UPC · Release
Bernstein, New York Philharmonic, Leonard Bernstein
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The UPC for “The Theatre Works, Volume I” by Bernstein, New York Philharmonic, Leonard Bernstein is 5099704715421. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1991-01-01. Label: Sony Classical. This release contains 54 tracks, each with its own ISRC. Tracks include USSM18800721, USSM10021936, GBGQH0801085.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | On the Town: Opening: New York, New York | — | ||
| 2 | On the Town: Taxi Number: Come Up to My Place | — | ||
| 3 | On the Town: Carried Away | New York Philharmonic, Leonard Bernstein | — | |
| 4 | On the Town: Lonely Town / Dance: Lonely Town | — | ||
| 5 | On the Town: Carnegie Hall (Do-Do-Re-Do) | — | ||
| 6 | On the Town: I Can Cook Too | — | ||
| 7 | On the Town: Lucky to Be Me | — | ||
| 8 | On the Town: Dance: Times Square | — | ||
| 9 | On the Town: Night Club Sequence: So Long Baby / I'm Blue / Ya Got Me | — | ||
| 10 | On the Town: I Understand | — | ||
| 11 | On the Town: Ballet: Imaginary Coney Island: Subway Ride / Dance of the Great Lover / Pas de deux | — | ||
| 12 | On the Town: Some Other Time | Cris Alexander, Betty Comden, Adolph Green, Nancy Walker, New York Philharmonic, Leonard Bernstein | T-070.136.536-7 | |
| 13 | On the Town: Dance: The Real Coney Island / Finale | — | ||
| 14 | Three Dance Episodes from "On the Town": I. The Great Lover | — | ||
| 15 | Three Dance Episodes from "On the Town": II. Lonely Town: Pas de deux | — | ||
| 16 | Three Dance Episodes from "On the Town": III. Times Square: 1944 | — | ||
| 2-1 | Overture to "Candide" | — | ||
| 2-2 | Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 2-3 | Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 2-4 | Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero | New York Philharmonic, Leonard Bernstein | — | |
| 2-5 | Symphonic Dances from "West Side Story": Mambo | — | ||
| 2-6 | Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia | New York Philharmonic, Leonard Bernstein | — | |
| 2-7 | Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso | New York Philharmonic, Leonard Bernstein | T-070.209.193-7 | |
| 2-8 | Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 2-9 | Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro | New York Philharmonic, Leonard Bernstein | — | |
| 2-10 | Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 2-11 | Symphonic Suite from "On the Waterfront": Andante (with dignity) - Presto barbaro | — | ||
| 2-12 | Symphonic Suite from "On the Waterfront": Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima | — | ||
| 2-13 | Symphonic Suite from "On the Waterfront": Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento | — | ||
| 2-14 | Symphonic Suite from "On the Waterfront": Moving forward, with warmth - Largamente - a tempo - Calmato - Andante come prima - sempre avanti, with intensity - Ancora più mosso | — | ||
| 2-15 | Symphonic Suite from "On the Waterfront": Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso | — | ||
| 2-16 | Symphonic Suite from "On the Waterfront": A tempo | — | ||
| 2-17 | Fancy Free: I. Enter Three Sailors | — | ||
| 2-18 | Fancy Free: II. Scene at the Bar | — | ||
| 2-19 | Fancy Free: III. Enter Two Girls | — | ||
| 2-20 | Fancy Free: IV. Pas de deux | — | ||
| 2-21 | Fancy Free: V. Competition Scene | — | ||
| 2-22 | Fancy Free: VI. Three Dance Variations: Variation I: Galop | — | ||
| 2-23 | Fancy Free: VI. Three Dance Variations: Variation II: Waltz | — | ||
| 2-24 | Fancy Free: VI. Three Dance Variations: Variation III: Danzon | — | ||
| 2-25 | Fancy Free: VII. Finale | — | ||
| 3-1 | Trouble in Tahiti: Prelude. "Daa/Doa Day" - "Mornin' sun" | — | ||
| 3-2 | Trouble in Tahiti: Scene 1. "How could you say" | — | ||
| 3-3 | Trouble in Tahiti: Scene 2. "Yes? Oh, Mister Partridge" | — | ||
| 3-4 | Trouble in Tahiti: Scene 3 | — | ||
| 3-5 | Trouble in Tahiti: Scene 3a. "Then desire took hold inside me" | — | ||
| 3-6 | Trouble in Tahiti: Scene 4. "I'm on my way" | — | ||
| 3-7 | Trouble in Tahiti: Interlude. "Skid a lit day" | — | ||
| 3-8 | Trouble in Tahiti: Scene 5. "There's a law" | — | ||
| 3-9 | Trouble in Tahiti: Scene VI. “What a movie!” (Dinah, Trio) | Mark Brown, Antonia Butler, Michael Clarke, Nancy Williams, Columbia Wind Ensemble, Leonard Bernstein | — | |
| 3-10 | Trouble in Tahiti: Scene 6a. "There's a law" | — | ||
| 3-11 | Trouble in Tahiti: Scene 7. "Evenin' shadows" | — | ||
| 3-12 | Facsimile, Part I: Molto adagio - Più andante - Moderate waltz tempo - Sostenuto assai - Accelerando - A tempo | — | ||
| 3-13 | Facsimile, Part II: Allegretto - Subito allegro - Più mosso - Andante - Meno mosso - Rallentando - Adagio - Molto rallentando - Adagio, come prima | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5099704715421 is a Universal Product Code (UPC) assigned to The Theatre Works, Volume I by Bernstein, New York Philharmonic, Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Theatre Works, Volume I” by Bernstein, New York Philharmonic, Leonard Bernstein is 5099704715421. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1991-01-01. Label: Sony Classical. This release contains 54 tracks, each with its own ISRC. Tracks include USSM18800721, USSM10021936, GBGQH0801085.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | On the Town: Opening: New York, New York | — | ||
| 2 | On the Town: Taxi Number: Come Up to My Place | — | ||
| 3 | On the Town: Carried Away | New York Philharmonic, Leonard Bernstein | — | |
| 4 | On the Town: Lonely Town / Dance: Lonely Town | — | ||
| 5 | On the Town: Carnegie Hall (Do-Do-Re-Do) | — | ||
| 6 | On the Town: I Can Cook Too | — | ||
| 7 | On the Town: Lucky to Be Me | — | ||
| 8 | On the Town: Dance: Times Square | — | ||
| 9 | On the Town: Night Club Sequence: So Long Baby / I'm Blue / Ya Got Me | — | ||
| 10 | On the Town: I Understand | — | ||
| 11 | On the Town: Ballet: Imaginary Coney Island: Subway Ride / Dance of the Great Lover / Pas de deux | — | ||
| 12 | On the Town: Some Other Time | Cris Alexander, Betty Comden, Adolph Green, Nancy Walker, New York Philharmonic, Leonard Bernstein | T-070.136.536-7 | |
| 13 | On the Town: Dance: The Real Coney Island / Finale | — | ||
| 14 | Three Dance Episodes from "On the Town": I. The Great Lover | — | ||
| 15 | Three Dance Episodes from "On the Town": II. Lonely Town: Pas de deux | — | ||
| 16 | Three Dance Episodes from "On the Town": III. Times Square: 1944 | — | ||
| 2-1 | Overture to "Candide" | — | ||
| 2-2 | Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 2-3 | Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 2-4 | Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero | New York Philharmonic, Leonard Bernstein | — | |
| 2-5 | Symphonic Dances from "West Side Story": Mambo | — | ||
| 2-6 | Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia | New York Philharmonic, Leonard Bernstein | — | |
| 2-7 | Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso | New York Philharmonic, Leonard Bernstein | T-070.209.193-7 | |
| 2-8 | Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto | New York Philharmonic, Leonard Bernstein | — | |
| 2-9 | Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro | New York Philharmonic, Leonard Bernstein | — | |
| 2-10 | Symphonic Dances from “West Side Story”: IX. Finale. Adagio | New York Philharmonic, Leonard Bernstein | — | |
| 2-11 | Symphonic Suite from "On the Waterfront": Andante (with dignity) - Presto barbaro | — | ||
| 2-12 | Symphonic Suite from "On the Waterfront": Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima | — | ||
| 2-13 | Symphonic Suite from "On the Waterfront": Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento | — | ||
| 2-14 | Symphonic Suite from "On the Waterfront": Moving forward, with warmth - Largamente - a tempo - Calmato - Andante come prima - sempre avanti, with intensity - Ancora più mosso | — | ||
| 2-15 | Symphonic Suite from "On the Waterfront": Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso | — | ||
| 2-16 | Symphonic Suite from "On the Waterfront": A tempo | — | ||
| 2-17 | Fancy Free: I. Enter Three Sailors | — | ||
| 2-18 | Fancy Free: II. Scene at the Bar | — | ||
| 2-19 | Fancy Free: III. Enter Two Girls | — | ||
| 2-20 | Fancy Free: IV. Pas de deux | — | ||
| 2-21 | Fancy Free: V. Competition Scene | — | ||
| 2-22 | Fancy Free: VI. Three Dance Variations: Variation I: Galop | — | ||
| 2-23 | Fancy Free: VI. Three Dance Variations: Variation II: Waltz | — | ||
| 2-24 | Fancy Free: VI. Three Dance Variations: Variation III: Danzon | — | ||
| 2-25 | Fancy Free: VII. Finale | — | ||
| 3-1 | Trouble in Tahiti: Prelude. "Daa/Doa Day" - "Mornin' sun" | — | ||
| 3-2 | Trouble in Tahiti: Scene 1. "How could you say" | — | ||
| 3-3 | Trouble in Tahiti: Scene 2. "Yes? Oh, Mister Partridge" | — | ||
| 3-4 | Trouble in Tahiti: Scene 3 | — | ||
| 3-5 | Trouble in Tahiti: Scene 3a. "Then desire took hold inside me" | — | ||
| 3-6 | Trouble in Tahiti: Scene 4. "I'm on my way" | — | ||
| 3-7 | Trouble in Tahiti: Interlude. "Skid a lit day" | — | ||
| 3-8 | Trouble in Tahiti: Scene 5. "There's a law" | — | ||
| 3-9 | Trouble in Tahiti: Scene VI. “What a movie!” (Dinah, Trio) | Mark Brown, Antonia Butler, Michael Clarke, Nancy Williams, Columbia Wind Ensemble, Leonard Bernstein | — | |
| 3-10 | Trouble in Tahiti: Scene 6a. "There's a law" | — | ||
| 3-11 | Trouble in Tahiti: Scene 7. "Evenin' shadows" | — | ||
| 3-12 | Facsimile, Part I: Molto adagio - Più andante - Moderate waltz tempo - Sostenuto assai - Accelerando - A tempo | — | ||
| 3-13 | Facsimile, Part II: Allegretto - Subito allegro - Più mosso - Andante - Meno mosso - Rallentando - Adagio - Molto rallentando - Adagio, come prima | — |
