UPC · Album

Rock Line

Various Artists

5099746862022
38 tracksReleased 1991-01-01Columbia

Last verified:

5099746862022 is the Universal Product Code (UPC barcode) for the release Rock Line by Various Artists, released 1991-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include AUV401446573, AUWC41010228, AUWC41010365.

Format

509GS1 prefix
9746Company prefix
86202Product
2Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCRock Line
ISRC118 recordings
ISWC70 works
IPI17 songwriters

Track List (118)

You Really Got Me
The Kinks
Need You Tonight
INXS
Need You Tonight
INXS
Up Around the Bend
Creedence Clearwater Revival
You Really Got Me
The Kinks
Rock ’n’ Roll People in a Disco World
Sparks
You Really Got Me
The Kinks
You Really Got Me
The Kinks
You Really Got Me
The Kinks
You Really Got Me
The Kinks
More Than a Woman
Bee Gees
Making Plans for Nigel
XTC
Making Plans for Nigel
XTC
On the Beach
Chris Rea
On the Beach
Chris Rea
On the Beach
Chris Rea
Back on the Chain Gang
Pretenders
Back on the Chain Gang
Pretenders
Back on the Chain Gang
Pretenders
Back on the Chain Gang
Pretenders
Back on the Chain Gang
Pretenders
You Really Got Me
The Kinks
You Really Got Me
The Kinks
You Really Got Me
The Kinks
Need You Tonight
INXS
Should I Stay or Should I Go
The Clash
The King of Rock ’n’ Roll
Prefab Sprout
Can the Can
Suzi Quatro
96 Tears
The Stranglers
96 Tears
The Stranglers
Race With the Devil
The Gun
Race With the Devil
The Gun
Race With the Devil
The Gun
Should I Stay or Should I Go
The Clash
Real Gone Kid
Deacon Blue
The King of Rock ’n’ Roll
Prefab Sprout
Real Gone Kid
Deacon Blue
The King of Rock ’n’ Roll
Prefab Sprout
Real Gone Kid
Deacon Blue
Should I Stay or Should I Go
The Clash
Get It On
T. Rex
You Really Got Me (live at the Playhouse Theatre, September 1964)
The Kinks
You Really Got Me
The Kinks
Who Can It Be Now?
Men at Work
Cocaine
Eric Clapton
Can the Can
Suzi Quatro
Jukebox Babe
Alan Vega
Jukebox Babe
Alan Vega
Show Me the Way (live / remixed)
Peter Frampton
Show Me the Way
Peter Frampton
Show Me the Way (live)
Peter Frampton
Need You Tonight
INXS
Owner of a Lonely Heart
Yes
Urgent
Foreigner
Need You Tonight
INXS
My Sharona
The Knack
Up Around the Bend
Creedence Clearwater Revival
Up Around the Bend
Creedence Clearwater Revival
Up Around the Bend
Creedence Clearwater Revival
My Sharona
The Knack
Centerfold
The J. Geils Band
SUNDAY GIRL
BLONDIE
SUNDAY GIRL
BLONDIE
Centerfold
The J. Geils Band
My Sharona
The Knack
My Sharona
The Knack
SUNDAY GIRL - REMASTERED
BLONDIE, MIKE CHAPMAN, MICHAEL CHAPMAN
SUNDAY GIRL
BLONDIE
Owner of a Lonely Heart
Yes
Owner of a Lonely Heart
Yes
Owner of a Lonely Heart
Yes
Owner of a Lonely Heart
Yes
Owner of a Lonely Heart
Yes
On the Beach
Chris Rea
Centerfold
The J. Geils Band
Centerfold
The J. Geils Band
Centerfold
The J. Geils Band
Owner of a Lonely Heart
Yes
Up Around the Bend
Creedence Clearwater Revival
You Really Got Me
The Kinks
Don’t Bring Me Down
Electric Light Orchestra
Get It On
T. Rex
Bang a Gong (Get It On)
T. Rex
Get It On
T. Rex
Long Train Runnin’
The Doobie Brothers
You Really Got Me
The Kinks
Cocaine
Eric Clapton
Don’t Bring Me Down
Electric Light Orchestra
Hold the Line
Toto
She's Not There
Santana
Texas Flood
Stevie Ray Vaughan and Double Trouble
Don’t Bring Me Down
Electric Light Orchestra
Sweet Jane
Mott the Hoople
Sweet Jane
Mott the Hoople
Godzilla
Blue Öyster Cult
She's Not There
Santana
She’s Not There
Santana
Godzilla
Blue Öyster Cult
Hold the Line
Toto
Hold the Line
Toto
Don’t Bring Me Down
Electric Light Orchestra
Don’t Bring Me Down
Electric Light Orchestra
Don't Bring Me Down
Electric Light Orchestra
Who Can It Be Now?
Men at Work
Texas Flood
Stevie Ray Vaughan and Double Trouble
Texas Flood
Stevie Ray Vaughan and Double Trouble
Who Can It Be Now?
Men at Work
She’s Not There
Santana
Poor Boy Blues
Chet Atkins, Mark Knopfler
Don’t Bring Me Down
Electric Light Orchestra
Johnny B. Goode
Johnny Winter
Godzilla
Blue Öyster Cult
Long Train Runnin’
The Doobie Brothers
Long Train Runnin’
The Doobie Brothers
Long Train Runnin’
The Doobie Brothers
Long Train Runnin’
The Doobie Brothers
Long Train Runnin’
The Doobie Brothers
Back on the Chain Gang
Pretenders

What other identifiers does this connect to?

Musical Works (ISWC)

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

People also ask

What is UPC 5099746862022?
UPC 5099746862022 is the Universal Product Code (barcode) for "Rock Line" by Various Artists, released on Columbia.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5099746862022?
UPC 5099746862022 contains 38 tracks, each with its own ISRC.
SourcesMLCMusicBrainzDiscogs3 sources

Verified on

What is UPC 5099746862022?

5099746862022 is a Universal Product Code (UPC) assigned to Rock Line by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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