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A Portrait: Bernstein Plays and Conducts Bernstein

UPC · Release

A Portrait: Bernstein Plays and Conducts Bernstein

Leonard Bernstein

5099704716220
21 tracksReleased 1991-01-01Sony Classical

Last verified: September 12, 2026

5099704716220 is the Universal Product Code (UPC barcode) for the release “A Portrait: Bernstein Plays and Conducts Bernstein” by Leonard Bernstein, released 1991-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include USSM16500341, USSM16500342, USSM16500343.

Format

509GS1 prefix
9704Company prefix
71622Product
0Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCA Portrait: Bernstein Plays and Conducts Bernstein
ISRC13 recordings
ISWC2 works
IPI2 songwriters

Track List (21)

#Track TitleArtist(s)ISWC
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 1. Prophecy1Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 1. Prophecy—
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 2. Profanation2Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 2. Profanation—
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 3. Lamentation3Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 3. Lamentation—
Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato4Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderatoPhilippe Entremont, New York Philharmonic, Leonard Bernstein—
Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-75Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7Philippe Entremont, New York Philharmonic, Leonard Bernstein—
Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-146Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14Philippe Entremont, New York Philharmonic, Leonard Bernstein—
Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo7Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. LargoPhilippe Entremont, New York Philharmonic, Leonard Bernstein—
Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast8Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fastPhilippe Entremont, New York Philharmonic, Leonard Bernstein—
Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto9Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con motoPhilippe Entremont, New York Philharmonic, Leonard Bernstein—
Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto2-1Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro moltoFelicia Montealegre, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein—
Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza2-2Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezzaFelicia Montealegre, Jennie Tourel, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein—
Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia2-3Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioiaFelicia Montealegre, Columbus Boychoir, Donald Bryant, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein—
Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete)2-4Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete)Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein—
Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4)2-5Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4)John Bogart, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard BernsteinT-902.471.486-1
Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1)2-6Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1)Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard BernsteinT-070.119.642-0
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 1. Phaedrus. Pausanias. Lento / Allegro marcato3-1Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 1. Phaedrus. Pausanias. Lento / Allegro marcato—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 2. Aristophanes. Allegretto3-2Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 2. Aristophanes. Allegretto—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 3. Erixymachus. Presto3-3Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 3. Erixymachus. Presto—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 4. Agathon. Adagio3-4Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 4. Agathon. Adagio—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 5. Socrates. Alcibiades. Molto Tenuto / Allegro Molto Vivace3-5Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 5. Socrates. Alcibiades. Molto Tenuto / Allegro Molto Vivace—
Prelude, Fugue and Riffs3-6Prelude, Fugue and RiffsColumbia Jazz Combo, Leonard Bernstein, Benny Goodman—
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 1. Prophecy
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 1. Prophecy
—
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 2. Profanation
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 2. Profanation
—
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 3. Lamentation
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 3. Lamentation
—
Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato
Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7
Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14
Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo
Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast
Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto
Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto
Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto
Felicia Montealegre, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
—
Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza
Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza
Felicia Montealegre, Jennie Tourel, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
—
Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia
Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia
Felicia Montealegre, Columbus Boychoir, Donald Bryant, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
—
Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete)
Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete)
Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
—
Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4)
Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4)
John Bogart, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
T-902.471.486-1
Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1)
Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1)
Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
T-070.119.642-0
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 1. Phaedrus. Pausanias. Lento / Allegro marcato
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 1. Phaedrus. Pausanias. Lento / Allegro marcato
—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 2. Aristophanes. Allegretto
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 2. Aristophanes. Allegretto
—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 3. Erixymachus. Presto
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 3. Erixymachus. Presto
—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 4. Agathon. Adagio
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 4. Agathon. Adagio
—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 5. Socrates. Alcibiades. Molto Tenuto / Allegro Molto Vivace
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 5. Socrates. Alcibiades. Molto Tenuto / Allegro Molto Vivace
—
Prelude, Fugue and Riffs
Prelude, Fugue and Riffs
Columbia Jazz Combo, Leonard Bernstein, Benny Goodman
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-070.119.642-0T-902.471.486-1

Songwriters/Publishers (IPI)

0000293331700012336919

Creative Contributors (ISNI)

0000000058522187000000007366330800000000819069980000000108694105000000011021908X00000001102923240000000115118122000000012319795900000003685733930000000403968412
+1 more
0000000469666273
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Identifier Graph

UPCA Portrait: Ber…ISRCSymphony no. 2 …ISRCSymphony no. 2 …ISRCSymphony no. 2 …ISRCSymphony no. 2 …ISRCSymphony no. 2 …

People also ask

What is UPC 5099704716220?+
UPC 5099704716220 is the Universal Product Code (barcode) for "A Portrait: Bernstein Plays and Conducts Bernstein" by Leonard Bernstein, released on Sony Classical.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5099704716220?+
UPC 5099704716220 contains 21 tracks, each with its own ISRC.

What is UPC 5099704716220?

5099704716220 is a Universal Product Code (UPC) assigned to A Portrait: Bernstein Plays and Conducts Bernstein by Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Leonard Bernstein

5099704716220 is the Universal Product Code (UPC barcode) for the release “A Portrait: Bernstein Plays and Conducts Bernstein” by Leonard Bernstein, released 1991-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include USSM16500341, USSM16500342, USSM16500343.

Track List (21)

#Track TitleArtist(s)ISWC
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 1. Prophecy1Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 1. Prophecy—
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 2. Profanation2Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 2. Profanation—
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 3. Lamentation3Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 3. Lamentation—
Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato4Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderatoPhilippe Entremont, New York Philharmonic, Leonard Bernstein—
Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-75Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7Philippe Entremont, New York Philharmonic, Leonard Bernstein—
Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-146Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14Philippe Entremont, New York Philharmonic, Leonard Bernstein—
Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo7Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. LargoPhilippe Entremont, New York Philharmonic, Leonard Bernstein—
Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast8Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fastPhilippe Entremont, New York Philharmonic, Leonard Bernstein—
Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto9Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con motoPhilippe Entremont, New York Philharmonic, Leonard Bernstein—
Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto2-1Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro moltoFelicia Montealegre, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein—
Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza2-2Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezzaFelicia Montealegre, Jennie Tourel, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein—
Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia2-3Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioiaFelicia Montealegre, Columbus Boychoir, Donald Bryant, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein—
Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete)2-4Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete)Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein—
Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4)2-5Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4)John Bogart, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard BernsteinT-902.471.486-1
Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1)2-6Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1)Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard BernsteinT-070.119.642-0
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 1. Phaedrus. Pausanias. Lento / Allegro marcato3-1Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 1. Phaedrus. Pausanias. Lento / Allegro marcato—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 2. Aristophanes. Allegretto3-2Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 2. Aristophanes. Allegretto—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 3. Erixymachus. Presto3-3Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 3. Erixymachus. Presto—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 4. Agathon. Adagio3-4Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 4. Agathon. Adagio—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 5. Socrates. Alcibiades. Molto Tenuto / Allegro Molto Vivace3-5Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 5. Socrates. Alcibiades. Molto Tenuto / Allegro Molto Vivace—
Prelude, Fugue and Riffs3-6Prelude, Fugue and RiffsColumbia Jazz Combo, Leonard Bernstein, Benny Goodman—
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 1. Prophecy
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 1. Prophecy
—
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 2. Profanation
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 2. Profanation
—
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 3. Lamentation
Symphony No.1 (“Jeremiah”), for Mezzo‐Soprano & Orchestra: 3. Lamentation
—
Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato
Symphony no. 2 "The Age of Anxiety": Part I. a) The Prologue. Lento moderato
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7
Symphony no. 2 "The Age of Anxiety": Part I. b) The Seven Ages. Variations 1-7
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14
Symphony no. 2 "The Age of Anxiety": Part I. c) The Seven Stages. Variations 8-14
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo
Symphony no. 2 "The Age of Anxiety": Part II. a) The Dirge. Largo
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast
Symphony no. 2 "The Age of Anxiety": Part II. b) The Masque. Extremely fast
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto
Symphony no. 2 "The Age of Anxiety": Part II. c) The Epilogue. Adagio - Andante - Con moto
Philippe Entremont, New York Philharmonic, Leonard Bernstein
—
Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto
Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto
Felicia Montealegre, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
—
Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza
Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza
Felicia Montealegre, Jennie Tourel, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
—
Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia
Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia
Felicia Montealegre, Columbus Boychoir, Donald Bryant, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
—
Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete)
Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete)
Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
—
Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4)
Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1–4)
John Bogart, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
T-902.471.486-1
Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1)
Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1)
Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
T-070.119.642-0
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 1. Phaedrus. Pausanias. Lento / Allegro marcato
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 1. Phaedrus. Pausanias. Lento / Allegro marcato
—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 2. Aristophanes. Allegretto
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 2. Aristophanes. Allegretto
—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 3. Erixymachus. Presto
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 3. Erixymachus. Presto
—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 4. Agathon. Adagio
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 4. Agathon. Adagio
—
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 5. Socrates. Alcibiades. Molto Tenuto / Allegro Molto Vivace
Serenade (After Plato’s “Symposium”), for Violin, Harp, Percussion & Strings: 5. Socrates. Alcibiades. Molto Tenuto / Allegro Molto Vivace
—
Prelude, Fugue and Riffs
Prelude, Fugue and Riffs
Columbia Jazz Combo, Leonard Bernstein, Benny Goodman
—