UPC · Release
Ravel, Pierre Boulez
Last verified:
5099708798529 is the Universal Product Code (UPC barcode) for the release “Great Orchestral Works” by Ravel, Pierre Boulez, released 2003-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 78 tracks, each with its own ISRC. Tracks include USSM17000601, USSM17000602, USSM17000603.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Menuet Antique | — | ||
| 2 | La Valse | — | ||
| 3 | Daphnis & Chloé, Ballet In One Act: Introduction | — | ||
| 4 | Daphnis & Chloé, Ballet In One Act: Danse religieuse | — | ||
| 5 | Daphnis & Chloé, Ballet In One Act: Danse des jeunes filles | — | ||
| 6 | Daphnis & Chloé, Ballet In One Act: Danse grotesque de Dorcon | — | ||
| 7 | Daphnis & Chloé, Ballet In One Act: Danse légère et gracieuse de Daphnis | — | ||
| 8 | Daphnis & Chloé, Ballet In One Act: Lyceion entre et danse | — | ||
| 9 | Daphnis & Chloé, Ballet In One Act: Nocturne | — | ||
| 10 | Daphnis & Chloé, Ballet In One Act: Interlude | — | ||
| 11 | Daphnis & Chloé, Ballet In One Act: Danse guerrière | — | ||
| 12 | Daphnis & Chloé, Ballet In One Act: Danse suppliante de Chloé | — | ||
| 13 | Daphnis & Chloé, Ballet In One Act: Lever du jour | — | ||
| 14 | Daphnis & Chloé, Ballet In One Act: Pantomime | — | ||
| 15 | Daphnis & Chloé, Ballet In One Act: Danse générale | — | ||
| 2-1 | Shéhérazade | — | ||
| 2-2 | Rapsodie Espagnole: Prélude à la nuit | — | ||
| 2-3 | Rapsodie Espagnole: Malaguena | — | ||
| 2-4 | Rapsodie Espagnole: Habanera | — | ||
| 2-5 | Rapsodie Espagnole: Feria | — | ||
| 2-6 | Valses nobles et sentimentales: Assez modéré | — | ||
| 2-7 | Valses nobles et sentimentales: Assez lent | — | ||
| 2-8 | Valses nobles et sentimentales: Modéré | — | ||
| 2-9 | Valses nobles et sentimentales: Assez animé | — | ||
| 2-10 | Valses nobles et sentimentales: Presque lent | — | ||
| 2-11 | Valses nobles et sentimentales: Assez vif | — | ||
| 2-12 | Valses nobles et sentimentales: Moins vif | — | ||
| 2-13 | Valses nobles et sentimentales: Épilogue (lent) | — | ||
| 2-14 | Ma Mère L'Oye, Ballet: Prélude | — | ||
| 2-15 | Ma Mère L'Oye, Ballet: Danse du rouet et scène | — | ||
| 2-16 | Ma Mère L'Oye, Ballet: Pavane de la Belle au Bois Dormant | — | ||
| 2-17 | Ma Mère L'Oye, Ballet: Les entretiens de la Belle et de la Bête | — | ||
| 2-18 | Ma Mère L'Oye, Ballet: Petit Poucet | — | ||
| 2-19 | Ma Mère L'Oye, Ballet: Laideronnette, impératrice des pagodes | — | ||
| 2-20 | Ma Mère L'Oye, Ballet: Le jardin féerique | — | ||
| 3-1 | Fanfare Pour "L'Eventail De Jeanne" | — | ||
| 3-2 | Alborada del Gracioso | — | ||
| 3-3 | Le Tombeau de Couperin: Prélude | — | ||
| 3-4 | Le Tombeau de Couperin: Forlane | — | ||
| 3-5 | Le Tombeau de Couperin: Menuet | — | ||
| 3-6 | Le Tombeau de Couperin: Rigaudon | — | ||
| 3-7 | Concerto for the Left Hand: Lento - Andante | Philippe Entremont, The Cleveland Orchestra, Pierre Boulez | T-003.007.888-6 | |
| 3-8 | Concerto for the Left Hand: Allegro | Philippe Entremont, The Cleveland Orchestra, Pierre Boulez | T-003.007.888-6 | |
| 3-9 | Concerto for the Left Hand: III. Tempo I | Philippe Entremont, The Cleveland Orchestra, Pierre Boulez | T-003.007.888-6 | |
| 3-10 | Pavane pour une infante défunte | — | ||
| 3-11 | Une barque sur l'océan | — | ||
| 3-12 | Boléro | — | ||
| 3-13 | Boléro | — | ||
| 3-14 | Boléro | — | ||
| 3-15 | Boléro | — | ||
| 3-16 | Boléro | — | ||
| 3-17 | Boléro | — | ||
| 3-18 | Boléro | — | ||
| 3-19 | Boléro | — | ||
| 3-20 | Boléro | — | ||
| 3-21 | Boléro | — | ||
| 3-22 | Boléro | — | ||
| 3-23 | Boléro | — | ||
| 3-24 | Boléro | — | ||
| 3-25 | Boléro | — | ||
| 3-26 | Boléro | — | ||
| 3-27 | Boléro | — | ||
| 3-28 | Boléro | — | ||
| 3-29 | Boléro | — | ||
| 4-1 | Trois poèmes de Stéphane Mallarmé: I. Soupir | — | ||
| 4-2 | Trois poèmes de Stéphane Mallarmé: II. Placet futile | — | ||
| 4-3 | Trois poèmes de Stéphane Mallarmé: III. Surgi de la croupe et du bond | — | ||
| 4-4 | Chansons madécasses: I. Nahandove | — | ||
| 4-5 | Chansons madécasses: II. Aoua ! | — | ||
| 4-6 | Chansons madécasses: III. Il est doux ... | — | ||
| 4-7 | Don Quichotte à Dulcinée: I. Chanson romanesque | — | ||
| 4-8 | Don Quichotte à Dulcinée: II. Chanson épique | — | ||
| 4-9 | Don Quichotte à Dulcinée: III. Chanson à boire | — | ||
| 4-10 | Cinq mélodies populaires grecques: I. Chanson de la mariée | — | ||
| 4-11 | Cinq mélodies populaires grecques: II. Là-bas, vers l'église | — | ||
| 4-12 | Cinq mélodies populaires grecques: III. Quel galant m'est comparable | — | ||
| 4-13 | Cinq mélodies populaires grecques: IV. Chanson des cueilleuses de lentisques | — | ||
| 4-14 | Cinq mélodies populaires grecques: V. Tout gai ! | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5099708798529 is a Universal Product Code (UPC) assigned to Great Orchestral Works by Ravel, Pierre Boulez. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 78 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099708798529 is the Universal Product Code (UPC barcode) for the release “Great Orchestral Works” by Ravel, Pierre Boulez, released 2003-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 78 tracks, each with its own ISRC. Tracks include USSM17000601, USSM17000602, USSM17000603.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Menuet Antique | — | ||
| 2 | La Valse | — | ||
| 3 | Daphnis & Chloé, Ballet In One Act: Introduction | — | ||
| 4 | Daphnis & Chloé, Ballet In One Act: Danse religieuse | — | ||
| 5 | Daphnis & Chloé, Ballet In One Act: Danse des jeunes filles | — | ||
| 6 | Daphnis & Chloé, Ballet In One Act: Danse grotesque de Dorcon | — | ||
| 7 | Daphnis & Chloé, Ballet In One Act: Danse légère et gracieuse de Daphnis | — | ||
| 8 | Daphnis & Chloé, Ballet In One Act: Lyceion entre et danse | — | ||
| 9 | Daphnis & Chloé, Ballet In One Act: Nocturne | — | ||
| 10 | Daphnis & Chloé, Ballet In One Act: Interlude | — | ||
| 11 | Daphnis & Chloé, Ballet In One Act: Danse guerrière | — | ||
| 12 | Daphnis & Chloé, Ballet In One Act: Danse suppliante de Chloé | — | ||
| 13 | Daphnis & Chloé, Ballet In One Act: Lever du jour | — | ||
| 14 | Daphnis & Chloé, Ballet In One Act: Pantomime | — | ||
| 15 | Daphnis & Chloé, Ballet In One Act: Danse générale | — | ||
| 2-1 | Shéhérazade | — | ||
| 2-2 | Rapsodie Espagnole: Prélude à la nuit | — | ||
| 2-3 | Rapsodie Espagnole: Malaguena | — | ||
| 2-4 | Rapsodie Espagnole: Habanera | — | ||
| 2-5 | Rapsodie Espagnole: Feria | — | ||
| 2-6 | Valses nobles et sentimentales: Assez modéré | — | ||
| 2-7 | Valses nobles et sentimentales: Assez lent | — | ||
| 2-8 | Valses nobles et sentimentales: Modéré | — | ||
| 2-9 | Valses nobles et sentimentales: Assez animé | — | ||
| 2-10 | Valses nobles et sentimentales: Presque lent | — | ||
| 2-11 | Valses nobles et sentimentales: Assez vif | — | ||
| 2-12 | Valses nobles et sentimentales: Moins vif | — | ||
| 2-13 | Valses nobles et sentimentales: Épilogue (lent) | — | ||
| 2-14 | Ma Mère L'Oye, Ballet: Prélude | — | ||
| 2-15 | Ma Mère L'Oye, Ballet: Danse du rouet et scène | — | ||
| 2-16 | Ma Mère L'Oye, Ballet: Pavane de la Belle au Bois Dormant | — | ||
| 2-17 | Ma Mère L'Oye, Ballet: Les entretiens de la Belle et de la Bête | — | ||
| 2-18 | Ma Mère L'Oye, Ballet: Petit Poucet | — | ||
| 2-19 | Ma Mère L'Oye, Ballet: Laideronnette, impératrice des pagodes | — | ||
| 2-20 | Ma Mère L'Oye, Ballet: Le jardin féerique | — | ||
| 3-1 | Fanfare Pour "L'Eventail De Jeanne" | — | ||
| 3-2 | Alborada del Gracioso | — | ||
| 3-3 | Le Tombeau de Couperin: Prélude | — | ||
| 3-4 | Le Tombeau de Couperin: Forlane | — | ||
| 3-5 | Le Tombeau de Couperin: Menuet | — | ||
| 3-6 | Le Tombeau de Couperin: Rigaudon | — | ||
| 3-7 | Concerto for the Left Hand: Lento - Andante | Philippe Entremont, The Cleveland Orchestra, Pierre Boulez | T-003.007.888-6 | |
| 3-8 | Concerto for the Left Hand: Allegro | Philippe Entremont, The Cleveland Orchestra, Pierre Boulez | T-003.007.888-6 | |
| 3-9 | Concerto for the Left Hand: III. Tempo I | Philippe Entremont, The Cleveland Orchestra, Pierre Boulez | T-003.007.888-6 | |
| 3-10 | Pavane pour une infante défunte | — | ||
| 3-11 | Une barque sur l'océan | — | ||
| 3-12 | Boléro | — | ||
| 3-13 | Boléro | — | ||
| 3-14 | Boléro | — | ||
| 3-15 | Boléro | — | ||
| 3-16 | Boléro | — | ||
| 3-17 | Boléro | — | ||
| 3-18 | Boléro | — | ||
| 3-19 | Boléro | — | ||
| 3-20 | Boléro | — | ||
| 3-21 | Boléro | — | ||
| 3-22 | Boléro | — | ||
| 3-23 | Boléro | — | ||
| 3-24 | Boléro | — | ||
| 3-25 | Boléro | — | ||
| 3-26 | Boléro | — | ||
| 3-27 | Boléro | — | ||
| 3-28 | Boléro | — | ||
| 3-29 | Boléro | — | ||
| 4-1 | Trois poèmes de Stéphane Mallarmé: I. Soupir | — | ||
| 4-2 | Trois poèmes de Stéphane Mallarmé: II. Placet futile | — | ||
| 4-3 | Trois poèmes de Stéphane Mallarmé: III. Surgi de la croupe et du bond | — | ||
| 4-4 | Chansons madécasses: I. Nahandove | — | ||
| 4-5 | Chansons madécasses: II. Aoua ! | — | ||
| 4-6 | Chansons madécasses: III. Il est doux ... | — | ||
| 4-7 | Don Quichotte à Dulcinée: I. Chanson romanesque | — | ||
| 4-8 | Don Quichotte à Dulcinée: II. Chanson épique | — | ||
| 4-9 | Don Quichotte à Dulcinée: III. Chanson à boire | — | ||
| 4-10 | Cinq mélodies populaires grecques: I. Chanson de la mariée | — | ||
| 4-11 | Cinq mélodies populaires grecques: II. Là-bas, vers l'église | — | ||
| 4-12 | Cinq mélodies populaires grecques: III. Quel galant m'est comparable | — | ||
| 4-13 | Cinq mélodies populaires grecques: IV. Chanson des cueilleuses de lentisques | — | ||
| 4-14 | Cinq mélodies populaires grecques: V. Tout gai ! | — |
