UPC · Album
Rock Line
Various Artists
Last verified:
5099746861940 is the Universal Product Code (UPC barcode) for the release “Rock Line” by Various Artists, released 1991-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include AUV401446573, AUWC41010228, AUWC41010365.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (90)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| You Really Got Me | The Kinks | AUV401446573 |
| Need You Tonight | INXS | AUWC41010228 |
| Need You Tonight | INXS | AUWC41010365 |
| Up Around the Bend | Creedence Clearwater Revival | DEA319906891 |
| You Really Got Me | The Kinks | DEA610100348 |
| You Really Got Me | The Kinks | DEPZ69739466 |
| You Really Got Me | The Kinks | GB5KW1499655 |
| You Really Got Me | The Kinks | GB5KW1704256 |
| You Really Got Me | The Kinks | GB5KW1704275 |
| More Than a Woman | Bee Gees | GBA077700020 |
| Making Plans for Nigel | XTC | GBAAA0001008 |
| Making Plans for Nigel | XTC | GBAAA7900008 |
| Back on the Chain Gang | Pretenders | GBAHT0105516 |
| Back on the Chain Gang | Pretenders | GBAHT0700187 |
| Back on the Chain Gang | Pretenders | GBAHT0900194 |
| Back on the Chain Gang | Pretenders | GBAHT1800233 |
| Back on the Chain Gang | Pretenders | GBAHT9500542 |
| You Really Got Me | The Kinks | GBAJE6400005 |
| You Really Got Me | The Kinks | GBAJE6400102 |
| You Really Got Me | The Kinks | GBAJE6700107 |
| Need You Tonight | INXS | GBAMX8700008 |
| Should I Stay or Should I Go | The Clash | GBARL1200670 |
| 96 Tears | The Stranglers | GBBBM9000023 |
| 96 Tears | The Stranglers | GBBBM9002019 |
| Should I Stay or Should I Go | The Clash | GBBBN8200005 |
| Should I Stay or Should I Go | The Clash | GBBBN9902467 |
| Get It On | T. Rex | GBCHM7100038 |
| You Really Got Me (live at the Playhouse Theatre, September 1964) | The Kinks | GBUM70804345 |
| You Really Got Me | The Kinks | GBUM71100072 |
| Cocaine | Eric Clapton | NLF057790024 |
| Jukebox Babe | Alan Vega | US5NR2229301 |
| Jukebox Babe | Alan Vega | US5NR2506101 |
| Show Me the Way (live / remixed) | Peter Frampton | USAM10000268 |
| Show Me the Way | Peter Frampton | USAM17600027 |
| Show Me the Way (live) | Peter Frampton | USAM17674773 |
| Need You Tonight | INXS | USAT20106089 |
| Owner of a Lonely Heart | Yes | USAT20702539 |
| Urgent | Foreigner | USAT29500164 |
| Need You Tonight | INXS | USAT29901629 |
| My Sharona | The Knack | USBMG0700642 |
| Up Around the Bend | Creedence Clearwater Revival | USC4R0817632 |
| Up Around the Bend | Creedence Clearwater Revival | USC4R0919611 |
| Up Around the Bend | Creedence Clearwater Revival | USC4R0920573 |
| My Sharona | The Knack | USCA20200254 |
| Centerfold | The J. Geils Band | USCA20600378 |
| SUNDAY GIRL | BLONDIE | USCA27800181 |
| SUNDAY GIRL | BLONDIE | USCA28100065 |
| Centerfold | The J. Geils Band | USCA28100075 |
| My Sharona | The Knack | USCA28900153 |
| My Sharona | The Knack | USCA29200808 |
| SUNDAY GIRL - REMASTERED | BLONDIE, MIKE CHAPMAN, MICHAEL CHAPMAN | USCH30100026 |
| SUNDAY GIRL | BLONDIE | USCH37800014 |
| Owner of a Lonely Heart | Yes | USEE10251096 |
| Owner of a Lonely Heart | Yes | USEE10301081 |
| Owner of a Lonely Heart | Yes | USEE10801563 |
| Owner of a Lonely Heart | Yes | USEE11200770 |
| Owner of a Lonely Heart | Yes | USEE11200790 |
| Centerfold | The J. Geils Band | USEM30100644 |
| Centerfold | The J. Geils Band | USEM38100071 |
| Centerfold | The J. Geils Band | USEM38900192 |
| Owner of a Lonely Heart | Yes | USEW19900107 |
| Up Around the Bend | Creedence Clearwater Revival | USFI87000058 |
| You Really Got Me | The Kinks | USLIC0601749 |
| Don’t Bring Me Down | Electric Light Orchestra | USQX91702841 |
| Get It On | T. Rex | USRE10100460 |
| Bang a Gong (Get It On) | T. Rex | USRE10300007 |
| Get It On | T. Rex | USRE10301724 |
| Long Train Runnin’ | The Doobie Brothers | USRH11600598 |
| You Really Got Me | The Kinks | USRHD0532005 |
| Cocaine | Eric Clapton | USRY20517111 |
| Don’t Bring Me Down | Electric Light Orchestra | USSM10015734 |
| Hold the Line | Toto | USSM10015766 |
| She's Not There | Santana | USSM10306212 |
| Don’t Bring Me Down | Electric Light Orchestra | USSM10702728 |
| She's Not There | Santana | USSM17700348 |
| She’s Not There | Santana | USSM17700349 |
| Hold the Line | Toto | USSM17800442 |
| Hold the Line | Toto | USSM17800444 |
| Don’t Bring Me Down | Electric Light Orchestra | USSM17900012 |
| Don’t Bring Me Down | Electric Light Orchestra | USSM17900814 |
| Don't Bring Me Down | Electric Light Orchestra | USSM17900870 |
| She’s Not There | Santana | USSM19902764 |
| Poor Boy Blues | Chet Atkins, Mark Knopfler | USSM19907513 |
| Don’t Bring Me Down | Electric Light Orchestra | USSM19907681 |
| Long Train Runnin’ | The Doobie Brothers | USWB10400970 |
| Long Train Runnin’ | The Doobie Brothers | USWB10603176 |
| Long Train Runnin’ | The Doobie Brothers | USWB10903437 |
| Long Train Runnin’ | The Doobie Brothers | USWB11507997 |
| Long Train Runnin’ | The Doobie Brothers | USWB19900751 |
| Back on the Chain Gang | Pretenders | USWB19900768 |
What other identifiers does this connect to?
Musical Works (ISWC)
+39 more
Songwriters/Publishers (IPI)
People also ask
Verified on
What is UPC 5099746861940?
5099746861940 is a Universal Product Code (UPC) assigned to Rock Line by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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