebs, William Lewis, Mac Morgan, Robert Oliver, The Schola Cantorum, James Wainner, Columbia Symphony Orchestra, Igor Stravinsky | — |
| Threni: De Elegia Prima | Hugh Ross, Bethany Beardslee, Beatrice Krebs, William Lewis, Mac Morgan, Robert Oliver, The Schola Cantorum, James Wainner, Columbia Symphony Orchestra, Igor Stravinsky | — |
| Threni: De Elegia Quinta | Hugh Ross, Bethany Beardslee, Beatrice Krebs, William Lewis, Mac Morgan, Robert Oliver, The Schola Cantorum, James Wainner, Columbia Symphony Orchestra, Igor Stravinsky | — |
| A Sermon, A Narrative and a Prayer: I. A Sermon | Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky | — |
| A Sermon, A Narrative and a Prayer: II. A Narrative | Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky | — |
| A Sermon, A Narrative and a Prayer: III. A Prayer | Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky | — |
| Anthem | Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky | — |
| Ava Maria (Revised version, 1949) | Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky | T-901.127.660-1 |
| Pater Noster (Revised version, 1949) | Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky | — |
| Credo (Revised version, 1964) | Gregg Smith, Gregg Smith Singers, Igor Stravinsky | — |
| Introitus | Gregg Smith, Gregg Smith Singers, Igor Stravinsky | — |
Threni: De Elegia Tertia
Hugh Ross, Bethany Beardslee, Beatrice Krebs, William Lewis, Mac Morgan, Robert Oliver, The Schola Cantorum, James Wainner, Columbia Symphony Orchestra, Igor Stravinsky
—
Canticum Sacrum: Dedicatio
Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky
—
Canticum Sacrum: I. Euntes in mundum
Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky
—
Canticum Sacrum: II. Surge, aquilo
Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky
—
Canticum Sacrum: III. Ad tres virtutes hortationes
Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky
—
Canticum Sacrum: IV. Jesus autem ait illi
Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky
—
Canticum Sacrum: V. Illi autem profecti
Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky
—
Threni: Incipit
Hugh Ross, Bethany Beardslee, Beatrice Krebs, William Lewis, Mac Morgan, Robert Oliver, The Schola Cantorum, James Wainner, Columbia Symphony Orchestra, Igor Stravinsky
—
Threni: De Elegia Prima
Hugh Ross, Bethany Beardslee, Beatrice Krebs, William Lewis, Mac Morgan, Robert Oliver, The Schola Cantorum, James Wainner, Columbia Symphony Orchestra, Igor Stravinsky
—
Threni: De Elegia Quinta
Hugh Ross, Bethany Beardslee, Beatrice Krebs, William Lewis, Mac Morgan, Robert Oliver, The Schola Cantorum, James Wainner, Columbia Symphony Orchestra, Igor Stravinsky
—
A Sermon, A Narrative and a Prayer: I. A Sermon
Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky
—
A Sermon, A Narrative and a Prayer: II. A Narrative
Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky
—
A Sermon, A Narrative and a Prayer: III. A Prayer
Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky
—
Anthem
Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky
—
Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky
Pater Noster (Revised version, 1949)
Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky
—
Credo (Revised version, 1964)
Gregg Smith, Gregg Smith Singers, Igor Stravinsky
—
Introitus
Gregg Smith, Gregg Smith Singers, Igor Stravinsky
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 5099704630120?
5099704630120 is a Universal Product Code (UPC) assigned to Sacred Works by Igor Stravinsky. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm