UPC · Album
Nr 1 Hits Uit de Top 40: 1965-1991
Various Artists
Last verified:
5099747263125 is the Universal Product Code (UPC barcode) for the release “Nr 1 Hits Uit de Top 40: 1965-1991” by Various Artists, released 1992-01-01 on Magnum. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include AUMU08600004, DEF066918180, GBA076800190.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (85)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Walk Like an Egyptian | Bangles | AUMU08600004 |
| Eloise | Barry Ryan | DEF066918180 |
| Massachusetts | Bee Gees | GBA076800190 |
| Fame | Irene Cara | GBA078000010 |
| In the Air Tonight | Phil Collins | GBAAA8100214 |
| Smalltown Boy | Bronski Beat | GBAAP0200005 |
| Smalltown Boy | Bronski Beat | GBAAP0200283 |
| SMALLTOWN BOY REMASTER | BRONSKI BEAT | GBAAP1812339 |
| Don’t Leave Me This Way | The Communards | GBAAP8600001 |
| Smalltown Boy | Bronski Beat | GBAAP9190015 |
| Smalltown Boy | Bronski Beat | GBAAP9500310 |
| Orinoco Flow | Enya | GBAHT0200057 |
| Orinoco Flow | Enya | GBAHT0900037 |
| Orinoco Flow | Enya | GBAHT8802584 |
| Nikita | Elton John | GBAMS8500088 |
| Nikita | Elton John | GBAMS8500203 |
| Don't Leave Me This Way | The Communards, Sarah Jane Morris | GBANP1200001 |
| Don’t Leave Me This Way | Communards, Sarah Jane Morris | GBANP8600001 |
| Don't Leave Me This Way | The Communards, Sarah Jane Morris | GBAPN8600001 |
| Faith | George Michael | GBARL0601598 |
| Faith | George Michael | GBARL1000855 |
| The Edge of Heaven | Wham! | GBBBM8600004 |
| The Edge of Heaven | Wham! | GBBBM8601286 |
| I Knew You Were Waiting (for Me) | Aretha Franklin, George Michael | GBBBM8602006 |
| Faith | George Michael | GBBBM8700012 |
| Faith | George Michael | GBBBM8702010 |
| The Edge of Heaven | Wham! | GBBBN0009290 |
| Wishing Well | Terence Trent D’Arby | GBBBN8700003 |
| Wishing Well | Terence Trent D’Arby | GBBBN8702033 |
| Driver’s Seat | Sniff ’n’ the Tears | GBBHN9000084 |
| Driver’s Seat | Sniff ’n’ the Tears | GBBHN9900337 |
| This Strange Effect | Dave Berry | GBF076521400 |
| Green Green Grass of Home | Tom Jones | GBF076700190 |
| Green Green Grass of Home | Tom Jones | GBF076724970 |
| Nikita | Elton John | GBUM71702481 |
| Hair | Zen | NLA306900020 |
| Back Home | Golden Earring | NLC287000058 |
| I Want to Live | Aphrodite’s Child | NLF056990011 |
| State of Independence | Donna Summer | US6R21474407 |
| Show Me the Way (live / remixed) | Peter Frampton | USAM10000268 |
| Show Me the Way | Peter Frampton | USAM17600027 |
| Show Me the Way (live) | Peter Frampton | USAM17674773 |
| I Knew You Were Waiting (for Me) | Aretha Franklin, George Michael | USAR11900061 |
| I Knew You Were Waiting (for Me) | Aretha Franklin, George Michael | USAR18600111 |
| I Knew You Were Waiting (for Me) | Aretha Franklin, George Michael | USAR19800123 |
| I Knew You Were Waiting (for Me) | Aretha Franklin, George Michael | USAT20801298 |
| In the Air Tonight | Phil Collins | USAT21502120 |
| In the Air Tonight | Phil Collins | USAT21502121 |
| In the Air Tonight | Phil Collins | USAT28400020 |
| Losing My Religion | R.E.M. | USC4R1605373 |
| State of Independence | Donna Summer | USIR20400757 |
| San Francisco (Be Sure to Wear Flowers in Your Hair) | Scott McKenzie | USLIC0601857 |
| Lady Marmalade | LaBelle | USMC19650998 |
| Fame | Irene Cara | USNLR1200531 |
| Fame | Irene Cara | USPR38007171 |
| Barreta’s Theme | Sammy Davis Jr. | USPR39402007 |
| State of Independence | Donna Summer | USPR39609178 |
| Fame | Irene Cara | USRHD0708664 |
| Lady Marmalade | LaBelle | USSM10022100 |
| Lady Marmalade | LaBelle | USSM10026922 |
| San Francisco (Be Sure to Wear Flowers in Your Hair) | Scott McKenzie | USSM10313980 |
| San Francisco (Be Sure to Wear Flowers in Your Hair) | Scott McKenzie | USSM16701024 |
| San Francisco (Be Sure to Wear Flowers in Your Hair) | Scott McKenzie | USSM16701025 |
| Lady Marmalade | LaBelle | USSM17400284 |
| Lady Marmalade | LaBelle | USSM17400578 |
| Lady Marmalade | LaBelle | USSM17400748 |
| We Belong to the Night | Ellen Foley | USSM17900882 |
| Walk Like an Egyptian | Bangles | USSM18500266 |
| The Promise You Made | Cock Robin | USSM18500369 |
| Walk Like an Egyptian | Bangles | USSM18500397 |
| Walk Like an Egyptian | Bangles | USSM18500592 |
| Walk Like an Egyptian | Bangles | USSM18500884 |
| Take My Breath Away (Love Theme From “Top Gun”) | Berlin | USSM18600569 |
| Lady Marmalade | LaBelle | USSM19600441 |
| Take My Breath Away (Love Theme From “Top Gun”) | Berlin | USSM19801613 |
| Walk Like an Egyptian | Bangles | USSM19802606 |
| Walk Like an Egyptian | Bangles | USSM19802782 |
| Take My Breath Away (Love Theme From “Top Gun”) | Berlin | USSM19900414 |
| Take My Breath Away (Love Theme From “Top Gun”) | Berlin | USSM19904146 |
| We Were All Wounded at Wounded Knee | Redbone | USSM19927428 |
| Fame | Irene Cara | UST1C0002252 |
| Losing My Religion | R.E.M. | USWB10402077 |
| Losing My Religion | R.E.M. | USWB11102866 |
| Losing My Religion | R.E.M. | USWB19901521 |
| In the Air Tonight | Phil Collins | USWI19600270 |
What other identifiers does this connect to?
Musical Works (ISWC)
+65 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+31 more
People also ask
Verified on
What is UPC 5099747263125?
5099747263125 is a Universal Product Code (UPC) assigned to Nr 1 Hits Uit de Top 40: 1965-1991 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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